The public has become acutely aware that there is a large quantity of asbestos in the environment - it is used to insulate homes, schools and other public buildings, in car brakes, hair-dryers, and in many other applications. Asbestos and other fibrous inorganic materials are used so extensively because of their unique physical and chemical properties, which partly result from their fibrous form. This form also accounts for the hazards they pose to health. This comprehensive sourcebook introduces inorganic fibrous materials, both synthetic and naturally occurring. It provides an accessible general description of the fibrous state, the range of compounds that can adopt this form, and their unique characteristics. The author also assesses their use in industry and evaluates their safety.

The European Commission has claimed that 'Solidarity is part of how European society works...'. But how are we to understand solidarity, and what are its implications to Government policy? Promoting Solidarity in the European Union addresses the question of what solidarity might mean today and its relevance to the purposes of the European Union and the way it functions. Is solidarity just a slogan or can it have meaningful legal and policy content? This book brings together contributions from leading scholars in law, politics and sociology to discuss an idea that is coming under fresh scrutiny at a time when the EU's direction following the implementation of the Lisbon Treaty is hotly debated. The authors engage with both the content and limitations of solidarity as a concept in political and legal debate, and its application to specific fields such as migration, education and pensions policies.
Promoting Solidarity in the European Union provides a thoughtful and provocative analysis of the power and potential of solidarity, applying a sceptical and rigorous assessment of the conditions necessary for it to make a difference to the European political and legal space at a time when traditional manifestations of national solidarity (e.g. in health care) are perceived to be under threat from EU market liberalization policies. A number of contributions consider whether an EU concept of solidarity is possible and how that might affect the balance between market and social priorities for the Union's future.
If the EU is to be more than just a market, promoting solidarity as a value and a principle has a key role. This rich collection of essays explores how solidarity might fulfil its status as a core value for the Union.

The Oceanic Languages form a closed subgroup within one of the world 's largest language families, Austronesian. There are between 1000 and 1500 Austronesian languages (estimates vary), with so much structural diversity that they are best handled in two volumes, one on the Oceanic and one on the non-Oceanic Austronesian languages. This division is clear and the grammar sketches in this volume provide a cross-section through the structural diversity of the Oceanic languages which is not available elsewhere. Much of the material is drawn from data collected by the authors and has not been previously published.

The volume contains five background chapters: The Oceanic Languages, Sociolinguistic Background, Typological Overview, Proto-Oceanic and Internal Subgrouping. In addition, the volume presents forty-three grammar sketches, selected from the five hundred Oceanic languages spread across a region embracing eastern Indonesia, Melanesia, Polynesia, and Micronesia.

The educational constituency for the arts is rapidly expanding beyond the conventional school setting to include the wider community. Cultivating the Habit of Art is a much needed textbook for courses in the training of arts teachers, arts therapists and community artists. Malcolm Ross brings together the latest research on human empathy and creativity to reposition the arts as central to the effective initiation and management of change in contemporary society. The book integrates traditional Chinese Five Element Theory, also known as The Five Phases of Change, with contemporary Western psychological and cultural studies, to form a new Syncretic Model of creative artistic practice. Ross sets empathy and authenticity at the heart of the curriculum -- not just the arts curriculum but the whole curriculum. The Syncretic Model is explored and validated through an analysis of interviews with practising, successful artists, and in a comprehensive review of the latest neuro-scientific research into human consciousness and emotion. Finally, drawing upon his extensive experience the author offers practical help in using the Syncretic Model to educational and therapy professionals working and training in the arts. For training and practising arts therapists the book will supply a much needed comprehensive rationale at a time when the need for a new research and theoretical underpinning of practice is recognised to be urgent. With the demand for their services growing and pressure to demonstrate effectiveness mounting, the arts therapy community is looking to build bridges between the different therapies and across national boundaries. This book offers a coherent, co-ordinating framework for a comprehensive reflective practice.

Historical reconstruction of languages relies on the comparative method, which itself depends on the notion of the regularity of change. The regularity of sound change is the famous Neogrammarian Hypothesis: "sound change takes place according to laws that admit no exception." The comparative method, however, is not restricted to the consideration of sound change, and neither is the assumption of regularity. Syntactic, morphological, and semantic change are all amenable in varying degrees, to comparative reconstruction, and each type of change is constrained in ways that enable the researcher to distinguish between regular and more irregular changes.
This volume draws together studies by scholars engaged in historical reconstruction, all focussing on the subject of regularity and irregularity in the comparative method. A wide range of languages are represented, including Chinese, Germanic, and Austronesian.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

Title: The Earl of Ross: a tragedy in five acts and in verse].Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Ross, Malcolm; 1823. vii. 60 p.; 8 . 643.f.25.(4.)

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.