The game you know and love has reached new heights! In Mountain Backgammon, the gameplay is exactly the same as classic backgammon, but each of the 24 points on the board has been replaced with an awe-inspiring peak. Spot skiers on Whistler, free climbers on El Capitan and even the yeti of Kangchenjunga as you try to get your counters home first. The race around the world is on!

Contents: 1 x gameboard
30 x counters
2 x dice
1 x rules booklet

A FAMILY FAVOURITE: backgammon is an ancient game that all the family will love. Challenge grandad to a game or teach your kids a childhood favourite!
PLAY AND LEARN: each point on the backgammon board is represented by one of the world's most incredible mountains. Enjoy the detailed illustrations and learn more in the accompanying booklet
SCREEN-FREE FUN for two players aged 6 and up
SOMETHING TO TREASURE: this is a quality product made to last, with bespoke illustrations, quality wooden pieces and sleek and stylish packaging

Experience southwestern heritage, culture and cuisine while learning to rope and herd cattle, trail ride through the wilderness or make prickly pear syrup. With roots dating back to the mid-1800s, southern Arizona's historic guest ranches and farm stays include Spain's first mission in the continental United States, a former World War II prison camp and boys' boarding school and a Butterfield Stagecoach stop. Intimately connected to Arizona's land and legacy, these unparalleled retreats have hosted countless artists, movie stars and politicians and continue to enrich their present-day communities through food, education and conservation. Pack your bags and join travel writer Lili DeBarbieri for a journey into the rural west south of the Gila River.

Join Delphi on her colourful daily daydream adventures. Watch as Delphi’s dream world intertwines with her real-life activities and a world where she learns through her play. From make believe forests, sailing on a tall ship, to real life scrumptious roast dinners and chocolate cake... Buckle up and join Delphi on her sparkly rainbow discoveries.

A vulnerable student is filled with a sense of foreboding about a mysterious new arrival at a girls' boarding school in director Mary Hannon's adaptation of Rachel Klein's gothic novel. Helped to recovery by her best friend Lucy (Sarah Gadon) after the suicide of her father, sixteen-year-old Rebecca (Sarah Bolger) soon begins to feel ostracised when Lucy falls under the spell of darkly moody newcomer Ernessa (Lily Cole). When her concerns about the new student's motives are dismissed as jealousy by Lucy, a chance reading of a gothic novel triggers the belief in Rebecca that Ernessa may in fact be a vampire and is trying to steal her friend's life force. When staff and pupils at the school suddenly begin to suffer a series of deadly freak accidents, Rebecca decides to uncover the truth about Ernessa once and for all.

Robert De Niro and Paul Dano star as an estranged father and son attempting to reconnect in this drama based on writer Nick Flynn's memoir of his difficult early life. With his con-man father Jonathan (De Niro) having disappeared out his life when he was a child and his mother Jody (Julianne Moore) subsequently committing suicide, struggling writer Nick (Dano) finds it hard to get his life back on track. Things are complicated further when, after a break of 18 years, an alcoholic and delusional Jonathan turns up at the homeless shelter where Nick now works, looking for a place to sleep. Over the coming weeks Nick wrestles with his demons as he tries to make sense of everything life has thrown at him so far.

Superhero action prequel to the first three 'X-Men' movies. The film charts the beginning of the saga, following Professor X (James McAvoy) and Magneto (Michael Fassbender) through their formative years in the 1960s as they come to terms with their newfound superpowers. Initially close friends who work together to fight against evil, the two men are driven apart by a conflict of opinion that ultimately leads to the eternal war between Magneto's Brotherhood and Professor X's X-Men. Kevin Bacon, January Jones and Rose Byrne co-star.

Three-volume set containing 32 Christmas-themed animated adventures with Peppa Pig and her family: Daddy Pig, Mummy Pig and little brother George.

