The decisions a corporation makes affect more than just its stakeholders and can have wide social, environmental, and economic consequences. This facilitates a business environment built around the practical regulations and transparency necessary to ensure ethical and responsible business practice. Corporate Social Responsibility for Valorization of Organizations is a critical scholarly resource that examines organizational management through a new perspective that considers corporate social responsibility within the relationship between companies and society. Featuring coverage on a broad range of topics, such as organizational innovation, corporate strategy, and cultural enterprises, this book is geared towards professionals, economists, students of business and finance, policy makers, and government agencies.

An integrated approach to investigate, create, and propose a model for the value creation of cultural products is essential in maintaining its connection with e-relationship marketing; this examination is important in recognizing a common perspective. The Handbook of Research on Management of Cultural Products: E-Relationship Marketing and Accessibility Perspectives examines the potential value of cultural products and how the support of new technologies can enable non-conventional and social-media marketing relationships. This book aims to highlight an emerging subject area in the field of financial management, management of value creation, and marketing that will be essential for scientists, researchers, and practitioners.

This book develops both a methodology that aims at clarifying what we mean when we refer to 'reception' and a theoretical alternative to prevalent notions of reception. It argues the necessity to distinguish among fields of investigation: art, literary works of art, and aesthetic ideology.

More often than not, monographs on the reception of an author are either detailed, chronologically organized accounts of the reputation of that author, or studies in literary influence. This study adopts neither of those approaches and deals with the reception of Fedor Dostoevskii in Britain from a double perspective. The detailed analysis of primary sources such as reviews, essays and monographs on Dostoevskii is associated here with a critical investigation of the dynamics of the reception process. On the one hand, the available sources are examined with the intention of exposing their underlying ideological tensions and impact on British literary circles. On the other hand, Fedor Dostoevskii's novels are shown to function as a prism, through which significant aspects of nineteenth- and early twentieth-century British intellectual life are refracted. In the final analysis, by using Dostoevskii as an exemplary case study, this book develops both a methodology that aims at clarifying what we mean when we refer to 'reception' and a theoretical alternative to prevalent notions of reception.