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Showing 1 - 2 of 2 matches in All Departments
Language and Metaphors of the Russian Revolution: Sow the Wind, Reap the Storm is a panoramic history of the Russian intelligentsia and analysis of the language and ideals of the Russian Revolution, from its inception over the long nineteenth-century, through fruition in early Soviet society. It examines metaphors for revolution in the storm, flood, and harvest imagery ubiquitous in Russian literary works. At the same time, it takes account of the struggle to own the narrative of modernity, including Bolshevik weaponization of language, and cultural policy that supported the use of terror and social purging. This uniquely cross-disciplinary study makes a close reading of texts which use storm, flood, and agricultural metaphors in diverse ways to represent revolution, whether in anticipation and celebration of its ideals, or resistance to the same. A spotlight is given to the lives and works of authors who respond to Soviet authoritarianism by reclaiming the narrative of revolution in the name of personal freedom and restoration of humanist values. Hinging on the clashes of culture war and class war, at the intersection of ideas that get to the very core of the fight for modernity, the ultimate aim of this study is to guide a critical reading of authoritarian discourse and investigate rare examples of counternarratives that thrived in spite of their suppression.
Fyodor Dostoevsky's 1866 novel Crime and Punishment, arguably the first modern exploration of psychological realism, is not only a gem of Russian literature but an internationally renowned classic. Now this masterpiece has been vividly transformed by the powerful illustrations of renowned graphic artist Dave McKean, whose multimedia paintings are shrouded with the specters and shadows of Raskolnikov's fever dreams. Featuring over one hundred full-page paintings, spot illustrations and illuminated letters, and housed in an elaborately die-cut and embossed slipcase, this is an heirloom edition designed as a work of art in its own right. Featuring an introduction by Lonny Harrison. 9x12", 346 pages.
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