This is an anthology of irreverence and humor in the hands of our best poets. Can serious poetry be funny? Chaucer and Shakespeare would say yes, and so do the authors of these 187 poems that address timeless concerns but that also include comic elements. Beginning with the Beats and the New York School and continuing with both marquee-name poets and newcomers, ""Seriously Funny"" ranges from poems that are capsized by their own tomfoolery to those that glow with quiet wit to ones in which a laugh erupts in the midst of terrible darkness. Most of the selections were made in the editors' battered compact car, otherwise known as the Seriously Funny Mobile Unit. During the two years in which Barbara Hamby and David Kirby made their choices, they'd set out with a couple of boxes of books in the back seat, and whoever wasn't driving read to the other. When they found that a poem made both of them think but laugh as well, they earmarked it. Readers will find a true generosity in these poems, an eagerness to share ideas and emotions and also to entertain. The singer Ali Farka Toure said that honey is never good when it's only in one mouth, and the editors of ""Seriously Funny"" hope its readers find much to share with others.

How to Carry Water: Selected Poems of Lucille Clifton celebrates both familiar and lesser-known works by one of America's most beloved poets, including 10 newly discovered poems that have never been collected. These poems celebrating black womanhood and resilience shimmer with intellect, insight, humor, and joy, all in Clifton's characteristic style-a voice that the late Toni Morrison described as "seductive with the simplicity of an atom, which is to say highly complex, explosive underneath an apparent quietude." Selected and introduced by award-winning poet Aracelis Girmay, this volume of Clifton's poetry is simultaneously timeless and fitting for today's tumultuous moment.

Poetry. African American Studies. "Unadorned, Clifton's gemlike forms are resplendent, refracting the author's themes of family, the grace that can mean survival, the environment, and perhaps most of all, individual responsibility for the future.... Her words reveal not a victim, but a visionary. In the witness tradition of Brooks and Baldwin, Whitman and Wheatley, Clifton eagerly takes up arms in the struggle to salvage what grace in life remains"--E.K. Laing, The Christian Science Monitor.

Finalist for the 1988 Pulitzer Prize for Poetry<./b> A landmark collection by one of America's major black poets, Good Woman: Poems and a Memoir 1969-1980 includes all of Lucille Clifton's first four published collections of extraordinary vibrant poetry-Good Times, Good News About the Earth, An Ordinary Woman, and Two-Headed Woman-as well as her haunting prose memoir, Generations.

In her tenth collection of verse, Clifton covers new terrain -- cancer and mastectomy, the life of King David, encounters with a vixen fox who is both shaman and muse. Employing brilliantly honed language, stunning images and sharp rhythms, hers is a poetry passionate and wise, not afraid to rage, whisper or spin into humor. the terrible stories was a National Book Award Finalist.

The Supreme Court's overturning of Roe v. Wade has generated a critical urgency for this landmark literary anthology of poems, stories, and essays. Choice Words collects essential voices that renew our courage in the struggle to defend reproductive rights. Twenty years in the making, the book spans continents and centuries. This collection magnifies the voices of people reclaiming the sole authorship of their abortion experiences. These essays, poems, and prose are a testament to the profound political power of defying shame. Contributors include Ai, Amy Tan, Anne Sexton, Audre Lorde, Bobbie Louise Hawkins. Camonghne Felix, Carol Muske-Dukes, Diane di Prima, Dorothy Parker, Gloria Naylor, Gloria Steinem, Gwendolyn Brooks, Jean Rhys, Joyce Carol Oates, Judith Arcana, Kathy Acker, Langston Hughes, Leslie Marmon Silko, Lindy West, Lucille Clifton, Mahogany L. Browne, Margaret Atwood, Molly Peacock, Ntozake Shange, Ruth Prawer Jhabvala, Sharon Doubiago, Sharon Olds, Shirley Geok-lin Lim, Sholeh Wolpe, Ursula Le Guin, and Vi Khi Nao.

Lucille Clifton's poetry carries her deep concerns for the world's children, the stratification of American society, those people lost or forgotten amid the crushing race of Western materialism and technology. In turns sad, troubled and angry, her voice has always been one of great empathy, knowing, as she says, "the only mercy is memory." In this, her 12th book of poetry, the National Book Award-winner speaks to the tenuous relationship between mothers and daughters, the debilitating power of cancer, the open wound of racial prejudice, the redemptive gift of story-telling. "September Song," a sequence of seven poems, featured on National Public Radio, presents a modern-day Orpheus who, through her grief, attempts to heart-intelligently respond to the events of September 11th. The last sequence of poems--a tightly-woven fabric of caveats and prayers--was initially written in the 1970s, then revised and reshaped in the last few years.

