First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.

Marie Adelheid, Prinzessin Reuss-zur Lippe was a rebellious young woman and aspiring writer from an ancient princely family who became a fervent Nazi. Heinrich Vogeler was a well-regarded Jugendstil artist who was to join the German Communist Party and later emigrate to the Soviet Union. Ludwig Roselius was a successful Bremen businessman who had made a fortune from his invention of decaffeinated coffee. What was it about the revolutionary climate following Germany's defeat in World War I that induced three such different personalities to collaborate in the production of a slim volume of poetry - entitled Gott in mir - about the indwelling of the divine within the human? Part I of Gossman's study situates the poem in the ideological context that made the collaboration possible - pantheism, Darwinism, disillusionment with traditional liberal values, theosophy and volkisch religions, and Lebensreform. In part II Gossman outlines the subsequent life of the Princess who, until her death in 1993, continued to support and celebrate the ideals and heroes of National Socialism. The aim of Gossman's study is to gain insight into the sources and character of the "Nazi Conscience." As such it is invaluable reading for anybody interested in understanding German society during the inter-war and Nazi periods

Edited by Lionel Gossman, this volume contains three programmatic essays by Michelet. The first two are available here for the first time in English translation. The third, the Preface to the 1869 edition of the Histoire de France, originally published in its first English translation by Edward K. Kaplan in his Michelet's Poetic Vision (1977), has been revised by the translator for this volume. One of the greatest Romantic historians and immensely popular during his lifetime, Jules Michelet (1798-1874) fell into disfavour among the positivist historians who came after him and who regarded his work with disdain as "literature." In the 1920s and 30s, however, he began to be rediscovered and rehabilitated by the members of the influential Annales school. The objects of Michelet's interest-living conditions, popular mentalities, laws and the arts, the historian's relation to the objects of his study, no less than political history-have since come to occupy a central place in modern historical research. A free online-only supplement contains an essay on Michelet by John Stuart Mill from the Edinburgh Review (January 1844) and several studies of Michelet by Lionel Gossman.

Born into a prominent German Jewish banking family, Baron Max von Oppenheim (1860-1946) was a keen amateur archaeologist and ethnologist. His discovery and excavation of Tell Halaf in Syria marked an important contribution to knowledge of the ancient Middle East, while his massive study of the Bedouins is still consulted by scholars today. He was also an ardent German patriot, eager to support his country's pursuit of its "place in the sun." Excluded by his part-Jewish ancestry from the regular diplomatic service, Oppenheim earned a reputation as "the Kaiser's spy" because of his intriguing against the British in Cairo, as well as his plan, at the start of the First World War, to incite Muslims under British, French and Russian rule to a jihad against the colonial powers. After 1933, despite being half-Jewish according to the Nuremberg Laws, Oppenheim was not persecuted by the Nazis. In fact, he placed his knowledge of the Middle East and his connections with Muslim leaders at the service of the regime. Ranging widely over many fields - from war studies to archaeology and banking history - 'The Passion of Max von Oppenheim' tells the gripping and at times unsettling story of one part-Jewish man's passion for his country in the face of persistent and, in his later years, genocidal anti-Semitism.

Originally published in 1968. The contribution of eighteenth-century Englishmen to the study of medieval life and literature is fairly well known, but it is commonly assumed that in France, the center of Enlightenment, no one-with the exception of a few obscure antiquarians-was seriously interested in the Middle Ages. Gossman argues that the Enlightenment gave great impetus to medieval studies in France and altered their orientation, removing them from the realm of legal and ecclesiastical dispute and bringing them into a new framework of general history. Concentrating his investigation of Enlightenment medievalists on the most influential of them, La Curne de Sainte-Palaye, Gossman describes Sainte-Palaye's social and intellectual milieu and follows him in his relations with scholars and philosophes in France and abroad. Voltaire, Montesquieu, Gibbon, Walpole, Muratori, and Herder are some of the figures whose paths crossed that of Sainte-Palaye. Far from being opposed to philosophie, the medievalists were, Gossman argues, nourished at the same intellectual sources and shared many of the values of the philosophes. The existence of a close connection between medievalism and the Enlightenment is substantiated by the author's detailed analyses of Sainte-Palaye's work in the history, literature, and language of the French Middle Ages. Although Sainte-Palaye had a surprising influence on the literature and historiography of both the eighteenth and nineteenth centuries-in France, England, and Germany-eighteenth-century medievalism, Gossman argues, is best understood not as anticipation of things to come but as part of a complex of ideas and feelings peculiar to the Enlightenment itself.

