The intent behind this book is to provide grist for the mill for research students and other interested readers. Chapter one, by author Allan Savage, presents an understanding of the social construction of religious activity, which maintains that social construction of religion arises from a dialectical engagement within the world from a phenomenological philosophical point of view. Co-author Peter Stuart presents a classical and traditional point of view, and readers expecting academic accord between the authors will be disappointed.

A further rationale for writing this book is that both Savage and Stuart desire to express their personal convictions in the public forum. Both have interests in the ebb and flow of civilization, especially as it pertains to the place of faith, religion, politics, and a variety of social phenomena, including economics, culture, gender, ethnicity, and the family, as well as the ebb and flow of money, power, property, and prestige, as articulated throughout history. They believe that writing about the place of faith and religion in French Canada is crucial if one is to understand the place that this 'keystone' civilization occupies within confederation and its enduring ambivalence regarding its belonging, or not, to Canada.

For decades Stalinist literature, film, and art was almost exclusively deemed political propaganda imposed from on high, devoid of any aesthetic significance. In this book, Evgeny Dobrenko suggests an entirely new view: socialism did not produce Socialist Realism to "prettify reality"; rather, Socialist Realism itself produced socialism by elevating socialism to reality status, giving it material form. Without art, socialism could not have materialized. Bringing together the Soviet historical experience and Stalin-era art-novels, films, poems, songs, painting, photography, architecture, and advertising-Dobrenko examines Stalinism's representational strategies and demonstrates how real socialism was begotten of Socialist Realism. Socialist Realism, he concludes, was Stalinism's most effective sociopolitical institution.

Bose-Einstein condensation of dilute gases is an exciting new field of interdisciplinary physics. The eight chapters in this volume introduce its theoretical and experimental foundations. The authors are lucid expositors who have also made outstanding contributions to the field. They include theorists Tony Leggett, Allan Griffin and Keith Burnett, and Nobel-Prize-winning experimentalist Bill Phillips. In addition to the introductory material, there are articles treating topics at the forefront of research, such as experimental quantum phase engineering of condensates, the "superchemistry" of interacting atomic and molecular condensates, and atom laser theory.

They're Playing Our Songs offers a unique and fascinating vehicle for women's voices to be heard on the subject of women's music and how it affects their lives. Author Ann M. Savage explores 15 women's engagements with what might be called feminist rock music, including that of such noted artists as Ani DiFranco, Tori Amos, the Indigo Girls, and Melissa Etheridge. The women interviewed here tell deeply personal stories of how songs by these musicians have helped them survive and cope with turbulent life experiences such as difficult work environments, depression, and abusive relationships. As we can see, then, music can be not only pleasurable but also fiercely expressive, in ways that allow its listeners some vicarious catharsis. These accounts of personal transformation make for a book that is at once compelling and dynamically political, revealing the myriad ways in which art, polemics, and life intertwine to create a side of womanhood that few ever get to see.

When the Coalition Government came to power in 2010 in claimed it would deliver not just austerity, as necessary as that apparently was, but also fairness. This volume subjects this pledge to critical interrogation by exposing the interests behind the policy programme pursued and their damaging effects on class inequalities. Situated within a recognition of the longer-term rise of neoliberal politics, reflections on the status of sociology as a source of critique and current debates over the relationship between the cultural and economic dimensions of social class, the contributors cover an impressively wide range of relevant topics, from education, family policy and community to crime and consumption, shedding new light on the experience of domination in the early 21st Century.

Composting and Recycling Municipal Solid Waste is a comprehensive guide that identifies, describes, explains, and evaluates the options available when composting and recycling municipal solid waste (MSW). The book begins with an introductory chapter on the nature of MSW and the importance of solid waste management programs and resource recovery. Chapter 2 discusses MSW storage and collection, with emphasis on recyclables. Chapter 3 examines issues involved in determining the quantity, composition, and key physical characteristics of the MSW to be managed and processed. The book's other chapters cover topics such as the steps required for processing MSW for material recovery, the use of uncomposted organic matter as a soil amendment, composting and use of compost product, the marketing of recyclables, biogasification, and integrated waste management. Composting and Recycling Municipal Solid Waste provides essential information needed by solid waste professionals, consultants, regulators, and planners to arrive at rational decisions regarding available economic and technological resources for MSW composting and recycling.

Spot On is spot on! The most popular course in South Africa, Spot On has everything a learner needs in one book. Spot On improves results, makes learning enjoyable, makes teaching a pleasure and is easy to use. The Spot On Teacher’s Guide comes with printable planning material, Formal Assessment Tasks, revision tests and exams.

