SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017 SHORTLISTED FOR THE MAN BOOKER PRIZE 2016 WINNER OF THE SCOTIABANK GILLER PRIZE 2016 SHORTLISTED FOR THE PARAGRAPHE HUGH MACLENNAN PRIZE FOR FICTION 2016. In Canada in 1991, ten-year-old Marie and her mother invite a guest into their home: a young woman who has fled China in the aftermath of the Tiananmen Square protests. Her name is Ai-Ming. As her relationship with Marie deepens, Ai-Ming tells the story of her family in revolutionary China, from the crowded teahouses in the first days of Chairman Mao's ascent to the Shanghai Conservatory in the 1960s and the events leading to the Beijing demonstrations of 1989. It is a history of revolutionary idealism, music, and silence, in which three musicians, the shy and brilliant composer Sparrow, the violin prodigy Zhuli, and the enigmatic pianist Kai struggle during China's relentless Cultural Revolution to remain loyal to one another and to the music they have devoted their lives to. Forced to re-imagine their artistic and private selves, their fates reverberate through the years, with deep and lasting consequences for Ai-Ming - and for Marie. Written with exquisite intimacy, wit and moral complexity, Do Not Say We Have Nothing magnificently brings to life one of the most significant political regimes of the 20th century and its traumatic legacy, which still resonates for a new generation. It is a gripping evocation of the persuasive power of revolution and its effects on personal and national identity, and an unforgettable meditation on China today.

One starless night Janie's childhood was swept away by the terrors of the Khmer Rouge. Exiled from Phnom Penh, Janie and her family were forced to live out in the open: cold, hungry and under constant surveillance. Caught up in a political storm which brought starvation to millions, tore families apart and changed the world forever, Janie lost everyone she loved. Now, three decades later, Janie's life in Montreal is unravelling. Weaving together the threads of Janie's life, Dogs at the Perimeter evokes totalitarianism through the eyes of a little girl, and draws a remarkable map of the mind's battle with memory, loss and the horrors of war.

In present-day Vancouver, Gail Lim, a producer of radio documentaries, is haunted by the mysterious events in her father's childhood in war-torn Asia, and using her skills as a journalist is driven to unravel the mystery of his past. As a boy, Matthew Lim hid in the jungle fringe near Leila Road in Japanese-occupied Sandakan, North Borneo, with Ani, a girl whose friendship shapes the rest of his life. Together they barely survive the terrifying events of the war, which shatters their families and ultimately splits them apart - until years later, they meet again, only to endure another separation. At once sweeping and intimate, Certainty crosses continents, cultures and time to explore the legacies of loss, the dislocations of war and the redemptive qualities of love.

From Canada's global cities to its Arctic Circle - from the country's ongoing story of civil rights movements to languages under pressure - the writers in this issue upend the ways we imagine land, reconciliation, truth and belonging, revealing the histories of a nation's future.

Margaret Atwood, Gary Barwin, Dionne Brand, Fanny Britt, Douglas Coupland, France Daigle, Alain Farah, Naomi Fontaine, Dominique Fortier, Krista Foss, Kim Fu, Rawi Hage, Anosh Irani, Falen Johnson, Benoit Jutras, Alex Leslie, Alexander MacLeod, Daphne Marlatt, Lisa Moore, Nadim Roberts, Armand Garnet Ruffo, Chloé Savoie-Bernard, Anakana Schofield, Paul Seesequasis, Johanna Skibsrud, Karen Solie, Souvankham Thammavongsa, Larry Tremblay.

"In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old." Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations-those who lived through Mao's Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers in the fragile layers of their collective story. Her quest will unveil how Kai, her enigmatic father, a talented pianist, and Ai-Ming's father, the shy and brilliant composer, Sparrow, along with the violin prodigy Zhuli were forced to reimagine their artistic and private selves during China's political campaigns and how their fates reverberate through the years with lasting consequences. With maturity and sophistication, humor and beauty, Thien has crafted a novel that is at once intimate and grandly political, rooted in the details of life inside China yet transcendent in its universality.

