Theodore “Theo” Decker was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love.

Through it all, he holds on to one tangible piece of hope from that terrible day... a painting of a tiny bird chained to its perch. The Goldfinch.

Based on the Pulitzer Prize-winning novel of the same name by Donna Tartt.

Jackie's whole life revolves around her son Angelo, so when she discovers he has dropped out of college and moved in with his father in order to pursue his dream of surfing, she travels from New York to California to try to convince him to rethink his choices.

After a heated exchange between mother and son, Jackie decides that the only way to understand Angelo's reasons for picking surfing over college is to take up the sport herself.

Stubborn by nature, Jackie is determined to master the craft by herself, blankly refusing help offered from passers-by, until, that is, she is rescued by handsome surfer Ian who takes it upon himself to give her a few lessons, in life as well as surfing.

Early modern Britain witnessed a transformation in legal reasoning about human volition and intentional action, which contributed to new conventions and techniques for the theatrical representation of premeditated conduct. "Theaters of Intention" examines the relation between law and theater in this period, reading plays by Shakespeare, Jonson, Marlowe, and others to demonstrate how legal understanding of willful human action pervades sixteenth- and seventeenth-century English drama.
Drawing on case law, legal treatises, parliamentary journals, and theatrical account books, the author considers the interplay between theatrical deliberation and legal dramatization of human intention. He analyzes such canonical plays as "Hamlet," "Timon of Athens," "Dr. Faustus," "Bartholomew Fair," and "Othello" alongside less familiar texts, including Barnes's "The Devil's Charter," Jonson's "Entertainment at Althorp," and the anonymous "Nobody and Somebody."
Notable instances of the new theatrical representation of premeditated conduct include the appearance in "Hamlet" of wording from the sensational case of "Hales versus Petit" and dramatizations of contract law in enactments of demonic pacts in the plays of Marlowe and Barnes. The final chapter examines the iconography of Nobody, an early modern equivalent of John Doe, and features some dozen illustrations of contemporary woodcuts, drawings, and engravings.
Tied closely to the convergence of authorial and dramatic forethought, theatrical representation of premeditated action demonstrates the close relationships among purposeful human behavior, fictionality, economic exchange, and the experience of time.

Offbeat sci-fi comedy starring Luke Wilson. In 2005, Private Joe Bowers (Wilson) is a soldier chosen to take part in a secret military scientific experiment in which he will be put into induced hibernation for one year, along with a woman named Rita (Maya Rudolph). Bowers is chosen for the assignment because he is statistically the most average man in the army, while Rita is a hooker ordered to do community service. Unfortunately, Bowers and Rita are forgotten about when the military base where the experiment took place is closed down, and when they wake up in the year 2505. Bowers finds himself living in a society where intelligence has taken such a landslide he's now the smartest man in the world.

Oscar-nominated comedy about an oddball New York family of former child geniuses from writer-director Wes Anderson ('Rushmore'). Before their marriage floundered, Royal Tenenbaum (Gene Hackman) and his wife Etheline (Angelica Huston) succeeded in raising three prodigies: business supremo Chas (Ben Stiller), prize-winning playwright Margot (Gwyneth Paltrow) and tennis champion Richie (Luke Wilson). Now, after years of separation, and with the children grown-up and the memory of their prodigy faded, Royal returns to his family and tries to make amends. However, with Royal's history of lies and betrayal, his offspring - who all now have problems of their own - are going to have trouble welcoming him back.

Collection of three Wes Anderson films. In 'The Life Aquatic With Steve Zissou' (2004) internationally famous oceanographer Steve Zissou (Bill Murray) and his crew, Team Zissou, set sail on an expedition to hunt down the mysterious, elusive, possibly non-existant Jaguar Shark that killed Zissou's partner during the documentary filming of their last adventure. They are joined on their voyage by a young airline co-pilot who may or may not be Zissou's son (Owen Wilson), a beautiful journalist (Cate Blanchett) assigned to write a profile of Zissou, and Zissou's estranged wife and co-producer Eleanor (Anjelica Huston). They face overwhelming complications including pirates, kidnapping and bankruptcy. Narrated by Alec Baldwin, 'The Royal Tenenbaums' (2001) is about an oddball New York family of former child geniuses. Before their marriage floundered, Royal Tenenbaum (Gene Hackman) and his wife Etheline (Angelica Huston) succeeded in raising three prodigies: business supremo Chas (Ben Stiller), prize-winning playwright Margot (Gwyneth Paltrow) and tennis champion Richie (Luke Wilson). Now, after years of separation, and with the children grown-up and the memory of their prodigy faded, Royal returns to his family and tries to make amends. However, with Royal's history of lies and betrayal, his offspring - who all now have problems of their own - are going to have trouble welcoming him back. In 'Rushmore' (1998) Max Fischer (Jason Schwartzman) is a 10th grade pupil at Rushmore Academy. When not daydreaming, Max pours all of his energy into his beloved extra-curricular activities, often to the neglect of his studies. His determination to make a name for himself is sent into overdrive by the arrival of pretty new teacher Miss Cross (Olivia Williams). Outside of school, Max is taken under the wing of middle-aged steel tycoon Herman Blume (Murray), whose sons are boorish thugs. Things begin to go awry when Mr Blume falls for Miss Cross himself, and Max becomes unhinged with jealousy. His schemes to win the affections of his teacher grow ever more extreme, while his academic life threatens to collapse around him.

Director Todd Phillips (the man behind the controversial exposé 'Frat House'') looks at what happens to the guys after they have left college and settled down. Mitch (Luke Wilson) catches the early flight home after a business trip and finds his wife (Juliette Lewis) in bed with a room full of naked strangers. He moves out and rents a house near the campus of his old college. With the help of his two best friend (both married and with kids), he gets down to serious partying. However, their partying soon attracts the students of the college - and the anger of the dean of the college who tries to make Mitch's neighbourhood a student-only area. To counter this, the friends form a fraternity with its headquarters at Mitch's house. But their high-jinks begin to take its toll on Mitch's potential love-life.

This acclaimed comedy stars Jason Schwartzman as Max Fischer, a 10th grade pupil at Rushmore Academy. When not daydreaming, Max pours all of his energy into his beloved extra-curricular activities, often to the neglect of his studies. His determination to make a name for himself is sent into overdrive by the arrival of pretty new teacher Miss Cross (Olivia Williams). Outside of school, Max is taken under the wing of middle-aged steel tycoon Herman Blume (Bill Murray), whose sons are boorish thugs. Things begin to go awry when Mr Blume falls for Miss Cross himself, and Max becomes unhinged with jealousy. His schemes to win the affections of his teacher grow ever more extreme, while his academic life threatens to collapse around him.