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In this engaging creative writing workbook, novelist and poet Linda
Lappin presents a series of insightful exercises to help writers of
all genres--literary travel writing, memoir, poetry, fiction,
creative nonfiction--discover imagery and inspiration in the places
they love. Lappin departs from the classical concept of the Genius
Loci, the indwelling spirit residing in every landscape, house,
city, or forest--to argue that by entering into contact with the
unique energy and identity of a place, writers can access an
inexhaustible source of creative power. The Soul of Place provides
instruction on how to evoke that power. The writing exercises are
drawn from many fields--architecture, painting, cuisine, literature
and literary criticism, geography and deep maps, Jungian
psychology, fairy tales, mythology, theater and performance art,
metaphysics--all of which offer surprising perspectives on our
writing and may help us uncover raw materials for fiction, essays,
and poetry hidden in our environment. An essential resource book
for the writer's library, this book is ideal for creative writing
courses, with stimulating exercises adaptable to all genres. For
writers or travelers about to set out on a trip abroad, The Soul of
Place is the perfect road trip companion, attuning our senses to a
deeper awareness of place.
In her new novel, Linda Lappin (author of THE ETRUSCAN) explores
the final years in the life of short story writer and literary
figure, Katherine Mansfield, focusing on her relationships with Ida
Baker and John Middleton Murry against the backdrop of her
ceaseless journeys and changes of residence -- the South of France,
London, Italy, Switzerland, and finally, Fontainebleau. The
narrative incorporates modernist techniques used by Mansfield,
Virginia Wolff, and D.H. Lawrence in their fiction. Though the book
deals with tragic issues, it celebrates Mansfield's deep love of
life, which never abandoned her, and its final message is a
life-affirming one of joy and of wholeness achieved. "KATHERINE'S
WISH is a beautifully observed novel that] reveals a core truth:
that Mansfield's was not so much a creative life cut short as one
that flourished so long against all odds." -- Alexandra Johnson,
author of THE HIDDEN WRITER "KATHERINE'S WISH, fifteen years in the
making, is a dazzling bit of fictional sorcery, conjuring to life
the bright and talented swirl of modern society in the 1920s...
This novel is a must read, whether you have historical interests
per se or only enjoy a story so compelling and moving that there's
no putting it down. I certainly couldn't " -- David Lynn, editor,
the KENYON REVIEW Linda Lappin is the author of THE ETRUSCAN
(Wynkin de Worde, Galway, 2004) hailed by critics as a new classic
in American writing about Italy. Semi-Finalist for the 2000 Three
Oaks First Novel Prize awarded by Story-Line Press in Oregon, THE
ETRUSCAN was selected as a Book of the Week by BOOK VIEW IRELAND
and praised by the LITERARY REVIEW as "compelling, haunting,
intriguing," and by PRAIRIE SCHOONER as "gorgeously detailed,
wickedly fun." She is also the author of PRISONER OF PALMARY, an
experimental historical novel set in 18th century Italy,
short-listed for the Mid-List First Novel Award in 1999. Her
essays, poetry, reviews and fiction have appeared in a wide variety
of US publications, from the KENYON REVIEW to the KANSAS CITY STAR.
She has twice been nominated for a Pushcart Prize. The last chapter
of KATHERINE'S WISH was short-listed for the Eric Hoffer short
fiction award in 2007 and was published in BEST NEW WRITING 2007.
She teaches Creative Writing for the U.S.A.C. Study Abroad program
in Viterbo. She also directs the Writing Center of Centro Pokkoli
www.pokkoli.org Her websites are www.lindalappin.net and
www.theetruscan.com
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Roman Women (Paperback)
Linda Lappin; Edited by Augusto Fraschetti
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R1,037
Discovery Miles 10 370
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Ships in 12 - 17 working days
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This collection of essays features important Roman women who were
active in politics, theater, cultural life, and religion from the
first through the fourth centuries. The contributors draw on rare
documents in an attempt to reconstruct in detail the lives and
accomplishments of these exceptional women, a difficult task
considering that the Romans recorded very little about women. They
thought it improper for a woman's virtues to be praised outside the
home. Moreover, they believed that a feeble intellect, a weakness
in character, and a general incompetence prevented a woman from
participating in public life.
Through this investigation, we encounter a number of idiosyncratic
personalities. They include the vestal virgin Claudia; Cornelia, a
matron; the passionate Fulvia; a mime known as "Lycoris"; the
politician Livia; the martyr and writer Vibia Perpetua; a hostess
named Helena Augusta; the intellectual Hypatia; and the saint
Melania the Younger. Unlike their silent female counterparts, these
women stood out in a culture where it was terribly difficult and
odd to do so.
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Roman Women (Hardcover)
Augusto Fraschetti; Translated by Linda Lappin
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R2,619
Discovery Miles 26 190
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Ships in 12 - 17 working days
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This collection of essays features important Roman women who were
active in politics, theater, cultural life, and religion from the
first through the fourth centuries. The contributors draw on rare
documents in an attempt to reconstruct in detail the lives and
accomplishments of these exceptional women, a difficult task
considering that the Romans recorded very little about women. They
thought it improper for a woman's virtues to be praised outside the
home. Moreover, they believed that a feeble intellect, a weakness
in character, and a general incompetence prevented a woman from
participating in public life.
Through this investigation, we encounter a number of idiosyncratic
personalities. They include the vestal virgin Claudia; Cornelia, a
matron; the passionate Fulvia; a mime known as "Lycoris"; the
politician Livia; the martyr and writer Vibia Perpetua; a hostess
named Helena Augusta; the intellectual Hypatia; and the saint
Melania the Younger. Unlike their silent female counterparts, these
women stood out in a culture where it was terribly difficult and
odd to do so.
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