WINNER OF THE SCOTIABANK GILLER PRIZE 2016 LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017 SHORTLISTED FOR THE MAN BOOKER PRIZE 2016 AND THE PARAGRAPHE HUGH MACLENNAN PRIZE FOR FICTION 2016. In Canada in 1990, ten-year-old Marie and her mother invite a guest into their home: a young woman who has fled China in the aftermath of the Tiananmen Square protests. Her name is Ai-Ming. As her relationship with Marie deepens, Ai-Ming tells the story of her family in revolutionary China, from the crowded teahouses in the first days of Chairman Mao's ascent to the Shanghai Conservatory in the 1960s and the events leading to the Beijing demonstrations of 1989. It is a history of revolutionary idealism, music, and silence, in which three musicians, the shy and brilliant composer Sparrow, the violin prodigy Zhuli, and the enigmatic pianist Kai struggle during China's relentless Cultural Revolution to remain loyal to one another and to the music they have devoted their lives to. Forced to re-imagine their artistic and private selves, their fates reverberate through the years, with deep and lasting consequences for Ai-Ming - and for Marie.Written with exquisite intimacy, wit and moral complexity, Do Not Say We Have Nothing magnificently brings to life one of the most significant political regimes of the 20th century and its traumatic legacy, which still resonates for a new generation. It is a gripping evocation of the persuasive power of revolution and its effects on personal and national identity, and an unforgettable meditation on China today.

To celebrate Aurora Metro's 30th anniversary as an independent publisher, 20% of profits will to go to the Virginia Woolf statue campaign in the UK. This is a revised edition of the publisher's inaugural publication in 1990, which won the Pandora Award from Women-in-Publishing. Inspirational in its original format, this new edition features poems, stories, essays and interviews with over 30 women writers, both emerging authors and luminaries of contemporary literature such as: A.S. BYATT, KIT DE WAAL, CAROL ANN DUFFY, PHILIPPA GREGORY, JACKIE KAY, MADELINE THIEN, CLARE TOMALIN, SARAH WATERS, and the great-niece of Virginia Woolf herself, EMMA WOOLF. Together with the original writing workshops plus black and white illustrations from women illustrators. Guest editor Ann Sandham has compiled the new collection.

Just over fifty years ago, China's Cultural Revolution began. The movement was intended to bring about a return to revolutionary Maoist beliefs and resulted in attacks on intellectuals and those believed to be counter-revolutionaries, capitalists and rightists; a large-scale purge in government posts; the appearance of a personality cult around Mao Zedong; and an estimated death count of between one and three million. When Katherine Luo moved from Hong Kong to mainland China in 1955 to study drama and opera, she hoped her ideals and patriotism might help to build her country. Like many citizens, she loved the motherland and admired its revolutionary leaders. After years of completely trusting the regime, rationalizing its decisions and betrayals, and criticizing herself for doubting the Party, she realized that no matter how much she loved China, it would never love her back because she had the wrong background-capitalist class origins and overseas connections. The Unceasing Storm describes Luo's personal struggles-among other things, she was expelled from university, forbidden to marry her first love, and accused of being a spy-but it is also the memoir of a generation, representative of similar incidents occurring all over China. Luo's colleagues and famous artists were dogged by their backgrounds-the unluckiest in the "to be executed, imprisoned or placed under surveillance" category; family members and teachers were labelled rightists; friends and war heroes were imprisoned; careers were ruined, families separated, ordinary people lifted to power one morning and destroyed overnight. Some of those with stories to tell perished, of those who lived, many prefer to forget, and others burned all written records to avoid being incriminated. When the people involved in the revolution have all died, it will be all too easy to forget or pretend it never happened. The Unceasing Storm is one step towards creating a truthful record of contemporary China.