This book demystifies the cultural work of syphilis from the late nineteenth century to the present. By interrogating the motivations that engender habits of belief, thought, and conduct regarding the disease and notions of the self, this interdisciplinary volume investigates constructions of syphilis that had a significant role in shaping modern subjectivity. Chapters draw from a variety of scholarly methods, such as cultural and literary studies, sociology, and anthropology. Authors unravel the representations and influence of syphilis in various cultural forms: cartography, medical writings, literature, historical periodicals, and contemporary popular discourses such as internet forums and electronic news media. Exploring the ways syphilitic rhetoric responds to, generates, or threatens social systems and cultural capital offers a method by which we can better understand the geographies of blame that are central to the conceptual heritage of the disease. This unique volume will appeal to students and scholars in the medical humanities, medical sociology, the history of medicine, and Victorian and modernist studies.

This book demystifies the cultural work of syphilis from the late nineteenth century to the present. By interrogating the motivations that engender habits of belief, thought, and conduct regarding the disease and notions of the self, this interdisciplinary volume investigates constructions of syphilis that had a significant role in shaping modern subjectivity. Chapters draw from a variety of scholarly methods, such as cultural and literary studies, sociology, and anthropology. Authors unravel the representations and influence of syphilis in various cultural forms: cartography, medical writings, literature, historical periodicals, and contemporary popular discourses such as internet forums and electronic news media. Exploring the ways syphilitic rhetoric responds to, generates, or threatens social systems and cultural capital offers a method by which we can better understand the geographies of blame that are central to the conceptual heritage of the disease. This unique volume will appeal to students and scholars in the medical humanities, medical sociology, the history of medicine, and Victorian and modernist studies.

This book develops a new multimodal theoretical model of contagion for interdisciplinary scholars, featuring contributions from influential scholars spanning the fields of medical humanities, philosophy, political science, media studies, technoculture, literature, and bioethics. Exploring the nexus of contagion's metaphorical and material aspects, this volume contends that contagiousness in its digital, metaphorical, and biological forms is a pervasively endemic condition in our contemporary moment. The chapters explore both endemicity itself and how epidemic discourse has become endemic to processes of social construction. Designed to simultaneously prime those new to the discourse of humanistic perspectives of contagion, complicate issues of interest to seasoned scholars of science and technology studies, and add new topics for debate and inquiry in the field of bioethics, Endemic will be of wide interest for researchers and educators.

The zombie craze has infected popular culture with the intensity of a viral outbreak, propagating itself through text, television, film, video games, and many other forms of media. As a metaphor, zombies may represent political notions, such as the return of the repressed violence of colonialism, or the embodiment of a culture obsessed with consumerism. Increasingly, they are understood and depicted as a medicalized phenomenon: creatures transformed by disease into a threatening vector of contagion. The Walking Med brings together scholars from across the disciplines of cultural studies, medical education, medical anthropology, and art history to explore what new meanings the zombie might convey in this context. These scholars consider a range of forms—from comics disseminated by the Centers for Disease Control and Prevention to graphic novels and television shows such as The Walking Dead—to show how interrogations of the zombie metaphor can reveal new perspectives within the medical humanities. An unprecedented forum for dialogue between cultural studies of zombies and graphic medicine, The Walking Med is an invaluable contribution to both areas of study, as well as a potent commentary on one of popular culture’s most invasive and haunting figures. In addition to the editors, the contributors are Tully Barnett, Gerry Canavan, Daniel George, Michael Green, Ben Kooyman, Sarah Juliet Lauro, Juliet McMullin, Kari Nixon, Steven Schlozman, Dan Smith, and Darryl Wilkinson.

The zombie craze has infected popular culture with the intensity of a viral outbreak, propagating itself through text, television, film, video games, and many other forms of media. As a metaphor, zombies may represent political notions, such as the return of the repressed violence of colonialism, or the embodiment of a culture obsessed with consumerism. Increasingly, they are understood and depicted as a medicalized phenomenon: creatures transformed by disease into a threatening vector of contagion. The Walking Med brings together scholars from across the disciplines of cultural studies, medical education, medical anthropology, and art history to explore what new meanings the zombie might convey in this context. These scholars consider a range of forms—from comics disseminated by the Centers for Disease Control and Prevention to graphic novels and television shows such as The Walking Dead—to show how interrogations of the zombie metaphor can reveal new perspectives within the medical humanities. An unprecedented forum for dialogue between cultural studies of zombies and graphic medicine, The Walking Med is an invaluable contribution to both areas of study, as well as a potent commentary on one of popular culture’s most invasive and haunting figures. In addition to the editors, the contributors are Tully Barnett, Gerry Canavan, Daniel George, Michael Green, Ben Kooyman, Sarah Juliet Lauro, Juliet McMullin, Kari Nixon, Steven Schlozman, Dan Smith, and Darryl Wilkinson.