The different ways of understanding the landscape and the art of gardens by a well-known landscape architect. In the last two decades a new generation of landscape architects has definitively emerged together with a new and more aware clientele that is beginning to see the design of open spaces as an extraordinary environmental and civic resource. "Designing" the landscape in order to transform and develop the environment surrounding us: this is how the architect and landscape designer Patrizia Pozzi sees her work. Illustrated with hundreds of photographs, drawings and plans, this publication presents her recent projects divided into four sections: Energy landscape (eco-sustainability and bio-compatibility), Inhabiting nature (landscape as a source of inspiration and integration), New trends (new dynamics in approaching public space and daily life) and Nursery (sustainability and integration between architecture and open spaces), and leads the reader through an endless series of beautiful landscapes designed with care and natural understanding. What emerges is the philosophy of a person who wants to "get her hands dirty" with a project, developing it in meticulous detail and lending value to the transformation of contemporary landscape from its most poetic aspect, focussing on sustainability and the use of innovative materials. With all its different scales and variations, the landscape is conceived and constructed as an active resource for the future, an authentic and extremely powerful source of renewal for a reality urgently in need of quality and beauty in every place we inhabit.

The complete and detailed story of the recovery and transformation of the 19th century home of the former wine warehouse on the seaside boulevard of Trieste, with numerous engaging work site images that reveal the complexity of the building phases, the specificity of the work processes that were necessary and the shots of the results upon completion. The design does not modify the original volume but invades it by excavating the space for another completely independent, ethereal and translucent building inside it, sized to reflect the rhythm of the masonry wall of the original facade. The physical gap between the new 'product' and the historical screen has become a fascinating locus between internal and external. The glass that seals the internal shell reflects the outlines of the warehouse walls and their openings, allowing for visibility of the activities that are being conducted inside. The monograph is introduced by critical and descriptive essays and accompanied by a wealth of iconographic material including technical drawings at various scales.

A fully-fledged Skira Architecture house organ which presents the Skira's point of view on world architecture. Published annually, only in English, with a very heavy emphasis on the graphic side: from June to June (summer solstice); on sale date: October. The Yearbook includes: Wall paper: a number of double-page spreads featuring about a hundred of the most interesting projects built or designed during the year. Editorial: an essay with a systematic presentation of all news items, problems and key characters. Projects: a selection of 25/30 projects, themes, outstanding people or towns which have displayed significant content or results over the year. Each project is sumptuously illustrated and includes a critique by a well-known figure or an interview with the designers. Tools: Index of the Index: a selection of the world's top architectural journals' annual indexes; of international exhibitions and events; of interesting websites; details about the designers and the institutions mentioned. Work in progress: a few pictures of major, ongoing projects as a "teaser" for the next issue.

The leading movements, major figures, works, and ideas that shaped the architecture of the twentieth century and the first decade of the new millennium, one of the richest and most complex periods in human history. This volume offers a 360-degree review of the architectural developments of the twentieth century, tracing the best-known groups and movements that played a significant role in the rise and evolution of modern trends in the discipline. A comprehensive study and research tool, this book is divided into chapters devoted to each individual movement, with a selection of critical essays and numerous photographs of the most important works and projects. Lastly, a brief thematic bibliography and other research tools make Arch. an indispensable instrument for students of architecture, design, and engineering, as well as anyone with a passion for the subject.

For over 20 years, an extremely lively and outstanding architectural scene has been thriving in South Tyrol. Gerd Bergmeister and Michaela Wolf have been one of its main protagonists from the very beginning. Their buildings are surprising, imaginative solutions that sound out the entire spectrum of architecture: the formation of space, shaping, construction, materialisation and integration into the Alpine context. Text in English and German.

Italo Rota was born in 1953 in Milan and graduated from the Milan Polytechnic Institute in 1982. In 1980, he and Gae Aulenti created the plans for the Musee d'Orsay and the Centre Beaubourg in Paris. In 1990, he initiated the planning for the Center for Postgraduate Studies at Columbia University. His return to Italy marked the beginning of a highly creative phase, including projects that ranged from museum installations, the "Maison Cavalli" (the showroom-cafes in Miami, Milan, and Moscow), to a series of public buildings in Italy and India. This book focuses on a recent decade of Rota's work and is aimed at professionals and lovers of architecture, fashion, and design.

For over 20 years, an extremely lively and outstanding architectural scene has been thriving in South Tyrol. Gerd Bergmeister and Michaela Wolf have been one of its main protagonists from the very beginning. Their buildings are surprising, imaginative solutions that sound out the entire spectrum of architecture: the formation of space, shaping, construction, materialisation and integration into the Alpine context. Text in Italian and German.

From the neoclassicism of Thomas Jefferson's design of Monticello and sketches of the White House, to "al'italiana" gardens and parks, to the strong Roman classicism of the Jefferson Memorial, to Constantino Brumidi's frescoes in Congress and the National Library, to the striking composition of Luigi Moretti's Watergate Complex--America's capital is infused with the influences of a culture that laid the foundations of Western society. Extensively illustrated with both archival black and white photos, drawings, and sketches, as well as new photographs by Max Mackenzie, this book is an homage to this strong and still alive relationship and essential reading for all those interested in architecture and the visual arts.