Originally published in 1963. Moliere's plays rank among the great comic achievements in the history of the stage. Yet few attempts have been made to understand them as expressing the historical context of the author's time. Most frequently they have been interpreted from the point of view of purely literary history, while the characters have been seen as universal comic types. Lionel Gossman reappraises Moliere's comedy in the light of historical experience and interprets it in terms of the conditions from which it emerged. He brings it into the mainstream of seventeenth-century French literature and shows that Moliere was concerned with the same things that concerned Descartes, Corneille, Racine, or Pascal. Five comedies (Amphitryon, Dom Juan, Le Misanthrope, Le Tartuffe, and George Dandin) are studied in the first part of the book. A number of basic structures are found to be common to all of them, and these give the author his point of departure for the second part of the book. In the second part, Gossman examines Moliere's position with respect to other major seventeenth-century French writers. The comic vision of Moliere, Gossman argues, no less than the tragic vision of Pascal or of Racine, expresses a particular relation to the social structure of the time. The subject matter of Moliere's comedy is thus, in the author's view, not universal human nature but the men and women of the society in which Moliere lived. Indeed, Gossman goes on to argue that the development of society after Moliere made it difficult, and in the end impossible, for later writers to see the world in the comic light that illuminated Moliere's writing. Even in certain of Moliere's own works, in fact, the comic vision shades into something close to Romantic irony.

Recognized by historians and politicians as a model for European unity, Switzerland is nonetheless a difficult country to understand as a whole. Whereas individual Swiss cities have strong identities in the international political, cultural, and economic arenas, the country itself seems to be less than the sum of its parts. To capture the elusive spirit of Switzerland, four eminent writers explore the roots of its political unity and cultural diversity in a series of urban portraits. Their observations make for both good storytelling and insightful social commentary. Nicolas Bouvier offers a quick-paced history of Geneva--the city John Calvin had envisioned as a radiating center of godliness, international in its scope and legal in its methods--the home of the Red Cross and the League of Nations and, since 1945, the location of numerous disarmament and diplomatic conferences. Gordon Craig examines Zurich, the city of the militant religious reformer Huldrych Zwingli, whose centralizing political zeal was harnessed by subsequent generations of Zurichers to lead Switzerland in its modernization. Today's economically powerful Zurich is analyzed in terms of its liberal past as a refuge for political activists and artists, and in terms of its current generational divisions on moral and cultural questions. Finally, Lionel Gossman explores the conciliatory Basel of Erasmus, showing how vigorous independence, resourcefulness, and remembrance of its humanist traditions shaped the city's culture and economy. Tying together important themes in the histories of these cities, Carl Schorske focuses his introduction on how Switzerland has capitalized on their cultural differences and refined the art of political negotiation to serve a wide range of civic interests. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

One of a small number of historical texts that have become classics, Gibbon's Decline and Fall of the Roman Empire demands and deserves the kind of attention readers habitually grant to the classics of fictional literature. In Lionel Gossman's thematic and rhetorical study of Gibbon's masterpiece, the foundation of authority is seen as the historian's chief concern. The central problem of the work - the foundation of political authority - also appears in another form, Gossman contends, as a central problem of the work - that of the authority of the historical text itself.

Recognized by historians and politicians as a model for European unity, Switzerland is nonetheless a difficult country to understand as a whole. Whereas individual Swiss cities have strong identities in the international political, cultural, and economic arenas, the country itself seems to be less than the sum of its parts. To capture the elusive spirit of Switzerland, four eminent writers explore the roots of its political unity and cultural diversity in a series of urban portraits. Their observations make for both good storytelling and insightful social commentary.

Nicolas Bouvier offers a quick-paced history of Geneva--the city John Calvin had envisioned as a radiating center of godliness, international in its scope and legal in its methods--the home of the Red Cross and the League of Nations and, since 1945, the location of numerous disarmament and diplomatic conferences. Gordon Craig examines Zurich, the city of the militant religious reformer Huldrych Zwingli, whose centralizing political zeal was harnessed by subsequent generations of Zurichers to lead Switzerland in its modernization. Today's economically powerful Zurich is analyzed in terms of its liberal past as a refuge for political activists and artists, and in terms of its current generational divisions on moral and cultural questions. Finally, Lionel Gossman explores the conciliatory Basel of Erasmus, showing how vigorous independence, resourcefulness, and remembrance of its humanist traditions shaped the city's culture and economy. Tying together important themes in the histories of these cities, Carl Schorske focuses his introduction on how Switzerland has capitalized on their cultural differences and refined the art of political negotiation to serve a wide range of civic interests.

