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Teaching Nabokov's Lolita in the #MeToo Era and Online seeks to
critique Nabokov's Lolita from the standpoint of its teachability
to undergraduate and graduate students in the twenty first century.
The #MeToo Movement has spurred a reassessment of what constitutes
appropriate professional and sexual relations, a reassessment that
has challenged how we teach our students, especially when we are
studying controversial works. The time has come to ask in the
#MeToo Era and beyond, how do we approach Nabokov's inflammatory
masterpiece, Lolita? How do we read a novel that describes an
unpardonable crime? How do we balance analysis of Lolita's
brilliant language and aesthetic complexity with due attention to
its troubling content? This volume offers practical and specific
answers to this question and includes suggestions for teaching the
novel in conventional and online modalities. Essays by
distinguished Nabokov scholars explore the multilayered nature of
Nabokov's Lolita by sharing innovative assignments and
creative-writing exercises, teaching approaches to especially
challenging parts of the text, methodologies of teaching the novel
through different mediums from film to theatre, and new critical
analyses and interpretations.
Teaching Nabokov's Lolita in the #MeToo Era seeks to critique the
novel from the standpoint of its teachability to undergraduate and
graduate students in the twenty-first century. The time has come to
ask: in the #MeToo era and beyond, how do we approach Nabokov's
inflammatory masterpiece, Lolita? How do we read a novel that
describes an unpardonable crime? How do we balance analysis of
Lolita's brilliant language and aesthetic complexity with due
attention to its troubling content? This student-focused volume
offers practical and specific answers to these questions and
includes suggestions for teaching the novel in conventional and
online modalities. Distinguished Nabokov scholars explore the
multilayered nature of Lolita by sharing innovative assignments,
creative-writing exercises, methodologies of teaching the novel
through film and theatre, and new critical analyses and
interpretations.
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