Magie Dominic's first memoir," The Queen of Peace Room, " was shortlisted for the Canadian Women's Studies Award, "ForeWord" magazine's Book of the Year Award, and the Judy Grahn Award. Told over an eight-day period, the book captured a lifetime of turbulent memories, documenting with skill Dominic's experiences of violence, incest, and rape. But her story wasn't finished.

"Street Angel" opens to the voice of an eleven-year-old Dominic. She's growing up in Newfoundland. Her mother suffers from terrifying nighttime hallucinations. Her father's business is about to collapse. She layers the world she hears on radio and television onto her family, speaking in paratactic prose with a point-blank delivery. She finds relief only in the glamour of Hollywood films and the majesty of Newfoundland's wilderness.

Revealing her life through flashbacks, humour, and her signature self-confidence, Dominic takes readers from 1950s Newfoundland to 1960s Pittsburgh, 1970s New York, and the end of the millennium in Toronto. Capturing the long days of childhood, this book questions how important those days are in shaping who we become as we age and time seems to speed up. With quick brush-stroke chapters Dominic chronicles sixty years of a complex, secretive family in this story about violence, adolescence, families, and forgiveness.

What is memory, and where is it stored in the body? Can a room be symbolic of a lifetime?

Memories are like layers of your skin or layers of paint on a canvas. In "The Queen of Peace Room," Magie Dominic peels away these layers as she explores her life, that of a Newfoundlander turned New Yorker, an artist and a writer -- and frees herself from the memories of her violent past.

On an eight-day retreat with Catholic nuns in a remote location safe from the outside world, she exposes, and captures, fifty years of violent memories and weaves them into a tapestry of unforgettable images. The room she inhabits while there is called The Queen of Peace Room; it becomes, for her, a room of sanctuary. She examines Newfoundland in the 1940s and 1950s and New York in the 1960s; her confrontations with violence, incest, and rape; the devastating loss of friends to AIDS; and the relationship between life and art. These memories she finds stored alongside memories of nature's images of trees pulling themselves up from their roots and fleeing the forest; storms and ley lines, and skies bursting with star-like eyes.

In "The Queen of Peace Room," from a very personal perspective, Magie Dominic explores violence against women in the second half of the twentieth century, and in doing so unearths the memory of a generation. In eight days, she captures half a century.

Dramatist, wit, and irrepressible bohemian personality, Harry Koutoukas left an indelible mark on the downtown theatre in New York and the countless lives he touched. In this spirited collection of interviews and reminiscences, Harry's unique voice is heard again and a score of friends and colleagues look back fondly and admiringly at his extraordinary life. In addition, extensive research by Magie Dominic begins the task of documenting his achievements, identifying more than 50 plays and dozens of productions, beginning in the creative hotbed of the Caffe Cino in the 1960s and continuing for four decades on stages all over the city. Photographs recall the many looks and moods of a memorable artist and individual.