A college initiation prank goes horribly wrong in this psychological thriller from first time director Will Canon. As part of their induction to the college, Frank (Jon Foster), the overbearing head of his fraternity, decides to test his 'brothers' to the limit by issuing each of them with a gun and telling them to rob a local store. The initiates are supposed to be stopped from pulling their guns at the last moment by a fellow student, but events take a turn for the worse when Kevin (Lou Taylor Pucci) winds up being shot by store worker Mike (Arlen Escarpeta). When wounded Kevin struggles back to the college and Frank refuses to compromise himself by alerting the authorities, fellow initiate Adam (Trevor Morgan) is sent back to the shop to try to put things right, but his problems are only just beginning.

Lou Taylor Pucci and Nadia Hilker star in this horror romance directed by Justin Benson and Aaron Moorhead. After the tragic death of his mother, American Evan (Pucci) decides to put his mundane life on hold and board the first plane to Europe in search of adventure. As he finds himself in Italy, Evan makes friends with two British drunks and quickly sees himself spiralling down the same path he wanted to get away from. As he prepares to head home, Evan meets a mysterious woman by the name of Louise (Hilker) and, becoming besotted with her charm, decides to stay. At first, the chemistry between the two is undeniable but will Louise's dark secret, once revealed, stand in the way of true love?

First published in 1983, Mourning Dress chronicles the development of European and American mourning dress and etiquette from the Middle Ages to the present day, highlighting similarities and differences in practices between the different social strata. The result is a book which is not only of major importance to students of the history of dress but also to anyone who enjoys social history.

First published in 1983, Mourning Dress chronicles the development of European and American mourning dress and etiquette from the middle ages to the present day, highlighting similarities and differences in practices between the different social strata. The result is a book which is not only of major importance to students of the history of dress but also to anyone who enjoys social history.

Over the past ten years the study of dress history has finally achieved academic respectability. This book shows how the fields of dress history and dress studies are now benefitting from the adoption of new multi-disciplinary approaches and outlines the full range of these approaches which draw on material culture, ethnography, and cultural studies. Raises a series of frank and fresh issues surrounding approaches to the history of dress, including analysis of the academic gender and subject divides that have riven it in the past. Comprehensive, engaging and trenchant, this will become the benchmark volume in the study of dress history. -- .

Winner of the Association of Dress Historians Book of the Year Award, 2021 In 1939, fashion became an economic and symbolic sphere of great importance in France. Invasive textile legislation, rationing and threats from German and American couturiers were pushing the design and trade of Parisian style to its limits. It is widely accepted that French fashion was severely curtailed as a result, isolated from former foreign clients and deposed of its crown as global queen of fashion. This pioneering book offers a different story. Arguing that Paris retained its hold on the international haute couture industry right throughout WWII, eminent dress historians and curators come together to show that, amid political, economic and cultural traumas, Paris fashion remained very much alive under the Nazi occupation - and on an international level. Bringing exciting perspectives to challenge a familiar story and introducing new overseas trade links out of occupied France, this book takes us from the salons of renowned couturiers such as Edward Molyneux and Robert Piguet, French Vogue and Le Jardin des Modes and luxury Lyon silk factories, to Rio de Janeiro, Denmark and Switzerland, and the great American department stores of New York. Also comparing extravagant Paris occupation styles to austerity fashions of the UK and USA, parallel industrial and design developments highlight the unresolvable tension between luxury fashion and the everyday realities of wartime life. Showing that Paris strove to maintain world dominance as leader of couture through fashion journalism, photography and exported fashion forecasting, Paris Fashion and World War Two makes a significant contribution to the cultural history of fashion.

Winner of the Association of Dress Historians Book of the Year Award, 2021 In 1939, fashion became an economic and symbolic sphere of great importance in France. Invasive textile legislation, rationing and threats from German and American couturiers were pushing the design and trade of Parisian style to its limits. It is widely accepted that French fashion was severely curtailed as a result, isolated from former foreign clients and deposed of its crown as global queen of fashion. This pioneering book offers a different story. Arguing that Paris retained its hold on the international haute couture industry right throughout WWII, eminent dress historians and curators come together to show that, amid political, economic and cultural traumas, Paris fashion remained very much alive under the Nazi occupation - and on an international level. Bringing exciting perspectives to challenge a familiar story and introducing new overseas trade links out of occupied France, this book takes us from the salons of renowned couturiers such as Edward Molyneux and Robert Piguet, French Vogue and Le Jardin des Modes and luxury Lyon silk factories, to Rio de Janeiro, Denmark and Switzerland, and the great American department stores of New York. Also comparing extravagant Paris occupation styles to austerity fashions of the UK and USA, parallel industrial and design developments highlight the unresolvable tension between luxury fashion and the everyday realities of wartime life. Showing that Paris strove to maintain world dominance as leader of couture through fashion journalism, photography and exported fashion forecasting, Paris Fashion and World War Two makes a significant contribution to the cultural history of fashion.