A beautifully illustrated oracle deck inspired by meditation, with 54 mantra cards to bring guidance and affirmation to your divination.   Mantras are sacred sounds originally conceived to aid in meditation, which have taken on significance in a more general sense as a way to manifest your desire or strengthen your intentions. This beautiful deck—illustrated in full color by the author’s husband, painter Bastien Coulon—is an elegant way to incorporate the concept of mantras, mudras, and their role in meditation into your daily practice. The Mantra Oracle works both as a tool for concentration and as a daily affirmation deck that can provide guidance and clarity. An informative guidebook also lists the properties and meanings of each card and how to use the deck for a variety of purposes.    Fans of Tracee Stanley’s Radiant Rest will find similar vibes in these self-care oracle cards, with author Lili Barbery-Coulon’s background as a yoga instructor bringing the same themes of relaxation and clarity to this deck. Adorned with painter Bastien Coulon’s beautiful art, this deck is an elegant and inspirational gift perfect for anyone looking for oracle cards to accompany their meditation practice.    

'Extremely compelling' - THE GUARDIAN 'It's a fascinating read... Buy the book! Buy the book!' - JO GOOD, BBC RADIO LONDON 'Searing... funny, eloquent and honest' - PSYCHOLOGIES 'Remarkable... I hope this book finds a wide readership' - WASHINGTON POST 'A beautifully-rendered memoir' - PUBLISHERS WEEKLY 'Often as chilling as Sylvia Plath's The Bell Jar, but also full of so much inner and external turbulence that it reminded me at times of The Bourne Identity and Memento. Readers will root for Lily, even when she is attempting to run away from the realities and sometimes authorities chasing her.' - HUFFPOST UK 'A harrowingly honest memoir' - KIRKUS REVIEWS' Because We Are Bad is an emotional, challenging read. Lily takes us deep into the heart of the illness but she is also a deft writer, and even the darkest moments are peppered with wit and wry observations.' - JAMES LLOYD, OCD-UK As a child, Lily Bailey knew she was bad. By the age of 13, she had killed someone with a thought, spread untold disease, and spied upon her classmates. Only by performing a series of secret routines could she correct her wrongdoing. But it was never enough. She had a severe case of Obsessive Compulsive Disorder, and it came with a bizarre twist. This true story lights up the workings of the mind like Mark Haddon or Matt Haig. Anyone who wants to know about OCD, and how to fight back, should read this book. It is ideal for anyone who liked books by fellow OCD sufferers Bryony Gordon (Mad Girl, Glorious Rock Bottom), Rose Cartwright (Pure), and David Adam (The Man Who Couldn't Stop: The Truth About OCD). EXTRACT Chapter 1: Chesbury Hospital From the outside, Chesbury Hospital in London looks like a castle that got lost and was plonked down in the wrong place. It is long and white, with battlements and arched windows from which princesses could call down, in the chapter before they are saved. But it's not entirely believable. Where the portcullis should be, there are giant glass doors. Walk through them, and you could be in a five-star hotel. The man at reception wears a suit and tie and asks if he can help, like he's going to book you a table. A glass cupboard showcases the gifts sold by reception: bath oils, rejuvenating face cream, and Green & Black's chocolate, just in case you arrive empty-handed to see a crazy relative and need an icebreaker. The walls, lampshades, window fittings, and radiators are all a similar, unnameable colour, somewhere between brown, yellow, and cream. A looping gold chandelier is suspended by a heavy chain; the fireplace has marble columns. The members of staff have busy, preoccupied faces-until they come close to you, when their mouths break into wide, fixed smiles. Compared with the Harley Street clinic, there is a superior choice of herbal teas. When the police arrived after the escape, Mum cried a lot; then she shouted. Now she has assumed a sense of British resolve. She queries: 'Wild Jasmine, Purple Rose, or Earl Grey?' A nurse checks through my bag, which has been lugged upstairs. She takes the razor (fair enough), tweezers (sort of fair enough), a bottle of Baileys lying forgotten in the handbag (definitely fair enough), and headphones (definitely not fair enough). There would never be a hanging: far too much mess. The observation room is next to the nurses' station; they keep you there until you are no longer a risk to yourself. It is 10th January, 2013, and I am 19. ABOUT THE WRITER Lily Bailey is a model, writer, and mental health campaigner. As a child and teenager, Lily suffered from severe Obsessive Compulsive Disorder (OCD). She kept her illness private, until the widespread misunderstanding of the disorder spurred her into action. She began campaigning for better awareness and understanding of OCD, and has tried to stop companies making products that trivialise the illness.