Lucille Clifton is an award-winning poet, fiction writer and author of children's books. Her most recent poetry book, "Blessing the Boats: New and Selected Poems 1969-1999" (BOA), won the 2000 National Book Award for Poetry. Two of Clifton's BOA poetry collections, "Good Woman: Poems and a Memoir 1969-1980" and "Next: New Poems," were chosen as finalists for the Pulitzer Prize in 1988, while Clifton's "The Terrible Stories" (BOA) was a finalist for the 1996 National Book Award. Clifton has received fellowships from the NEA, an Emmy Award from the American Academy of Television Arts and Sciences, the Shelley Memorial Prize and the Charity Randall Citation. She is a Distinguished Professor of Humanities as St. Mary's College in Maryland. She was appointed a Fellow of The American Academy of Arts and Sciences, and elected as Chancellor of The Academy of American Poets in 1999. She lives in Columbia, MD.

A landmark literary anthology of poems, stories, and essays, Choice Words collects essential voices that renew our courage in the struggle to defend reproductive rights. Twenty years in the making, the book spans continents and centuries. This collection magnifies the voices of people reclaiming the sole authorship of their abortion experiences. These essays, poems, and prose are a testament to the profound political power of defying shame. Contributors include Ai, Amy Tan, Anne Sexton, Audre Lorde, Bobbie Louise Hawkins. Camonghne Felix, Carol Muske-Dukes, Diane di Prima, Dorothy Parker, Gloria Naylor, Gloria Steinem, Gwendolyn Brooks, Jean Rhys, Joyce Carol Oates, Judith Arcana, Kathy Acker, Langston Hughes, Leslie Marmon Silko, Lindy West, Lucille Clifton, Mahogany L. Browne, Margaret Atwood, Molly Peacock, Ntozake Shange, Ruth Prawer Jhabvala, Sharon Doubiago, Sharon Olds, Shirley Geok-lin Lim, Sholeh Wolpe, Ursula Le Guin, and Vi Khi Nao.

This long-awaited collection by one of the most distinguished poets writing today includes new poems written during the past four years as well as generous selections from Lucille Clifton's award-winning collections Next: New Poems, Quilting, The Book of Light and The Terrible Stories. Clifton employs brilliantly honed language, stunning images and sharp rhythms to address the whole of human experience: birth, death, children, family, illness, sexuality, spirituality and injustice in antebellum and contemporary America. Hers is a poetry that is passionate and wise, not afraid to rage or whisper.

In the middle of the city, two young friends set out to find Spring. Their search ends in a most unlikely but utterly convincing discovery.

Blessing the Boats draws together poems from across Lucille Clifton's career, showcasing the stunning simplicity and grace with which she addressed the whole of human experience: birth, death, children, family, illness, sexuality and injustice in antebellum and contemporary America. Hers is a poetry that is passionate and wise, not afraid to rage or whisper; a poetry that speaks unparalleled candour and empathy to the personal, the political and the spiritual.

Winner of the 2013 Hurston/Wright Legacy Award for Poetry

""The Collected Poems of Lucille Clifton 1965-2010" may be the most important book of poetry to appear in years."--"Publishers Weekly"

"All poetry readers will want to own this book; almost everything is in it."--"Publishers Weekly"

"If you only read one poetry book in 2012, "The Collected Poems of Lucille Clifton" ought to be it."--NPR

"The 'Collected Clifton' is a gift, not just for her fans...but for all of us."--"The Washington Post"

"The love readers feel for Lucille Clifton--both the woman and her poetry--is constant and deeply felt. The lines that surface most frequently in praise of her work and her person are moving declarations of racial pride, courage, steadfastness."--Toni Morrison, from the Foreword

"The Collected Poems of Lucille Clifton 1965-2010" combines all eleven of Lucille Clifton's published collections with more than fifty previously unpublished poems. The unpublished poems feature early poems from 1965-1969, a collection-in-progress titled "the book of days" (2008), and a poignant selection of final poems. An insightful foreword by Nobel Prize-winning author Toni Morrison and comprehensive afterword by noted poet Kevin Young frames Clifton's lifetime body of work, providing the definitive statement about this major America poet's career.

On February 13, 2010, the poetry world lost one of its most distinguished members with the passing of Lucille Clifton. In the last year of her life, she was named the first African American woman to receive the $100,000 Ruth Lilly Poetry Prize honoring a US poet whose "lifetime accomplishments warrant extraordinary recognition," and was posthumously awarded the Robert Frost Medal for lifetime achievement from the Poetry Society of America.

"mother-tongue: to man-kind" (from the unpublished "the book of days"):

"all that I am asking is
that you see me as something
more than a common occurrence,
more than a woman in her ordinary skin."

Here is the good stuff: poetry written by women that actually excites the thinking reader. This anthology, spanning work of the last 75 years, will broaden its readers' notions of what defines erotic poetry. For what is more intriguing, more satisfying than strong, self-assured writing? This groundbreaking anthology includes some of our most powerful women writers-among them Sharon Olds, Elizabeth Alexander, Anne Sexton, Dorianne Laux, Denise Levertov, Adrienne Rich, Lucille Clifton, and Louise Gluck. These poets fully demonstrate that, far from being prurient, the erotic can permeate even the most mundane aspects of life, from reading a book to buying clothes. At the same time, the collection affirms the enormous meaningfulness of poetry-its ability to express the inexpressible and to illuminate the most private and intimate of human experiences. The poets included here represent different ethnicities, geographies, social classes, and sexual preferences. The only characteristic they share is that they are women writing about sex.