This book is a guide for students writing their college admissions essays, primarily the 650-word Common App essay and supplementary essays that many schools require as part of their admission applications. With more students applying to college, and those students applying to more schools than ever before, college admission selection is far more competitive than in the past and the college essay is a key component. We offer suggestions on good topics to write about without getting too specific (and just as importantly what not to write about), vital tips on writing approach, grammar, and usage. This guide can be for anyone who wants to write better, more clearly and crisply. If used properly, this book will help you craft a readable, interesting essay that will attract the college admissions reader by giving you a creative voice and the means to express yourself. No guarantees, but it just might make a difference in the final admission process.

'The Son of a Shoemaker' is a sequence of eighteen prose poems based on the early life of Hans Christian Anderson. The poems are collaged from a fictionalised biography of Andersen, 'The Shoemaker's Son' by Constance Buel Burnett.

"Linda Black's sparkling poems charm and beguile — and then, quite often, twist a small knife. Under a rubric of 'little involuntary musings', she makes a miscellany of different forms: prose poems, grid poems, extended aphorisms with a sting in the tail, fantastical flash-fiction. They toy with nostalgia, trailing threads of real memories into imaginary word-gardens bristling with tricks. Words 'collude / allude', slip over each other, with many near-misses. They lean into one another, threaten connection, narrowly miss and ricochet in another direction. Allusions are so nearly (neatly-delightfully) pinned down, are always on the verge of escaping. Daintiness jostles disgust as the poems joke, jibe, curse, cast spells - about food, fripperies, old china, seemingly new-to-you trifles that really aren't trifling at all. Then tugs and teases — at possible pasts, possible consequences, half-glimpsed narratives — all assembled into glittering bricolage." —Anna Reckin Comments on Slant: "Black's hesitant, unclosed narratives and heart-stopping pauses are more reminiscent of the late Lee Harwood's poetry: crystalline, fictive, artful. Her vocabulary is more recherché than Harwood's, her poems often more tautly constructed, more pictorial. In her lusher moments she can disappear into lists of fanciful compound words and sonic pairings, although it is in and through these devices that her poetry achieves its rich, sing-song music; but there are 'little gregarious footings' (to quote the poet in 'She takes herself out of herself') whereby her poems gain purchase on a human story and haul themselves up and out into shared experience and the quotidian. [...] ...it is in her own searching, slanted stories that Black's poetic gift shines, in her inventive use of nursery rhyme and old vernaculars, in her recognition that 'bread needs the tin of strife'." —John Muckle PN Review "The delicate threads of Black's lines lean in such a way that stasis merges into movement ... The presentation of each poem, with italicised words leaning against the rest of the text, is part of the whole exquisite design and 'A life of custom & accident' is held in a delicate balance." —Ian Brinton, Tears in the Fence

"Step into the magical word-world of Linda Black. Singsong and urbane by turn, these poems are rich in Hardyesque rhythms and moods undercut by an astute and often funny commentary. Using techniques more usually found in nonsense poetry, pastoral and ballad, this collection devises 'a route map of liquid thought'. Linda Black leads the very few British poets who present the process of consciousness and she does it in a wholly original way." -Claire Crowther

How does one explain death to a young child? What does one say? Read how one mom explained the untimely death of her young daughter's father to her in a very unconventional way.

This is a collection in search of origins, a kind of 'delving', 'trying to get to the bottom of it'. In a series of unsettling prose poems Black offers pieces of a fractured past. The effect is memorable and often menacing, each poem glinting like a sliver from a broken mirror; language enacting the struggle to retrieve and reassemble an unauthorised past. The difficulties of truth finding and telling are explored through shifts in identity and a syntax of qualifications and hesitations where everyday phrases take on a new and frightening resonance. Domestic objects and rituals loom large in the distorted reflections of the poems, conveying a sense of wonderland gone wrong.

The power and whimsy of hot-air balloons. The sexy, sticky heat of a Kentucky summer evening. Pushing through pain and into dreams best lived. Those are a few of the musings explored in Calliope: the 16th Annual Anthology of Women Who Write, 2009. Calliope is produced by Women Who Write, the premier women's writing group in Louisville, Kentucky. This edition features the six winning entries of the Annual Women Who Write Prose and Poetry Contest. The anthology also features selected prose and poetry of Women Who Write members, several of whom have been published in the local and regional pages of Underwired Magazine, The Heartland Review, EX-POW Bulletin, Peeks and Valleys, Willard & Maple, InHealthNW, and The Easterner, The New Albany Tribune, and The Evening News. Contributing members have also had their works performed at Actors Theatre of Louisville, The Kentucky Center for the Arts Mex Theatre, University of Louisville Theatre, and Market House Theatre. Founded in 1992, Women Who Write is a non-profit organization of women writers dedicated to excellence in literary creation by women. This book is in part, a fulfillment of our mission to educate, support and encourage women and girls who aspire to write.

Linda Black's first collection consists entirely of prose poems. The author says of the collection: "I like how the form allows for an ending that isn't an ending - I don't believe in the idea of closure; as in etching I'd want an image, fine detail, but also degrees of dark or shade with less definition, something implied, unseen, reverberating in the shadows."