The tumultuous climate of early modern England had a profound effect on its Catholic population's domestic life, social customs, literary inventions, and political arguments. Redrawing the Map of Early Modern English Catholicism explores the broad spectrum of the early modern English Catholic experience, presenting fresh and often startling assessments of the most problematic topics in post-Reformation English Catholicism.

The contributors to this volume - all leading or rising scholars of early modern studies - conceptualize English Catholicism as a hazardous series of contested territories divided by shifting boundaries, requiring Catholics to navigate with vigilance and diplomacy their status as 'insiders' or 'outsiders.' This collection also presents new ways to understand the connections between reformist and Catholic inflections in the emerging canon of English poetry, despite the eventual marginalization of Catholic poets in English literary history. Redrawing the Map of Early Modern English Catholicism ably demonstrates the profoundly experimental as well as recuperative character of early modern English Catholicism.

To entertain an idea is to take it in, pay attention to it, give it breathing room, dwell with it for a time. The practice of entertaining ideas suggests rumination and meditation, inviting us to think of philosophy as a form of hospitality and a kind of mental theatre. In this collection, organized around key words shared by philosophy and performance, the editors suggest that Shakespeare's plays supply readers, listeners, viewers, and performers with equipment for living. In plays ranging from A Midsummer Night's Dream to King Lear and The Winter's Tale, Shakespeare invites readers and audiences to be more responsive to the texture and meaning of daily encounters, whether in the intimacies of love, the demands of social and political life, or moments of ethical decision. Entertaining the Idea features established and emerging scholars, addressing key words such as role play, acknowledgment, judgment, and entertainment as well as curse and care. The volume also includes longer essays on Shakespeare, Kant, Husserl, and Hegel as well as an afterword by theatre critic Charles McNulty on the philosophy and performance history of King Lear.