Fast-paced action movie starring Jeffrey Dean Morgan and Mickey Rourke. The Courier (Morgan) has earned his nickname through a remarkable ability to track down individuals and deliver messages and packages. The Courier is particularly prized, in certain circles, for his refusal to ask questions or query the legality of the material he carries. However, when he is handed a package by a branch of the Russian mafia and asked to deliver it to an especially notorious underworld figure, The Courier's skills will be tested to the limit. He believes he has made a breakthrough when he gets in contact with Maxwell (Mickey Rourke), a former associate of the elusive figure he is seeking, but how far can Maxwell be trusted?

SOON TO BE A MAJOR MOTION PICTURE STARRING LENA DUNHAM AND STEPHEN FRY.

Ruth Rothwax finds order and meaning in the words she writes for other people, but she can’t find words to understand the loss her family experienced during World War II. She becomes obsessed with the idea of returning to Poland with her father, Edek, making sense of her family’s past, and visiting the places where her beloved parents lived and almost died. But there’s more to this trip than Ruth can plan for. By facing Poland and the past, she might be able to confront her own future.

Treasure is the gripping story of a woman’s search for memory and meaning, and the reconciliation of present and past within the complicated fabric of family. Acclaimed bestselling author Lily Brett explores the reverberations of loss through this remarkable and unforgettable journey of the heart.

This book was previously published under the title Too Many Men.

'A laugh-out-loud romcom about what it means to come out... A must-read' Red 'The queer rom com I've been waiting for' Laura Kay 'Literary crack. I am so on board it hurts' Leena Norms Georgina has a strict routine: 1) teach piano to bored children 2) schedule dates with long-term boyfriend 3) repeat until dead Perfect. But then, one wild night, she auditions for a lesbian pop band and realises: 1) she longs to play her own music 2) she wants to be just like them 3) she has a huge crush on their female drummer... Realising she might like girls as well as boys, Georgina - and her schedule - are in chaos. Torn between the safety of her old life, and the freedom of a new one, she does what any rational person would do. She splits herself in two. After all, two lives are twice the fun... right? Praise for Double Booked: 'A laugh-out-loud romcom about what it means to come out, not just to those around you but ultimately to yourself... A must-read' Red Magazine 'The queer rom com I've been waiting for. A fresh and fun take on finding yourself stuck between two worlds, I challenge anyone not to fly through this novel, rooting for Georgina Green the entire time' Laura Kay, author of Tell Me Everything 'So fun and steaming hot' Mikaella Clements and Onjuli Datta, authors of The View Was Exhausting 'Warm and witty, smart and sassy, this bi romcom is a big-hearted and beautifully fresh story of love and self-discovery' Emylia Hall, author of The Book of Summers 'Sweet, charming, and has left me feeling hopeful about the future' Matt Cain, author of The Secret Life of Albert Entwistle 'The bisexual romcom of your wildest dreams' DIVA Magazine 'I loved and adored this - it's absolutely hilarious' Emma Hughes, author of No Such Thing as Perfect

