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This volume offers a critical overview of digital reading practices
and scholarly efforts to analyze and understand reading in the
mediatized landscape Building on research about digital reading,
born digital literature, and digital audiobooks, The Digital
Reading Condition explores reading as part of a broader cultural
shift encompassing many forms of media and genres Bringing together
research from media and literary studies, digital humanities,
scholarship on reading and learning, as well as sensory studies and
research on multimodal and multisensory media reception, the
authors address and challenge print-biased conceptions of reading
that are still prevalent in research, whether the reading medium is
print or digital They argue that the act of reading itself is
changing, and rather than rejecting digital media as not suitable
for sustained or focused reading practices, argue that the complex
media landscape challenges us to rethink how to define reading as a
mediated practice Presenting a truly interdisciplinary perspective
on digital reading practices, this volume will appeal to scholars
and graduate students in communication, media studies, new media
and technology, literature, digital humanities, literacy studies,
composition, and rhetoric
This volume offers a critical overview of digital reading practices
and scholarly efforts to analyze and understand reading in the
mediatized landscape Building on research about digital reading,
born digital literature, and digital audiobooks, The Digital
Reading Condition explores reading as part of a broader cultural
shift encompassing many forms of media and genres Bringing together
research from media and literary studies, digital humanities,
scholarship on reading and learning, as well as sensory studies and
research on multimodal and multisensory media reception, the
authors address and challenge print-biased conceptions of reading
that are still prevalent in research, whether the reading medium is
print or digital They argue that the act of reading itself is
changing, and rather than rejecting digital media as not suitable
for sustained or focused reading practices, argue that the complex
media landscape challenges us to rethink how to define reading as a
mediated practice Presenting a truly interdisciplinary perspective
on digital reading practices, this volume will appeal to scholars
and graduate students in communication, media studies, new media
and technology, literature, digital humanities, literacy studies,
composition, and rhetoric
The ubiquitous nature of mobile and pervasive computing has begun
to reshape and complicate our notions of space, time, and identity.
In this collection, over thirty internationally recognized
contributors reflect on ubiquitous computing's implications for the
ways in which we interact with our environments, experience time,
and develop identities individually and socially. Interviews with
working media artists lend further perspectives on these cultural
transformations. Drawing on cultural theory, new media art studies,
human-computer interaction theory, and software studies, this
cutting-edge book critically unpacks the complex ubiquity-effects
confronting us every day. The companion website can be found here:
http://ubiquity.dk
The ubiquitous nature of mobile and pervasive computing has begun
to reshape and complicate our notions of space, time, and identity.
In this collection, over thirty internationally recognized
contributors reflect on ubiquitous computing's implications for the
ways in which we interact with our environments, experience time,
and develop identities individually and socially. Interviews with
working media artists lend further perspectives on these cultural
transformations. Drawing on cultural theory, new media art studies,
human-computer interaction theory, and software studies, this
cutting-edge book critically unpacks the complex ubiquity-effects
confronting us every day. Visit the book's companion website at:
http://ubiquity.dk
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