for SATB and piano Mack Wilberg's calming and pensive Meditation is an adaptation of Charles Gounod's famous Ave Maria which is itself based on J.S. Bach's Prelude in C Major from the first book of The Well-Tempered Clavier. The accompaniment is derived from the piano solo transcription of Gounod's work by Georges Bizet. To the piano's rising arpeggios and Gounod's melody, Wilberg has added a gently weaving choral texture, setting the words 'Alleluia, Amen'.

for SATB and piano or orchestra Based on William J. Kirkpatrick's 'Cradle Song', A Christmas Meditation was originally written as underscoring for a reading of the Biblical account of the Nativity (Luke 2:1, 3-14). In the tradition of incidental music, this wordless piece may be used in a variety of ways, including as a processional, as a transition between other works, or as background for spoken words and images.

for SATB (with divisions) and small orchestra This is a beautiful, sensitive arrangement of the African-American spiritual and folk hymn Oh, watch the stars. The text reflects on the beauty of creation, and alternative verses by David Warner celebrating Christ's birth have been included for performance during the Christmas season. Wilberg artfully retains the understated feel and simplicity of the original spiritual while demonstrating hallmarks of his unique style, such as rich harmonies, contrasting keys and textures, and effective obbligato instrumental fills.

for SATB chorus and organ, or orchestra This uplifting and highly effective arrangement of the popular Stanford hymn-tune ENGLEBERG, to words by Fred Pratt Green, was commissioned by the Broadway Baptist Church (Fort Worth) in Texas, and later recorded for broadcast by The Tabernacle Choir. The piece is suitable for regular worship services but most often at special praise services, choral liturgies, and musical feasts, and for recognizing the work of church musicians.

for SATB (with divisions) and organ or orchestra This affecting setting of the well-known poem from George Herbert's The Temple features rich harmonies and sweeping melodies to create a work of depth and poignancy. The piece begins with an instrumental introduction, before the melody is taken up first by upper voices, then full chorus.

for SATB (with divisions) and piano or orchestra This is a beautiful, sensitive arrangement of the African-American spiritual and folk hymn Oh, watch the stars. The text reflects on the beauty of creation, and alternative verses by David Warner celebrating Christ's birth have been included for performance during the Christmas season. Wilberg artfully retains the understated feel and simplicity of the original spiritual while demonstrating hallmarks of his unique style, such as rich harmonies, contrasting keys and textures, and effective obbligato instrumental fills.

for SATB and piano four-hands or chamber orchestra This effervescent setting of two texts by David Warner - one for Christmas, one for general worship - was included on the Tabernacle Choir and Orchestra at Temple Square's release, 'Tree of Life'. Over a shimmering, festive accompaniment for piano four-hands or chamber orchestra, the melody is passed between voice parts, and the dynamic contrasts and detailed articulation enable singers to present an engaging characterization.

for SATB and organ or orchestra This radiant anthem is an arrangement of William F. Smith's hymn tune 'Lattimer', frequently paired with the popular gospel song 'This little light of mine'. Wilberg gives each section of the choir a presentation of the melody, beginning with the sopranos, before building towards a climactic finish with new harmony and texture as light spreads 'across the land'.

for SATB and organ or orchestra This bright and exultant arrangement of Michael Praetorius's melody 'Puer nobis nascitur' is presented with two text options: 'O splendor of God's glory bright' for general worship and 'That Easter day with joy was bright' for use at Easter. Sparkling organ interludes, characterised by flutes and piccolos in the orchestral accompaniment, punctuate the lilting melody, which is given contrasting treatment in each of the verses, from presentation in unison to rich four-part harmony.

for SATB and piano or orchestra Tree of Life is an expansive setting of an evocative text by David Warner that depicts the sacred archetype of the life-giving tree through the cycle of all four seasons. The lyrics, coupled with simple, memorable melodies, speak of spiritual planting and growth, nourishment, and an abundant harvest; each observation is punctuated by an 'Alleluia' as an expression of praise and gratitude. Wilberg's imaginative orchestration creates an abundant soundworld, with arching woodwind phrases, sweeping strings, and a cacophony of handbells that lifts the closing alleluias skywards in celebration. This is the title track on the Tabernacle Choir's 2018 CD release.

for SATB and piano or orchestra Male voices take the leading role in this mixed-voice arrangement of the tender and well-loved solo piece attributed to Caccini (and usually sung to 'Ave Maria'). In keeping with the cumulative embellishment of the original, Wilberg's version starts with unison men and gradually adds more parts, always grounded by the lower voices. Similarly, the accompaniment's texture thickens as the piece develops, with the instrumental version starting with strings only, building up to a full orchestral climax before a gentler coda.

for SATB and organ or orchestra This is an arrangement of the 19th-century hymn by Philip Bliss, with words written by Horatio Spafford following several personal tragedies. Despite having lost his first son to scarlet fever, most of his assets in the Great Fire of Chicago, and then his four daughters in a shipwreck, Spafford's enduring faith inspired him to write this hymn, which speaks of an internal, spiritual calm in the face of life's difficulties. Wilberg's arrangement of Bliss's tune keeps the first two verses in unison, first women and then men, before allowing fuller textures to take over. The choir is accompanied throughout, and two upward major 3rd modulations lead to a triumphant close.

