The Story of Attila in Prose is the first critical edition and translation of the thirteenth century Franco-Italian prose text the Estoire d'Atile en prose. Preserved in two anonymous and untitled manuscripts composed between the last quarter of the thirteenth century and the beginning of the fourteenth century, the story recounts the fictional founding of Venice after the invasion of Aquileia by Attila the Hun. The manuscripts, located in Zagreb and Venice, detail Attila's pagan mother, her union with a dog, and his feral birth, as well as his unusual death during a chess match and the origins of the Holy Grail. This edition and translation are based on the Zagreb manuscript, which was only recently discovered. The book includes a full critical apparatus containing rejected readings and variants from the Venetian manuscript, and a thorough introduction that discusses the literary value of the text, its possible sources, and its influence on later literature. It is important reading for both historians of medieval Europe and literary critics.

While most English-language readers are familiar with Old French epic poetry, or chansons de geste, through the Song of Roland and its tale of gallant martyrdom, this volume provides a broader and richer view of the tradition by introducing songs devoted to the exploits of a different sort of hero-the brave and blustery William of Orange. An Old French Trilogy provides an updated English translation of three central poems from the twelfth-century Guillaume d'Orange cycle. In The Coronation of Louis, the hero saves both king and pope from would-be usurpers and earns the nickname "Short-Nosed William" after a fierce, disfiguring battle with a Saracen giant. In A Convoy to Nimes and The Conquest of Orange, William conquers two important cities and wins the love of the Saracen Queen Orable. Tremendously popular in the Middle Ages, these works stand the test of time, and the accessible translations capture the sense of the original Old French decasyllabic verse without attempting to preserve or imitate its formal properties. The introduction to the volume discusses literary devices and motifs; historical context; issues of religious conflict, otherness, and gender roles; and themes such as loyalty and courage.

Marie de France and The Poetics of Memory presents the first exhaustive treatment of the rhetorical use of description and memory in all the narrative works of the late 12th-century poet, Marie de France - the first woman to compose literary texts in French. Though she had no access to treatises devoted solely to the arts of memory that were to develop in the centuries following her own, she nonetheless exemplifies some of the same techniques that are extolled by their authors. Logan E. Whalen's insightful study begins with a discussion of Marie's literary plan in light of classical rhetoric and the art of inventio, or literary topical invention, that developed in the Middle Ages. He then demonstrates how the fifty-six-line prologue that precedes Marie de France's ""Lais"" gives an outline of her literary plan, not only for the narrative texts that follow in that particular collection, but also for the whole of her poetic corpus. Marie's use of description in the ""Lais"" shows the way in which she creates an imaginative locus that is conducive to memory through her elaborate descriptions of people, animals, places, events, and an assortment of inanimate objects. Her ""Fables"" is examined in light of the way in which scribes and illuminators of the centuries that immediately followed the composition of these texts interpreted them scripturally and iconographically. Finally, Whalen compares the structure of memory and description in the two works the Espurgatoire seint Patriz and the ""Vie seinte Audree"" - a text that has traditionally been ascribed to an anonymous author but that has recently been argued to be a fourth text by Marie de France.