Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of the image from what it purports to represent; abstraction as a vehicle for signification; and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological.

Art and Architecture of the Middle Ages is a panoramic survey that focuses on the arts of medieval Europe, Byzantium, and the Islamicate world. From majestic monuments to exquisite tableware, Jill Caskey, Adam S. Cohen, and Linda Safran deftly guide readers over twelve centuries of art and architecture created by the diverse peoples and religious groups of western Eurasia and North Africa. This textbook, intended for a wide range of courses in the history of medieval art and architecture, uniquely features: * More than 450 color illustrations of fascinating works produced between ca. 250 CE and ca. 1450 CE * Coverage of secular and religious arts, including polytheistic, Zoroastrian, Jewish, Christian, and Islamic traditions * Informational text boxes on key issues and a glossary of terms * Diverse cultures interwoven in a single chronological framework * Five broad interpretive themes-artistic production, status and identity, connection to the past, ideology, and access to the sacred Complemented by a website (artofthemiddleages.com) with additional works, dynamic maps and timelines, podcasts, new primary-source translations, and more, Art and Architecture of the Middle Ages brilliantly expands and recalibrates the story of medieval art history.

This volume approaches the problem of the canonical center by looking at art and architecture on the borders of the medieval world, from China to Armenia, Sweden, and Spain. Seven contributors engage three distinct yet related problems: margins, frontiers, and cross-cultural encounters. While not displaying a unified methodology or privileging specific theoretical constructs, the essays emphasize how strategies of representation articulated ownership and identity within contested arenas. What is contested is both medieval (the material evidence itself) and modern (the scholarly traditions in which the evidence has or has not been embedded). An introduction by the editors places the essays within historiographic and pedagogical frameworks. Contributors: J. Caskey, K. Kogman-Appel, C. Maranci, J. Purtle, C. Robinson, N. Wicker and E.S.Wolper.

From the very beginning Christianity was a religion of books--a lived, but also a written faith. The essays in this collection focus on the ways in which books were produced, used, treasured, and conceptualized in the early Christian centuries (AD 100--600). During this crucial period, just after the New Testament writings were composed, Christianity grew from the religion of a tiny minority in the eastern Roman Empire to the religion of the empire itself, and beyond. To no small extent, this success was based on the power of its books. Written by experts in the field, the essays in this volume examine the early Christian book from a wide range of disciplines: religion, art history, history, Near Eastern studies, and classics. Topics include theories of the book, book production and use, books as sacred objects, and problems of gender, authorship, and authority. By examining Christian books from multiple perspectives, this book invites readers into the entire ""bookish"" world of early Christianity: a world of writing and reading practices, of copying and exchanging texts, of persuading and debating with books, and of representing holiness and power through codices of the law, the scriptures, and the lives of the saints. Essays cover a wide geographical range and discuss texts written all across the Mediterranean world--in Greek, Latin, Coptic, Syriac, and Hebrew. All ancient texts are translated into English, some for the first time. Intended for general readers, students, and scholars alike--anyone with a serious interest in early Christianity--this work brings together exciting currents of new research. It also opens up fresh questions and lines of inquiry in the study of this perennially important and fascinating subject. An introduction by Philip Rousseau provides a valuable overview, followed by essays written by Daniel Boyarin, Catherine Burris, Catherine Chin, Gillian Clark, Catherine Conybeare, Kim Haines-Eitzen, Caroline Humfress, Chrysi Kotsifou, John Lowden, Claudia Rapp, Daniel Sarefield, and Mark Vessey. A comprehensive consolidated bibliography and index complete the work.