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In her magnificent novel, Marguerite Yourcenor recreates the life and death of one of the great rulers of the ancient world. The Emperor Hadrian, aware his demise is imminent, writes a long valedictory letter to Marcus Aurelius, his future successor. The Emperor meditates on his past, describing his accession, military triumphs, love of poetry and music, and the philosophy that informed his powerful and far-flung rule. A work of superbly detailed research and sustained empathy, Memoirs of Hadrian captures the living spirit of the Emperor and of Ancient Rome.
Both an exploration of character and a reflection on the meaning of
history, "Memoirs of Hadrian" has received international acclaim
since its first publication in France in 1951. In it, Marguerite
Yourcenar reimagines the Emperor Hadrian's arduous boyhood, his
triumphs and reversals, and finally, as emperor, his gradual
reordering of a war-torn world, writing with the imaginative
insight of a great writer of the twentieth century while crafting a
prose style as elegant and precise as those of the Latin stylists
of Hadrian's own era.
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Fires (Paperback)
Marguerite Yourcenar; Translated by Dori Katz
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R416
R353
Discovery Miles 3 530
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Fires consists of nine monologues and narratives based on classical
Greek stories. Antigone, Clytemnestra, Phaedo, Sappho are all
mythical figures whose stories are mingled with contemporary
themes. Interspersed are highly personal narratives, reflecting on
a time of profound inner crisis in the author's life. "The
unwritten novel among the fantasies and aphorisms of Fires is a
classic tale."-Stephen Koch, New York Times Book Review
This posthumously published collection of essays takes up such diverse subjects as the poet Oppian, Tantrism, the feasts of the Christian year, Durer, the Japanese studies of Ivan Morris, the erotic mysticism of the Gita-Govinda, the eternal spirit of Andalusia, and Bede's Ecclesiastical History. The title esay consider's time's transforming effect on arrt, meditating on the erosion of a statue and the resulting production of a new, sublime work of art.
This book of three novellas was first published in Paris in 1982,
where it was hailed as the finest book of novellas since Flaubert's
Trois Contes.
"From China to Japan, the Balkans to India, "Oriental Tales"
addresses love, conquest, betrayal, murder, religion, and passion
in an eloquent and exquisite telling."--"Kirkus Reviews."
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Alexis (Paperback)
Marguerite Yourcenar
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R394
R335
Discovery Miles 3 350
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It was with "Alexis "that, in 1928, Marguerite Yourcenar began her
career as a novelist. The book remains one of the stellar literary
debuts of the century. Yourcenar has created a moving meditation on
the relationship between pleasure and love.
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The Abyss (Paperback)
Marguerite Yourcenar
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R768
R659
Discovery Miles 6 590
Save R109 (14%)
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Marguerite Yourcenar instantly assumes command of our imagination
in her novel "The Abyss." Almost before we know it the author
establishes a scene and time, and engages us in the fate of two
cousins.
Set in the Baltic provinces in the aftermath of World War I, Coup de Grace tells the story of an intimacy that grows between three young people hemmed in by civil war: Erick, a Prussian fighting with the White Russians against the Bolsheviks; Conrad, his best friend from childhood; and Sophie, whose unrequited love for Conrad becomes an unbearable burden.
Set in Rembrandt's Amsterdam, "An Obscure Man" is the story of
Nathanael--innocent, open to experience--born like Everyman upon
the stream of life. In "A Lovely Morning," Nathanael's young son
joins a touring company of Jacobean actors. "Anna, soror . . .,"
the final tale, is an account of illicit passion in the baroque
world of Naples.
""An Obscure Man" swarms with life. This intricately researched,
imaginative, beautifully written tale of a young man's brief life
in the mid-17th century is entirely engrossing."--Leona Weiss, "San
Francisco Chronicle"
"In these three stories, [Yourcenar] succeeds in making the
essences of these past lives a part of the reader's future through
the sheer intensity of their portrayal."--Margaret Ezell, "Houston
Chronicle"
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