The late thirteenth-century manuscript, Oxford, Bodleian Library Digby 86, contains a personal anthology of nearly 100 texts in French, English and Latin, including secular literature, devotional material, and texts with practical applications, ranging from medical care for humans and birds to games and party tricks. Many of the texts are unique to this manuscript. It contains 18 English texts, including lyrics, the earliest English Fabliau (Dame Sirith), and the beast-epic, `The Fox and the Wolf'. The manuscript, which was assembled by a layman associated with Redmarley d'Abitot (Gloucestershire), provides and important witness to the context in which these texts were preserved and read.

In the present collection of articles by Malcolm Parkes two overarching concerns emerge: the palaeography of manuscript books in relation to what Parkes has previously called the 'grammar of legibility'; and the importance of considering the circumstances in which medieval books were produced, copied and read. The individual studies discuss the handwriting of individual scribes, and the evidence script can provide of the circumstances of a book's production, the effect of punctuation and layout of text on the reader's interpretation of a work, and the provision and production of books for communities of readers, both clerical and academic. From a discussion of the scribe of the Hereford Mappa Mundi to a comprehensive study of book provision in the medieval University of Oxford, a wealth of information is conveyed in these articles, now conveniently accessible in one volume, about books and their histories by one of the most knowledgeable of manuscript scholars today.

From its publication in 1992 Pause and Effect has become a cornerstone of the study of punctuation across the world. Described as 'magisterial' by Lynne Truss in her best-selling Eats, Shoots and Leaves, this book has stimulated interest and scholarly debates among writers, literary critics, philosophers, linguists, rhetoricians, palaeographers and all those who study the use of language. To celebrate this extraordinary achievement, Pause and Effect has been republished in September 2008, coinciding with the publication of the author's new work, Their Hands Before Our Eyes. The first part of Pause and Effect identifies the graphic symbols of punctuation and deals with their history. It covers the antecedents of the repertory of symbols, as well as the ways in which the repertory was refined and augmented with new symbols to meet changing requirements. The second part offers a short general account of the principal influences which have contributed to the ways in which the symbols have been applied in texts, focusing on the evidence of the practice itself rather than on theorists. The treatment enables the reader to compare usages in different periods, and to isolate the principles which underlie the use of punctuation in all periods. The examples and plates which are at the core of the book provide the reader with an opportunity to test the author's observations. The examples are taken from a wide range of literary texts from different periods and languages. Latin texts are accompanied by English translation intended to illustrate the use of punctuation in the originals in so far as this is possible.

This new book by Malcolm Parkes makes a fundamental contribution to the history of handwriting. Handwriting is a versatile medium that has always allowed individual scribes the opportunity for self-expression, despite the limitations of the pen and the finite number of possible movements.The purpose of this study is to focus on the writing of scribes from late antiquity to the beginning of the sixteenth century, and to identify those features which are a scribe's personal contribution to the techniques and art of handwriting. The book opens with three chapters surveying the various environments in which scribes worked in the medieval West. The following five, based on the author's Lyell Lectures at the University of Oxford, then examine different aspects of the subject, starting with the basic processes of handwriting and copying. Next come discussions of developments in rapid handwriting, with its consequent influence on new alphabets; on more formal 'set hands'; and on the adaptation of movements of the pen to produce elements of style corresponding to changes in the prevailing sense of decorum. The final chapter looks at the significance of some customized images produced by handwriting on the page. The text is illustrated with 69 plates, and accompanied by a glossary of the technical terms applied to handwriting, which in itself makes a significant contribution to the subject.

First published in 1969, English Cursive Book Hands rapidly established itself as a key resource for the study and teaching of palaeography. It covers the changes in handwriting that arose from the mid-twelfth century, tracking the growth and development of the cursive script that came to dominate book production in medieval England. This reprint is a re-issue of the 1979 second edition published by Scolar Press. This study sets out the nature of the developments which took place in English book hands, from the mid-twelfth century, largely determined by two factors: the increasing demand for books, and the increase in the size of the works to be copied. The secularization of learning and the rise of the universities created a voracious demand for texts and commentaries. At the same time improving standards of literacy led to a demand from a wide range of patrons for books of a more general nature. In such circumstances speed and ease of writing became increasingly important. Scribes began to use different kinds of handwriting for different classes of books, and as a result a new 'hierarchy' of scripts arose, each with its own sequence of development. Towards the end of the thirteenth century the cursive script which had recently been evolved for the preparation of documents was introduced into books. A hierarchy also arose in the cursive script itself, as scribes began to devise more than one way of writing depending on the degree of formality they required. Eventually the varieties of cursive usurped the functions of other scripts in the copying of nearly all kinds of books and documents. English Cursive Book Hands illustrates the developments which took place in the cursive handwriting used in England for writing books.

In the present collection of articles by Malcolm Parkes two overarching concerns emerge: the palaeography of manuscript books in relation to what Parkes has previously called the 'grammar of legibility'; and the importance of considering the circumstances in which medieval books were produced, copied and read. The individual studies discuss the handwriting of individual scribes, and the evidence script can provide of the circumstances of a book's production, the effect of punctuation and layout of text on the reader's interpretation of a work, and the provision and production of books for communities of readers, both clerical and academic. From a discussion of the scribe of the Hereford Mappa Mundi to a comprehensive study of book provision in the medieval University of Oxford, a wealth of information is conveyed in these articles, now conveniently accessible in one volume, about books and their histories by one of the most knowledgeable of manuscript scholars today.