'Extremely compelling' - THE GUARDIAN 'It's a fascinating read... Buy the book! Buy the book!' - JO GOOD, BBC RADIO LONDON 'Searing... funny, eloquent and honest' - PSYCHOLOGIES 'Remarkable... I hope this book finds a wide readership' - WASHINGTON POST 'A beautifully-rendered memoir' - PUBLISHERS WEEKLY 'Often as chilling as Sylvia Plath's The Bell Jar, but also full of so much inner and external turbulence that it reminded me at times of The Bourne Identity and Memento. Readers will root for Lily, even when she is attempting to run away from the realities and sometimes authorities chasing her.' - HUFFPOST UK 'A harrowingly honest memoir' - KIRKUS REVIEWS' Because We Are Bad is an emotional, challenging read. Lily takes us deep into the heart of the illness but she is also a deft writer, and even the darkest moments are peppered with wit and wry observations.' - JAMES LLOYD, OCD-UK As a child, Lily Bailey knew she was bad. By the age of 13, she had killed someone with a thought, spread untold disease, and spied upon her classmates. Only by performing a series of secret routines could she correct her wrongdoing. But it was never enough. She had a severe case of Obsessive Compulsive Disorder, and it came with a bizarre twist. This true story lights up the workings of the mind like Mark Haddon or Matt Haig. Anyone who wants to know about OCD, and how to fight back, should read this book. It is ideal for anyone who liked books by fellow OCD sufferers Bryony Gordon (Mad Girl, Glorious Rock Bottom), Rose Cartwright (Pure), and David Adam (The Man Who Couldn't Stop: The Truth About OCD). EXTRACT Chapter 1: Chesbury Hospital From the outside, Chesbury Hospital in London looks like a castle that got lost and was plonked down in the wrong place. It is long and white, with battlements and arched windows from which princesses could call down, in the chapter before they are saved. But it's not entirely believable. Where the portcullis should be, there are giant glass doors. Walk through them, and you could be in a five-star hotel. The man at reception wears a suit and tie and asks if he can help, like he's going to book you a table. A glass cupboard showcases the gifts sold by reception: bath oils, rejuvenating face cream, and Green & Black's chocolate, just in case you arrive empty-handed to see a crazy relative and need an icebreaker. The walls, lampshades, window fittings, and radiators are all a similar, unnameable colour, somewhere between brown, yellow, and cream. A looping gold chandelier is suspended by a heavy chain; the fireplace has marble columns. The members of staff have busy, preoccupied faces-until they come close to you, when their mouths break into wide, fixed smiles. Compared with the Harley Street clinic, there is a superior choice of herbal teas. When the police arrived after the escape, Mum cried a lot; then she shouted. Now she has assumed a sense of British resolve. She queries: 'Wild Jasmine, Purple Rose, or Earl Grey?' A nurse checks through my bag, which has been lugged upstairs. She takes the razor (fair enough), tweezers (sort of fair enough), a bottle of Baileys lying forgotten in the handbag (definitely fair enough), and headphones (definitely not fair enough). There would never be a hanging: far too much mess. The observation room is next to the nurses' station; they keep you there until you are no longer a risk to yourself. It is 10th January, 2013, and I am 19. ABOUT THE WRITER Lily Bailey is a model, writer, and mental health campaigner. As a child and teenager, Lily suffered from severe Obsessive Compulsive Disorder (OCD). She kept her illness private, until the widespread misunderstanding of the disorder spurred her into action. She began campaigning for better awareness and understanding of OCD, and has tried to stop companies making products that trivialise the illness.

Cactus Joe is a lean 'n' mean prickle machine! He lives all alone in the desert and that's the way he likes it . . . until a woodpecker offers Joe a mighty fine deal: he'll eat Joe's pests if he gives him a home. Yeehaw! But soon more and more birds come to stay, and Joe decides enough is enough. All Joe wants is to be left alone . . . or does he? A heartwarming rhyming tale inspired by a real-life cactus!

