A range of approaches (literary, historical, art-historical,
codicological) to this mysterious but hugely significant
manuscript. Extravagantly heterogeneous in its contents, Oxford,
Bodleian Library, MS Digby 86 is an utterly singular production. On
its last folio, the scribe signs off with a self-portrait - a
cartoonishly-drawn male head wearing a close-fitted hood - and an
inscription: "scripsi librum in anno et iii mensibus" (I wrote the
book in a year and three months). His fifteen months' labour
resulted in one of the most important miscellanies to survive from
medieval England: a trilingual marvel of a compilation, with quirky
combinations of content that range from religion, to science, to
literature of a decidedly secular cast. It holds medical recipes,
charms, prayers, prognostications, magic tricks, pious doctrine, a
liturgical calendar, religious songs, lively debates, poetry on
love and death, proverbs, fables, fabliaux, scurrilous games, and
gender-based diatribes. That Digby is from the thirteenth century
adds to its appeal, for English literary remnants from before 1300
are all too rare. Scholars on both sides of the vernacular divide,
French and English, are deeply intrigued by it. Many of its texts
are found nowhere else: for example, the French Arthurian Lay of
the Horn, the English fabliau Dame Sirith and the beast fable Fox
and Wolf, and the French Strife between Two Ladies (a candid debate
on feminine politics). The interpretationsoffered in this volume of
its contents, presentation, and ownership, show that there is much
to discover in Digby's lively record of the social and spiritual
pastimes of a book-owning gentry family. SUSANNA FEIN is Professor
of English at Kent State University. CONTRIBUTORS: Maureen Boulton,
Neil Cartlidge, Marilyn Corrie, Susanna Fein, Marjorie Harrington,
John Hines, Jennifer Jahner, Melissa Julian-Jones, Jenni Nuttall,
David Raybin, Delbert Russell, J.D. Sargan, Sheri Smith
General
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