From clothing to the painted and scarified nude body, through overt, public display or esoteric symbols known only to the initiated, dress can convey information about beliefs, faith, identity, power, agency, resistance, and fashion. Taking a 'senses' approach, Hume's engaging account takes into consideration the look, smell, feel, touch and sound of religious apparel, the 'smells and bells' of dress and its accoutrements, as well as the emotions evoked by donning religious garb. The book's global perspective provides wide-ranging, yet detailed, coverage of religious dress, from the history and meaning of the simple 'no-frills' attire of the Anabaptists to the power structure displayed in the elaborate fabrics and colours of the Roman Catholic Church; Hume examines the 2,500 year-old tradition of Buddhist robes, the nudity of India's holy men, and much more. With chapters on Sufism, Vodou, modern Pagans, as well as painted and tattooed indigenous and modern Western bodies, the reader is swept along on a sensual journey of the sight, sound, smell and feel of wearing religion. Unique in its field, this intriguing and informative anthropological approach to the body and dress is an essential read for students of Anthropology, Anthropology of Dress, Sociology, Fashion and Textiles, Culture and Dress, Body and Culture and Cultural Studies.

In our contemporary post-modern world, popular forms of spirituality are increasingly engaging with notions of re-enchantment - of self and community. Not only are narratives of re-enchantment appearing in popular culture at the personal and spiritual level, but also they are often accompanied by a pragmatic approach that calls for political activism and the desire to change the world to incorporate these new ideas. Drawing on case studies of particular groups, including pagans, witches, radical faeries, post-modern tourists, and queer and goddess groups, contributors from Australia, the UK and North America discuss various forms of spirituality and how they contribute to self-knowledge, identity, and community life. The book documents an emerging engagement between new quasi-religious groups and political action, eco-paganism, post-colonial youth culture and alternative health movements to explore how social change emerges.

In our contemporary post-modern world, popular forms of spirituality are increasingly engaging with notions of re-enchantment - of self and community. Not only are narratives of re-enchantment appearing in popular culture at the personal and spiritual level, but also they are often accompanied by a pragmatic approach that calls for political activism and the desire to change the world to incorporate these new ideas. Drawing on case studies of particular groups, including pagans, witches, radical faeries, post-modern tourists, and queer and goddess groups, contributors from Australia, the UK and North America discuss various forms of spirituality and how they contribute to self-knowledge, identity, and community life. The book documents an emerging engagement between new quasi-religious groups and political action, eco-paganism, post-colonial youth culture and alternative health movements to explore how social change emerges.

As Alice in Wonderland discovered, cave entrances, tunnels, spirals and mirrors can transport people to strange worlds where anything is possible. Portals investigates how we move beyond the conscious and physical world using our senses, into other realities of the spiritual and the divine. Portals looks at the techniques used to alter consciousness practised by shamans, monks and other religious specialists. These include the use of drugs, as well as drumming, chanting and meditation. The book provides a new, anthropologically-grounded perspective on the wide-ranging questions about the realities of human consciousness and mystical, spiritual and religious experience.

As Alice in Wonderland discovered, cave entrances, tunnels, spirals and mirrors can transport people to strange worlds where anything is possible. Portals investigates how we move beyond the conscious and physical world using our senses, into other realities of the spiritual and the divine. Portals looks at the techniques used to alter consciousness practised by shamans, monks and other religious specialists. These include the use of drugs, as well as drumming, chanting and meditation. The book provides a new, anthropologically-grounded perspective on the wide-ranging questions about the realities of human consciousness and mystical, spiritual and religious experience.

All too often anthropologists and other social scientists go into the field with unrealistic expectations. Different cultural milieus are prime ground for misunderstandings, misinterpretations, and interrelational problems. This book is an excellent introduction to real-world ethnography, using familiar and not-so-familiar cultures as cases. The book covers participant observation and ethnographic interviewing, both short and long term. These methodologies are open to problems such as lack of communication, depression, hostility, danger, and moral and ethical dilemmas -- problems that are usually sanitized for publication and ignored in the curriculum. Among the intriguing topics covered are sexualized and violent environments, secrecy and disclosure, multiple roles and allegiances, insider/outsider issues, and negotiating friendship and objectivity.

From clothing to the painted and scarified nude body, through overt, public display or esoteric symbols known only to the initiated, dress can convey information about beliefs, faith, identity, power, agency, resistance, and fashion. Taking a 'senses' approach, Hume's engaging account takes into consideration the look, smell, feel, touch and sound of religious apparel, the 'smells and bells' of dress and its accoutrements, as well as the emotions evoked by donning religious garb. The book's global perspective provides wide-ranging, yet detailed, coverage of religious dress, from the history and meaning of the simple 'no-frills' attire of the Anabaptists to the power structure displayed in the elaborate fabrics and colours of the Roman Catholic Church; Hume examines the 2,500 year-old tradition of Buddhist robes, the nudity of India's holy men, and much more. With chapters on Sufism, Vodou, modern Pagans, as well as painted and tattooed indigenous and modern Western bodies, the reader is swept along on a sensual journey of the sight, sound, smell and feel of wearing religion. Unique in its field, this intriguing and informative anthropological approach to the body and dress is an essential read for students of Anthropology, Anthropology of Dress, Sociology, Fashion and Textiles, Culture and Dress, Body and Culture and Cultural Studies.

The Dreaming, or the Dreamtime, is the English translation of a complex Aboriginal religious concept. It relates to the idea of an ancestral presence which exists as a spiritual power that is deeply present in the land. This presence or power also exists in certain paintings, in some dance performances, and in songs, blood and ceremonial objects.In Ancestral Power, Lynne Hume seeks to further our understanding of human consciousness by looking through a Western lens at the concept of the Dreaming. She examines the idea that Aboriginal people may have used certain techniques for entering altered states of consciousness. Could their experiences in such states, together with their extensive knowledge of their environment, have helped to create the cosmological scheme we call the Dreaming?With these questions in mind, she brings together and examines, for the first time, a wide range of existing literature on Aboriginal cosmology and spiritual practices, together with studies of Aboriginal art, data from anthropologists and ethnomusicologists, and statements by Aboriginal people from many different regional areas of Australia. Much of the information she highlights is little known.Ancestral Power suggests that Aboriginal spirituality is much more complex and compelling than the early missionaries could ever have imagined.