Originally published in 1994.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Edited by Lionel Gossman, this volume contains three programmatic essays by Michelet. The first two are available here for the first time in English translation. The third, the Preface to the 1869 edition of the Histoire de France, originally published in its first English translation by Edward K. Kaplan in his Michelet's Poetic Vision (1977), has been revised by the translator for this volume. Curated by leading scholars and translators this volume provides essential reading for anybody interested in modern French and European history

Born into a prominent German Jewish banking family, Baron Max von Oppenheim (1860-1946) was a keen amateur archaeologist and ethnologist. His discovery and excavation of Tell Halaf in Syria marked an important contribution to knowledge of the ancient Middle East, while his massive study of the Bedouins is still consulted by scholars today. He was also an ardent German patriot, eager to support his country's pursuit of its "place in the sun." Excluded by his part-Jewish ancestry from the regular diplomatic service, Oppenheim earned a reputation as "the Kaiser's spy" because of his intriguing against the British in Cairo, as well as his plan, at the start of the First World War, to incite Muslims under British, French and Russian rule to a jihad against the colonial powers. After 1933, despite being half-Jewish according to the Nuremberg Laws, Oppenheim was not persecuted by the Nazis. In fact, he placed his knowledge of the Middle East and his connections with Muslim leaders at the service of the regime. Ranging widely over many fields - from war studies to archaeology and banking history - 'The Passion of Max von Oppenheim' tells the gripping and at times unsettling story of one part-Jewish man's passion for his country in the face of persistent and, in his later years, genocidal anti-Semitism.

First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.

Marie Adelheid, Prinzessin Reuss-zur Lippe was a rebellious young woman and aspiring writer from an ancient princely family who became a fervent Nazi. Heinrich Vogeler was a well-regarded Jugendstil artist who was to join the German Communist Party and later emigrate to the Soviet Union. Ludwig Roselius was a successful Bremen businessman who had made a fortune from his invention of decaffeinated coffee. What was it about the revolutionary climate following Germany's defeat in World War I that induced three such different personalities to collaborate in the production of a slim volume of poetry - entitled Gott in mir - about the indwelling of the divine within the human? Part I of Gossman's study situates the poem in the ideological context that made the collaboration possible - pantheism, Darwinism, disillusionment with traditional liberal values, theosophy and volkisch religions, and Lebensreform. In part II Gossman outlines the subsequent life of the Princess who, until her death in 1993, continued to support and celebrate the ideals and heroes of National Socialism. The aim of Gossman's study is to gain insight into the sources and character of the "Nazi Conscience." As such it is invaluable reading for anybody interested in understanding German society during the inter-war and Nazi periods

In the 19th century, nationalism and democracy were on the rise in Europe, transforming old nation-states and leading to the creation of powerful new ones. Basel, with its legendary wealth, its 400-year-old university, and its tradition of humanist learning, clung to its ancient status as an independent city-republic within the loose Swiss Confederation. It owed its prosperity to its situation at the crossroads of France, the German states and the states of Southern Europe and to a vast network of international and intercontinental trading connections developed by its enterprising elite families. Its citizens looked out at the changes taking place around them and feared for their privileges, their prosperity and the political autonomy of their miniature state. By mid-century, Basel had become a focus of resistance to the optimistic and confident modernism of the time. Lionel Gossman's sweeping work tells the story of Basel, this seemingly anachronistic hybrid of commercialism and classical republicanism, and of four major thinkers who retreated there: the historian Jacob Burkhardt, the philologist and anthropologist Johann Jakob Bachofen, the theologian Franz Overbeck, and the philosopher Friedrich Nietzsche. Focusing on the native Baselers, Burckhardt and Bachofen, Gossman offers the most comprehensive interpretive biographies and analyses of these figures and their work available in English. At the same time, he shows how their ideas are tightly interwoven with the culture, tradition and destiny of this unique and beautiful city. Today, as the developments these men decried continue to gain momentum, their "unseasonable ideas" emerge as fresh, provocative and troublingly ambiguous in their implications as they were 150 years ago.