"Euchner's carefully researched and cogently argued study of morality politics in Europe adds an outstanding piece of research to the ever growing literature on religion and politics. Its combination of quantitative and qualitative comparative analysis involving a novel data set and cross-policy perspectives demonstrates persuasively the role of religion as a resource for political action even in secularized societies." -Michael Minkenberg, Viadrina European University, Germany "Building upon the dichotomy between the "secular" and "religious" worlds of European morality politics, Dr. Euchner plumbs the empirical depths of four nations to unearth a compelling theoretical explanation for when value-laden conflicts surface in parliaments with a strong secular-religious party cleavage. This singularly important volume belongs in the institutional libraries and bibliographic collections of every serious student of public policy analysis, especially those of us who focus on morality policy." -Raymond Tatalovich, Loyola University Chicago, USA This book introduces a new theoretical framework from which to understand religion and morality politics in Europe. This framework provides a first-and rather provocative-answer to the general debate on how religion influences policy-making processes. Specifically, the book argues that religion is more a strategic resource for political parties than a fundamental normative doctrine shaping political parties' policy-making behavior in a systematic and coherent way. The framework proposes a mechanism (i.e. wedge issue competition) that can be used to identify and explain the conditions under which issues related to religious values rise and fall in parliaments of the religious world in Europe and what consequences we may expect in terms of policy reforms.

Volume 13 deals with the interaction of music and politics, considering a broad range of genres, authors, composers, and artists in Germany since the nineteenth century. A particularly iconic image of German Reunification is that of Mstislav Rostropovich playing from J. S. Bach's cello suites in front of the Berlin Wall on November 11, 1989. Thirty years on, it is timely to reconsider the cross-fertilization of music and politics within the German-speaking context. Frequently employed as a motivational force, a propaganda tool, or even a weapon, music can imbue a sense of identity and belonging, triggering both comforting and disturbing memories. Playing a key role in the formation of Heimat and "Germanness," it serves ideological, nationalistic, and propagandistic purposes conveying political messages and swaying public opinion. This volume brings together essays by historians, literary scholars, and musicologists on topics concerning the increasing politicization of music, especially since the nineteenth century. They cover a broad spectrum of genres, musicians, and thinkers, discussing the interplay of music and politics in "classical" and popular music: from the rediscovery and repurposing of Martin Luther in nineteenth-century Germany to the exploitation of music during the Third Reich, from the performative politics of German punk and pop music to the influence of the events of 1988/89 on operatic productions in the former GDR - up to the relevance of Ernst Bloch in our contemporary post-truth society.

Coming to terms with the past has been a preoccupation within German culture and German Studies since the Second World War. In addition, there has been a surge of interest in adaptation of literary works in recent years. Numerous volumes have theorized, chronicled, or analyzed adaptations from novel to film, asking how and why adaptations are undertaken and what happens when a text is adapted in a particular historical context. With its focus on adaptation of twentieth-century German texts not only from one medium to another but also from one cultural moment to another, the present collection resides at the intersection of these two areas of inquiry. The ten essays treat a variety of media. Each considers the way in which a particular adaptation alters a story - or history - for a subsequent audience, taking into account the changing context in which the retelling takes place and the evolution of cultural strategies for coming to terms with the past. The resulting case studies find in the retellings potentially corrective versions of the stories for changing times. The volume makes the case that adaptation studies are particularly well suited for tracing Germany's obsessive cultural engagement with its twentieth-century history. Contributors: Elizabeth Baer, Rachel Epp Buller, Maria Euchner, Richard C. Figge, Susan G. Figge, Mareike Hermann, Linda Hutcheon, Irene Lazda, Cary Nathenson, Thomas Sebastian, Sunka Simon, Jenifer K. Ward. Susan G. Figge is Professor of German Emeritus at the College of Wooster, Ohio, and Jenifer K. Ward is Associate Provost, Cornish College of the Arts, Seattle.

Views adaptations as a way in which Germany seeks to come to terms with its past. Coming to terms with the past has been a preoccupation within German culture and German Studies since the Second World War. In addition, there has been a surge of interest in adaptation of literary works in recent years. Numerousvolumes have theorized, chronicled, or analyzed adaptations from novel to film, asking how and why adaptations are undertaken and what happens when a text is adapted in a particular historical context. With its focus on adaptationof twentieth-century German texts not only from one medium to another but also from one cultural moment to another, the present collection resides at the intersection of these two areas of inquiry. The ten essays treat a varietyof media. Each considers the way in which a particular adaptation alters a story - or history - for a subsequent audience, taking into account the changing context in which the retelling takes place and the evolution of cultural strategies for coming to terms with the past. The resulting case studies find in the retellings potentially corrective versions of the stories for changing times. The volume makes the case that adaptation studies are particularly well suited for tracing Germany's obsessive cultural engagement with its twentieth-century history. Contributors: Elizabeth Baer, Rachel Epp Buller, Maria Euchner, Richard C. Figge, Susan G. Figge, Mareike Hermann, LindaHutcheon, Irene Lazda, Cary Nathenson, Thomas Sebastian, Sunka Simon, Jenifer K. Ward. Susan G. Figge is Professor of German Emeritus at the College of Wooster, Ohio, and Jenifer K. Ward is Associate Provost, Cornish College of the Arts, Seattle.

Eva-Maria Euchner fuhrt in das Thema der Prostitutionspolitik ein und stellt klassische Regulierungsregime sowie die zentralen Wertekonflikte des Politikfelds vor. Ferner gibt die Autorin einen UEberblick uber die verschiedenen Regulierungsmodelle in Europa zwischen 1960 und 2010, was auch eine Beschreibung der Herangehensweise in Deutschland beinhaltet. Daruber hinaus analysiert sie die Ursachen des deutschen Wegs. Die liberale Handhabung von Prostitution in Deutschland ist insbesondere auf die Problemdefinition und die Rolle der Partei Bundnis 90/Die Grunen zuruckzufuhren. Aktuell motiviert eine veranderte Problemwahrnehmung neue regulative Schritte, die aber voraussichtlich keinen Paradigmenwechsel einleiten werden, da ein starker parteipolitischer Agent fehlt.