Set to an upbeat seaside rhythm by Lily Murray and brought to life by Sam Caldwell’s vibrant artwork, Sheldon's New Shell is a fun, rhyming picture book that combines a gentle story with real-life ecological issues that affect animals around the world. Sheldon the hermit crab needs a new home, so it’s time for him to scour the beach and look for the perfect shell. However, the only thing he can find is rubbish! There are plastic bottles and tin cans littered everywhere. It’s a good job he has his fellow beach-side animal friends to help, as well as one little girl who is determined to clean up his environment for good. Plastic bottles and other rubbish are huge threats to marine life. Sheldon's New Shell is published in partnership with the successful environmental charity, Surfers Against Sewage, which is dedicated to the protection of our oceans.

This illuminating book offers an authoritative analysis of the legal issues relating to safeguarding intangible cultural heritage. Taking a critical approach, it provides a unique insight into the impact of international and national law on the present and future safeguarding processes of intangible cultural heritage. Expert contributors draw on the results of an international study conducted in 26 countries to illustrate how domestic laws comprehend the notion of intangible cultural heritage. The book explores the relationship that these states maintain with the safeguarding of intangible cultural heritage, and highlights challenging concepts, including the principle of participation and community and the nature of safeguarding. Through the analysis and synthesis of empirical data, the book also identifies new developments in cultural heritage law. This book will be an essential resource for scholars and students of cultural heritage law, as well as anthropology, ethnology, and cultural studies. Its panorama of national experiences will also be beneficial for persons involved in the safeguarding of intangible cultural heritage, including policy makers and NGOs.

Adopting a geographically diverse and theoretically rigorous approach, this Handbook on the Geographies of Creativity is a cutting-edge study of creativity as it has emerged in policy, academic, activist, and cultural discourse over the last two decades. A range of sectors are explored with in-depth engagement and understanding, including: dance, music, craft, visual art, circus arts and fashion. This Handbook departs from conventional modes of analysing creativity by industry, region or sector, and instead identifies key themes that thread through shifting contexts of the creative, namely creativity as imaginary, locality, mobility, labour, culture, intervention and method. By tracing the myriad spatialities of creativity, the chapters map its inherently paradoxical features: reinforcing persistent conditions of inequality even as it opens avenues for imagining and enacting more equitable futures. The conceptual framework proposed for critically appraising present debates and articulating future directions for creative and cultural industries will be useful for scholars and academics researching culture, media and design. Policy makers and professionals working in creative and cultural industries (CCIs) will find the wide range of case studies in this Handbook an essential tool for further understanding the field. Contributors include: S.T. Allison, S. Baker, J. Banfield, D. Bennett, S. Black, C. Brennan-Horley, A.R. Brown, P. Carter, S. Ching-Kiu Chan, K. Connell, A. de Dios, S. de Leeuw, O. Efthimiou, C. Gibson, S. Hannon, H. Hawkins, M. Keane, L. Kong, D. Leslie, S. Luckman, H. McLean, S. McQuire, J. O'Connor, N. Papastergiadis, J. Peck, N.M. Rantisi, A. Rogers, J. Smith, J. Wang, S. Warren, D. Wyatt, C. Veal, A. Yue, L. Zhang

Imagine if you could have an adventure as a pirate. What if you could have MILLIONS of them? With this story-building book, readers aged 5+ can create their own pirate-inspired adventures, over and over again. Just read the question and choose from the vibrant pictures on the page to build the story. The book is packed full of fun, silly and exciting things for the reader to choose from, including: Visiting a pirate milkshake bar Wearing a sparkly eye patch and a beard Packing a treasure map Voyaging on a ghost ship Sailing past an island made of chocolate Facing a tentacled sea monster Once they've finished, the reader can turn back to the start and make different choices to build a completely new tale. There are millions of possible combinations and endless stories to be told! And can you find the cheeky penguin hidden on each page? Let's Tell a Story is a series of books designed to help readers dream up their very own adventures. From selecting which hero to be and where to visit, to deciding on how the story will end and choosing a reward, the reader controls the action from start to finish. Packed full of imaginative characters, thrilling places to go, hilarious random objects and extraordinary situations to choose from, these books are made to be read again and again.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.