This book focuses on the ethnically composite, heterogeneous, mixed nature of the Mediterranean cities and their cultural heritage between the late middle ages and early modern times. How did it affect the cohabitation among different people and cultures on the urban scene? How did it mold the shape and image of cities that were crossroads of encounters, but also the arena of conflict and exclusion? The 13 case studies collected in this volume address these issues by exploring the traces left by centuries of interethnic porosity on the tangible and intangible heritage of cities such as Acre and Cyprus, Genoa and Venice, Rome and Istanbul, Cordoba and Tarragona.

What is the role of cultural heritage in multi-ethnic societies, where cultural memory is often polarized by antagonistic identity traditions? Is it possible for monuments that are generally considered as a symbol of national unity to become emblems of the conflictual histories still undermining divided societies? Taking as a starting point the cosmopolitanism that blossomed across the Mediterranean in the age of empires, this book addresses the issue of heritage exploring the concepts of memory, culture, monuments and their uses, in different case studies ranging from 19th-century Salonica, Port Said, the Palestinian region under Ottoman rule, Trieste and Rijeka under the Hapsburgs, up to the recent post-war reconstructions of Beirut and Sarajevo.

This book focuses on the ethnically composite, heterogeneous, mixed nature of the Mediterranean cities and their cultural heritage between the late middle ages and early modern times. How did it affect the cohabitation among different people and cultures on the urban scene? How did it mold the shape and image of cities that were crossroads of encounters, but also the arena of conflict and exclusion? The 13 case studies collected in this volume address these issues by exploring the traces left by centuries of interethnic porosity on the tangible and intangible heritage of cities such as Acre and Cyprus, Genoa and Venice, Rome and Istanbul, Cordoba and Tarragona.

What is the role of cultural heritage in multi-ethnic societies, where cultural memory is often polarized by antagonistic identity traditions? Is it possible for monuments that are generally considered as a symbol of national unity to become emblems of the conflictual histories still undermining divided societies? Taking as a starting point the cosmopolitanism that blossomed across the Mediterranean in the age of empires, this book addresses the issue of heritage exploring the concepts of memory, culture, monuments and their uses, in different case studies ranging from 19th-century Salonica, Port Said, the Palestinian region under Ottoman rule, Trieste and Rijeka under the Hapsburgs, up to the recent post-war reconstructions of Beirut and Sarajevo.

Italian Renaissance art is closely intertwined with the development of courts and court culture in much of the Italian territory. The patronage of the ruling families of the small Italian city-states greatly favored the flourishing of the figurative arts and architecture, but also in music, literature, and theater. The book starts with an introduction by Marco Folin, the volume's editor, on the critical issues of court art and its historiography, followed by an important essay on the historical and geographical framework of Renaissance Italy, illustrated by 18 especially-made maps, useful to understand the complexity and fragmentation of the country in the 15th century. The role of princely patronage in the development of music and literature is then examined: from the place of the humanists at court to the link between music and propaganda, from the first theatrical representations to the rise of the printing press and the publication of the most famous Renaissance books: Castiglione's Book of the Courtier and Ariosto's Orlando Furioso. The second, longer part of the volume, is arranged geographically and covers the entire peninsula, giving attention not only to the major courts, such as Milan, Mantua, Ferrara, Urbino, papal Rome, Naples and the crypto-court of the Medici in Florence, but devoting chapters to the minor courts spread around northern and central Italy, from the Paleologues rulers of Montferrat to the Malatesta court in Rimini, from Carpi under the Pios to the Orsinis' rule in Bracciano. The main chapters are enriched by texts focused on particular aspects of Renaissance culture and politics: the courts of the cardinals and the southern barons, the patronage of the condottieri, the specificity of Venetian state-commissions, etc. The essays are written by well-known Italian scholars - such as Franco Piperno on music, Rinaldo Rinaldi on literature, Alessandro Cecchi on Medicean Florence and Alessandro Angelini on the papal court in Rome - and are accompanied by a rich and accurate iconography, showing not only famous masterpieces but also lesser known works of art and architecture. The book is completed by an annotated bibliography for the various chapters and by an index of names and places.