for SATB unaccompanied This setting of a tune from The Sacred Harp is strong and march-like, with accented rhythms and percussive vocal lines contributing to a rousing overall effect. It was originally published as part of Mack Wilberg Anthems and is also available in a version for TTBB unaccompanied.

for SATB and piano or orchestra Setting two verses of the Irish traditional carol, Wilberg's version opens simply with unaccompanied unison men, before the piano creeps in gently. Upper voices take over and an imitative section leads to a more dramatic, thicker-textured section. The carol melody's slightly haunting, modal qualities are complemented by colourful harmonic touches, and a final statement of the melody in the piano brings the piece to a calm close. The Mormon Tabernacle Choir and Orchestra at Temple Square have recorded this piece with orchestral accompaniment on the CD Hallelujah! (SKU 5157246).

for SATB and piano/orchestra Wilberg's arrangement of Robert Lowry's text and melody is a beautifully reflective take on the well-known hymn. Simple vocal lines are enhanced by a gently flowing accompaniment, rich in suspensions and harmonic interest. This part can be played on the piano, or by the unusual combination of flutes, cors anglais, harp, and strings.

for SATB and piano four-hands or orchestra This short, energetic piece sets words by contemporary hymn-writer Mary Louise Bringle. The text is full of positivity and hope, and Wilberg's use of a 7/8 time signature keeps the verses propelling forward joyously, while undulating quavers shape the refrains. Several key changes are supported by a continuously rhythmic accompaniment in the form of piano duet or large orchestra, and an instrumental interlude precedes the third and final verse.

for SATB and piano or piano four-hands or orchestra Wilberg's arrangement of the Christmas favourite Deck the hall is bright and energetic from beginning to end. After an uplifting introduction going through several keys, the choir sings the three carol verses in up to seven parts. The accompaniment provides both a harmonic underpinning and almost continuous flourishing semiquaver movement. Further modulations throughout the piece lead to an extended 'fa la la' section to bring the piece to an exhilarating close.

for SATB and organ or orchestra Mack Wilberg's arrangement of 'Old Hundredth', paired with William Kethe's popular hymn of exaltation, builds from a simple opening to a rich-textured, rousing conclusion, with a soaring soprano descant for the last verse. An alternative ending is included, providing the option of finishing the piece more softly if preferred. An orchestral accompaniment is available on hire/rental.

for SATB and organ or piano or orchestra or brass This anthem combines original music by Mack Wilberg, words by David Warner, and the celebrated hymn tune 'Old One Hundredth', which emerges from heralding voices, cleverly and majestically interwoven. Hymn of Praise is on the CD 'Glory! Music of Rejoicing' (2012) recorded by the Mormon Tabernacle Choir and Orchestra on Temple Square. Orchestral material is available on hire/rental.

for SATB and organ or large orchestra This arrangement of the well-loved hymn stays true to the jubilation and reverence of Easter. Wesley's words and the eighteenth-century melody shine through in a sensitive reharmonization, and a recurring instrumental passage smoothly connects the verses. Reflecting common hymn-singing practice, the first verse is in unison, the second in four-part harmony, and the third returns to unison with a soprano descant, before closing with a suitably exultant 'Alleluia' and 'Amen'. Christ the Lord is risen today appears on the Mormon Tabernacle Choir and Orchestra at Temple Square's latest CD, He is Risen, which reached No. 1 in both the 'Classical Albums' and 'Traditional Classical Albums' US charts within two weeks of its release in April 2014.

for SATB and piano or orchestra A setting of the hymn Samanthra, this piece combines the original tune's simplicity with rich musical texture and majesty - the hallmarks of Wilberg's style. His voice as the sound features on the Mormon Tabernacle Choir's CD 'Come Thou Fount of Every Blessing: American Folk Hymns & Sprituals' (SKU5014332). Orchestral material is available on hire/rental.

for SATB and piano Celebrating the deeply personal comforts offered by hope and faith, My Song in the Night is a calm and solemn piece. Its simple harmonies, supporting piano accompaniment, and reflective text are suitable for choirs of all levels, and allow for a moment of quiet reflection during mass or a busy concert programme.

for SSAA and piano or chamber orchestra This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal for upper-voice choirs of all levels of experience. The melody is sympathetically treated, with simple vocal harmonizations alongside unison singing, reflecting the humble message of the text: 'Jesus is calling, come home'. The accompaniment, for piano or small orchestra, creates a lush bed of sound over which the voices resonate.

for TTBB and piano or orchestra Written for the Mormon Tabernacle Choir, this new arrangement of the well-known spiritual is presented in two versions: one for mixed chorus and the other for men's voices. Each version opens gently with an effective unaccompanied unison section, and the accompaniment and further choral parts are gradually added. In classic Wilberg style, the piece builds up verse by verse with expanding textures, via two upward modulations, towards a grand and triumphant climax, leaving no doubt about the joy expressed in the text. The male-voice version of He's got the whole world in his hands features on the CD 'Men of the Mormon Tabernacle Choir', with the Orchestra at Temple Square, conducted by Mack Wilberg (SKU 5053126). Orchestral material is available on hire/rental.