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Visual thinking -- visual imagination or perception of diagrams and
symbol arrays, and mental operations on them -- is omnipresent in
mathematics. Is this visual thinking merely a psychological aid,
facilitating grasp of what is gathered by other means? Or does it
also have epistemological functions, as a means of discovery,
understanding, and even proof? By examining the many kinds of
visual representation in mathematics and the diverse ways in which
they are used, Marcus Giaquinto argues that visual thinking in
mathematics is rarely just a superfluous aid; it usually has
epistemological value, often as a means of discovery. Drawing from
philosophical work on the nature of concepts and from empirical
studies of visual perception, mental imagery, and numerical
cognition, Giaquinto explores a major source of our grasp of
mathematics, using examples from basic geometry, arithmetic,
algebra, and real analysis. He shows how we can discern abstract
general truths by means of specific images, how synthetic a priori
knowledge is possible, and how visual means can help us grasp
abstract structures.
Visual thinking - visual imagination or perception of diagrams and
symbol arrays, and mental operations on them - is omnipresent in
mathematics. Is this visual thinking merely a psychological aid,
facilitating grasp of what is gathered by other means? Or does it
also have epistemological functions, as a means of discovery,
understanding, and even proof? By examining the many kinds of
visual representation in mathematics and the diverse ways in which
they are used, Marcus Giaquinto argues that visual thinking in
mathematics is rarely just a superfluous aid; it usually has
epistemological value, often as a means of discovery. Drawing from
philosophical work on the nature of concepts and from empirical
studies of visual perception, mental imagery, and numerical
cognition, Giaquinto explores a major source of our grasp of
mathematics, using examples from basic geometry, arithmetic,
algebra, and real analysis. He shows how we can discern abstract
general truths by means of specific images, how synthetic a priori
knowledge is possible, and how visual means can help us grasp
abstract structures.
Marcus Giaquinto traces the story of the search for firm foundations for mathematics. The nineteenth century saw a movement to make higher mathematics rigorous; this seemed to be on the brink of success when it was thrown into confusion by the discovery of the class paradoxes. That initiated a period of intense research into the foundations of mathematics, and with it the birth of mathematical logic and a new, sharper debate in the philosophy of mathematics. The Search for Certainty focuses mainly on two major twentieth-century programmes: Russell's logicism and Hilbert's finitism. Giaquinto examines their philosophical underpinnings and their outcomes, asking how successful they were, and how successful they could be, in placing mathematics on a sound footing. He sets these questions in the context of a clear, non-technical exposition and assessment of the most important discoveries in mathematical logic, above all Goedel's underivability theorems. More than six decades after those discoveries Giaquinto asks what our present perspective should be on the question of certainty in mathematics. Taking recent developments into account, he gives reasons for a surprisingly positive response.
Marcus Giaquinto tells the story of one of the great intellectual adventures of the modern era -- the attempt to find firm foundations for mathematics. From the late nineteenth century to the present day, this project has stimulated some of the most original and influential work in logic and philosophy.
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