The Origins of Theater in Ancient Greece and Beyond examines the evidence for the pre-history and origin of drama. The belief that drama developed from religious ritual has been commonplace since the time of Aristotle but there is little agreement on just how this happened. Recently, scholars have even challenged the historical connection between drama and ritual. This volume is the most thorough examination on the origins of Greek drama to date. It brings together seventeen essays by leading scholars in a variety of fields, including classical archaeology, iconography, cultural history, theater history, philosophy, and religion. Though it primarily focuses up on ancient Greece, the volume includes comparative studies of ritual drama from ancient Egypt, Japan, and medieval Europe. Collectively, the essays show how the relationship of drama to ritual is one of the most controversial, complex, and multi-faceted questions of modern times.

The Origins of Theater in Ancient Greece and Beyond examines the evidence for the pre-history and origin of drama. The belief that drama developed from religious ritual has been commonplace since the time of Aristotle but there is little agreement on just how this happened. Recently, scholars have even challenged the historical connection between drama and ritual. This volume is the most thorough examination on the origins of Greek drama to date. It brings together seventeen essays by leading scholars in a variety of fields, including classical archaeology, iconography, cultural history, theater history, philosophy, and religion. Though it primarily focuses up on ancient Greece, the volume includes comparative studies of ritual drama from ancient Egypt, Japan, and medieval Europe. Collectively, the essays show how the relationship of drama to ritual is one of the most controversial, complex, and multi-faceted questions of modern times.

It is a commonplace of modern scholarship that the Athenians hated and despised the Persians, but the claims of contempt are disproved by the evidence of archaeology, epigraphy, iconography and literature, all of which reveal some facet of Athenian receptivity to Achaemenid Persian culture. The Athenian response was as richly complex as the spheres of interaction: both private and public, elite and sub-elite. It appears in pot shapes, clothing, luxurious display and monumental architecture. This innovative study, the first comprehensive collection of evidence pertaining to the relations between Athens and Persia in the fifth century BC, aims to make this evidence better known and in so doing to argue that the social culture of classical Athens was not the monolithic construct it might appear.