Composting and Recycling Municipal Solid Waste is a comprehensive guide that identifies, describes, explains, and evaluates the options available when composting and recycling municipal solid waste (MSW). The book begins with an introductory chapter on the nature of MSW and the importance of solid waste management programs and resource recovery. Chapter 2 discusses MSW storage and collection, with emphasis on recyclables. Chapter 3 examines issues involved in determining the quantity, composition, and key physical characteristics of the MSW to be managed and processed. The book's other chapters cover topics such as the steps required for processing MSW for material recovery, the use of uncomposted organic matter as a soil amendment, composting and use of compost product, the marketing of recyclables, biogasification, and integrated waste management. Composting and Recycling Municipal Solid Waste provides essential information needed by solid waste professionals, consultants, regulators, and planners to arrive at rational decisions regarding available economic and technological resources for MSW composting and recycling.

In Soviet culture, the reader was never a "consumer of books" in the Western sense. According to the aesthetic doctrine at the heart of Socialist Realism, the reader was a subject of education, to be reforged and molded. Because of this, Soviet culture cannot be examined properly without taking into account the reading masses. This book is a history of the shaping of the reader of Soviet literature, a history of the "State appropriation of the reader."
The entire history of the formation and transformation of the institution of literature in the revolutionary and Soviet eras bears witness to the fact that literature was called upon to perform substantive political and ideological functions in the authorities' overall system (which included the publishing business, the book trade, libraries, and schools) aimed at ultimately creating a new Soviet person. This book shows how people from various social classes, in a dynamic unknown in pre-Soviet history, not only consumed the products of a new culture but in fact created that culture.
On its own, the sociology of reading is scarcely capable of uncovering the variety, dynamism, and multilayered structure of the process of reading, for the reader is a composite figure. Soviet society in the Stalin era was not only a State-hierarchy system, but also a mosaic that was always divided into definite cultural strata, each of which consumed its own culture, which performed a host of familiar functions--escapist, socializing, compensating, informative, recreational, prestige-enhancing, aesthetic, and emotional--in addition to the specifically Soviet tastes connected with propaganda and mobilization.
If we superimpose on this spectrum the diverse characteristics of individual readers, the resulting picture is extraordinarily variegated. At the same time, there is a certain cultural space in which these factors intersect--the space the author defines as the "situation of reading." In this book, he focuses on the basic lines of force that were at work in the Soviet reading space.

When the Coalition Government came to power in 2010 in claimed it would deliver not just austerity, as necessary as that apparently was, but also fairness. This volume subjects this pledge to critical interrogation by exposing the interests behind the policy programme pursued and their damaging effects on class inequalities. Situated within a recognition of the longer-term rise of neoliberal politics, reflections on the status of sociology as a source of critique and current debates over the relationship between the cultural and economic dimensions of social class, the contributors cover an impressively wide range of relevant topics, from education, family policy and community to crime and consumption, shedding new light on the experience of domination in the early 21st Century.

Covering from 1900 to the present day, this book highlights how female artists, actors, writers, and activists were involved in the fight for women's rights, with a focus on popular culture that includes film, literature, music, television, the news, and online media. Women's Rights: Reflections in Popular Culture offers a succinct yet thorough resource for anyone interested in the relationship between feminism, women's rights, and media. It is ideally suited for students researching popular culture's role in the modern history of women's rights and representation of women, women's rights, and feminism in popular culture. This insightful book highlights of some of the most important moments of women taking a stand for women throughout popular culture history. Each section focuses on an aspect of popular culture. The television section covers important benchmarks, such as Julia, The Mary Tyler Moore Show, Roseanne, Murphy Brown, and Ellen. Coverage of films includes Christopher Strong, Foxy Brown, and Thelma & Louise; the literature section features the work of influential individuals such as Virginia Woolf, Zora Neale Hurston, and Toni Morrison. The book celebrates early musical ground-breakers like Gertrude "Ma" Rainey and Bessie Smith as well as contemporary artists Janelle Monáe and Pussy Riot. The work of key women activists—including Margaret Sanger, Angela Davis, and Winona LaDuke—is recognized, along with the unique ways women have used the power of the web in their continued effort to push for women's equality.

This book completes the author's study of the sociology of the literary process in Soviet Russia, begun in "The Making of the State Reader: Social and Aesthetic Contexts of the Reception of Soviet Literature" (Stanford, 1997). The history of the literary process of the Soviet era, understood as the living process of the clash of political and ideological aspirations and the interests and psychology of cultural elites, allows one to understand the social origins and cultural aims of Stalinist art in an entirely new way.
Previous scholarship has concentrated largely on Sovietological answers to the basic problems of Stalinist aesthetics--such as "political control," "repressions," and "pressure from the regime." However, the author demonstrates that Socialist Realism is not so much directed as it is self-directed; it is not a matter of control but of self-control. The transformation of the author into his own censor is the true history of Soviet literature.
Socialist Realism is cultural revolution not only from above but from below as well. The state simply took into account, and accurately discerned, the demands of the masses, and Soviet literature became the reader's answer to these demands. The reader not only shaped Socialist Realist aesthetics down to his own expectations, but in fact created it. The Soviet writer was yesterday's Soviet reader who had learned how to write books.
The Soviet writer can be called the product of authority only to the extent that this authority recognized and institutionalized what Lenin called the "lively creativity of the masses." On the other hand, the author shows, the Soviet writer is the radical realization and embodiment of the nineteenth-century Russian populist utopia of enlightenment of the people.

