Set for SSAA unaccompanied, this piece is Larsen's take on the famous witches' incantation, 'Double, double, toil and trouble, ' from Shakespeare's Macbeth. It features lurid word-painting and rhythmic tricks

Suitable for symphonic winds, tuned water glasses, and amplified voice, this piece consists of nine fully notated sections which surround eight sections of improvised music. Each of the improvised sections includes the reading of a poem which refers to the moon.

for SATB unaccompanied There are three songs making up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'The Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal textures then relax into meltingly beautiful chords, while glissandi and yipping vocal slides evoke the sounds of the barn dance and the cattle drive.

for SATB unaccompanied There are three songs making up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'The Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal textures then relax into meltingly beautiful chords, while glissandi and yipping vocal slides evoke the sounds of the barn dance and the cattle drive.

for SATB unaccompanied Three songs make up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal textures then relax into meltingly beautiful chords, while glissandi and yipping vocal slides evoke the sounds of the barn dance and the cattle drive.

for SATB and organ, with optional congregation Commissioned for the American Guild of Organists 2014 National Convention in Boston, Mass., Eternal Ruler of the ceaseless round is a joyful and exuberant setting of the well-known hymn by John Chadwick. It begins with a rich organ introduction before the choir (and congregation) join in with a unison presentation of the melody. The second section explores the Lydian mode, with its rising fourth, while the adamantine final verse brings the anthem to a resolute close that reflects the text's profound depiction of unity and human understanding.

Try me, good King is a group of five songs drawn from the final letters and gallows speeches of the first five wives of King Henry VIII. The cycle is a psychologically intense monodrama that presents technical challenges to both performers. Each song is named after one of the five wives, and is interwoven with lute songs composed during the Elizabethan period. In the words of the composer, these interwoven lute songs 'create a tapestry of unsung works which comment on the real situation of each doomed queen'.

for SA and piano Today, this spring is a cycle of songs that are based on three separate texts by Emily Dickinson, Charles Wilson, and Jan Kimes that celebrate women.

Dancing Solo gives clarinettists an excellent chance to display their technical prowess in a widely varied, dramatic, and colourful context.

for SSSSAAAA unaccompanied The choir acts both as a singing group and as a drumming group, spinning sung rhythmic patterns into a buoyant accompaniment to the sung text. As the piece progresses, foot-stomping and hand-clapping is added to make a vibrant song-dance.

Seven songs for children's chorus (SAA) and harp to texts by Sally M. Gall The Ballerina and the Clown develops a completely new story inspired by some of Hans Christian Andersen's charming papercuts, which are reproduced in the score. Alternative illustrations by Cecilia Rolando for use in concert programme books are available to download from OUP's website.

for SSA chorus and piano A sparkling, joyous, celebratory piece for upper voices, suitable for a wide variety of secular and sacred occasions. Originally written for a school choir, it is equally effective with adult singers.