Spot On is spot on! The most popular course in South Africa, Spot On has everything a learner needs in one book. Spot On improves results, makes learning enjoyable, makes teaching a pleasure and is easy to use. The Spot On Teacher’s Guide comes with printable planning material, Formal Assessment Tasks, revision tests and exams.

Thoroughly revised to reflect new advances in the field, Savage & Aronson's Comprehensive Textbook of Perioperative and Critical Care Echocardiography, Third Edition, remains the definitive text and reference on transesophageal echocardiography (TEE). Edited by Drs. Alina Nicoara, Robert M. Savage, Nikolaos J. Skubas, Stanton K. Shernan, and Christopher A. Troianos, this authoritative reference covers material relevant for daily clinical practice in operating rooms and procedural areas, preparation for certification examinations, use of echocardiography in the critical care setting, and advanced applications relevant to current certification and practice guidelines. Contains significantly expanded content on the use of TEE and transthoracic echocardiography (TTE) in the critical care setting-more than twice the material offered in the previous edition and ideal for Critical Care Echocardiography certification preparation Features new chapters on transcatheter procedures Includes up-to-date information on organizing education and training in perioperative echocardiography and on ultrasound for vascular access, assessment of the patient with endocarditis and using echo during resuscitation, epiaortic and epicardial imaging; endovascular management of thoracic vascular disease, transcutaneous management of valvular heart disease, and more Chapters provide key point summaries and review questions and answers throughout, making it an excellent tool for study and review Enrich Your eBook Reading Experience Read directly on your preferred device(s), such as computer, tablet, or smartphone. Easily convert to audiobook, powering your content with natural language text-to-speech.

This is a new release of the original 1938 edition.

"Domestic Violence Exposed & The Demonic Force Behind It" is the sequel to "The Blood & Tears of Domestic Violence: A Survivor's Revelation," continuing the life story of Donna Savage, once a victim of domestic violence, now set free and delivered from the violent hands of her ex husband. Donna's life changes dramatically, as she discovers and learns herself, as she never knew before. The saga continues where the previous book left off, unfolding as Donna takes her first breath of freedom, after leaving the court house and follows her new life, which ultimately leads Donna to her mission and passion...advocating for domestic violence. The road to Donna's life since escaping her abuser has not been an easy one. She exposes the real battle behind domestic violence...demonic violence Her testimony of the spiritual battle, principalities, powers and rulers of the darkness of this world that came against her, as she was being prepared to be used by God to save and deliver souls from the gates of hell is riveting and will leave readers on the edge of their seats. Donna says, "Exposing the truth of what happens behind closed doors, in the physical and spiritual realm, is crucial to free many souls. People may be afraid to say what they see, hear or experience when they are subjected to these evil forces, but that keeps not only them in bondage, but others as well. Donna is now a victorious survivor, advocate, Evangelist, public speaker, screenwriter as well as other empowering roles helping those still entrapped in the vicious cycle of domestic violence. God is her strength and guide as she journeys into the world of advocacy...His way I pray that this book is a liberating read for victims, abusers, survivors and all involved in the tragic lifestyle of domestic violence, giving hope, redemption and life to many, in the mighty name of Jesus

This is a new release of the original 1938 edition.

This is a new release of the original 1938 edition.

The intent behind this book is to provide grist for the mill for research students and other interested readers. Chapter one, by author Allan Savage, presents an understanding of the social construction of religious activity, which maintains that social construction of religion arises from a dialectical engagement within the world from a phenomenological philosophical point of view. Co-author Peter Stuart presents a classical and traditional point of view, and readers expecting academic accord between the authors will be disappointed.

A further rationale for writing this book is that both Savage and Stuart desire to express their personal convictions in the public forum. Both have interests in the ebb and flow of civilization, especially as it pertains to the place of faith, religion, politics, and a variety of social phenomena, including economics, culture, gender, ethnicity, and the family, as well as the ebb and flow of money, power, property, and prestige, as articulated throughout history. They believe that writing about the place of faith and religion in French Canada is crucial if one is to understand the place that this 'keystone' civilization occupies within confederation and its enduring ambivalence regarding its belonging, or not, to Canada.