Characterized by “a radical simplicity and seriousness of purpose, along with a fearless interest in autobiography and its tragedies and redemptions� (Matthew Zapruder, New York Times Magazine), Marie Howe’s poetry transforms penetrating observations of everyday life into sacred, humane miracles. This essential volume draws from each of Howe’s four previous collections—including What the Living Do (1997), a haunting archive of personal loss, and the National Book Award–longlisted Magdalene (2017), a spiritual and sensual exploration of contemporary womanhood—and contains more than fifteen new poems. Whether speaking in the voice of the goddess Persephone or thinking about aging while walking the dog, Howe is “a light-bearer, an extraordinary poet of our human sorrow and ordinary joy� (Dorianne Laux). From “The Maples� Stand still. I thought to myself ever distracted, always in a hurry learn to stand there—if only for one minute —drinking light and breathing.

Duet for 2 pianos This arrangement has been made from a Soprano recitative and Aria from the Birthday Cantata by Bach. The piece has a fresh and pastoral character and the arrangement for two pianos stays true to Bach's balance between the beautiful melody and tone-painting in the harmonies.

Hurrying through errands, attending a dying mother, helping her own child down the playground slide, the speaker in these poems wonders: what is the difference between the self and the soul? The secular and the sacred? Where is the kingdom of heaven? And how does one live in Ordinary Time during those apparently unmiraculous periods of everyday trouble and joy?"

Selected by Marie Howe from over one thousand submissions, "Nine Acres" is the winner of the "American Poetry Review"/APR Honickman First Book Prize. Taking their titles from chapters of a 1930s small-scale farming handbook, the fifty-two poems in this cycle create a handbook for living and explore sustainability on many levels--on the land, in the family, and in the spirit.

As Marie Howe writes in her introduction to the book, "Nathanial Perry has collected poems into this book as one plants a field, as an act of husbandry: each line a furrow where seeds flourish or fail. Husbandry--to create a dwelling place and to care for it--these are the ancient acts."

"Soil Surface Management"

"I spent the afternoon breaking
ground. The tiller bucked and groaned
at the job, but with each pass I saw
a perfect blankness, like I'd been loaned
a second life in which to grow
a third. The sun sat on its porch
and smiled. I wondered if the dirt
would be enough, a kind of torch
to set inside our lives to say,
we'll grow our food like this, our plans
will look like this --like soil squared
and measured into beds by a man
sweating through his shirt with effort.
In dirt is one life we can choose
to make. I spent the afternoon
breaking what I knew we'd use."

Nathaniel Perry lives with his family in rural southside Virginia. He is the editor of the "Hampden-Sydney Poetry Review" and teaches at Hampden-Sydney College.

"What the Living Do . . . is a deeply beautiful book, with the fierce galloping pace of a great novel." — Boston Globe

Informed by the death of a beloved brother, here are the stories of childhood, its thicket of sex and sorrow and joy, boys and girls growing into men and women, stories of a brother who in his dying could teach how to be most alive. What the Living Do reflects "a new form of confessional poetry, one shared to some degree by other women poets such as Sharon Olds and Jane Kenyon. Unlike the earlier confessional poetry of Plath, Lowell, Sexton et al., Howe's writing is not so much a moan or a shriek as a song. It is a genuinely feminine form . . . a poetry of intimacy, witness, honesty, and relation" (Boston Globe).

• "Marie Howe's poetry is luminous, intense, eloquent." — Stanley Kunitz
• Chosen as one of the five best books of poetry published in l997 by Publishers Weekly.
• Howe's first book, The Good Thief, was selected by Margaret Atwood for the National Poetry Series.

Marie Howe lives and teaches in New York City.

While memory research has recently focused on brain images and neurological underpinnings of transmitters, "Human Memory: A Constructivist View" assesses how our individual identity affects what we remember, why and how. This book brings memory back to the constructivist questions of how all the experiences of an individual, up to the point of new memory input, help to determine what that person pays attention to, how that information is interpreted, and how all that ultimately affects what goes into memory and how it is stored. This also affects what can be recalled later and what kind of memory distortions are likely to occur.

The authors describe constructionist theories of memory, what they predict, how this is borne out in research findings, presenting everyday life examples for better understanding of the material and interest. Intended for memory researchers and graduate level courses, this book is an excellent summary of human memory research from the constructivist perspective.
Defines constructivist theory in memory researchAssesses research findings relative to constructivist predictionsIdentifies how personal experience dictates attention, interpretation, and storageIntegrates constructivist based findings with cognitive neuroscience

for piano four-hands
A terrific arrangement for piano four-hands.

Magdalene imagines the biblical figure of Mary Magdalene as a woman who embodies the spiritual and sensual, alive in a contemporary landscape—hailing a cab, raising a child, listening to news on the radio. Between facing the traumas of her past and navigating daily life, the narrator of Magdalene yearns for the guidance of her spiritual teacher, a Christ figure, whose death she continues to grieve. Erotic, spirited, and searching for meaning, she is a woman striving to be the subject of her own life, fully human and alive to the sacred in the mortal world.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Earth And Its Inhabitants: Intermediate Geography Arnold Guyot, Mary Howe Smith Scribner, 1874 Science; Earth Sciences; Geography; Geography; Science / Earth Sciences / Geography; Travel / General

"Once upon a time..." who doesn't love a story that starts with those familiar words? They take us back to an earlier time when life was simpler and there was always the promise of a happy ending. Metaphor Stories for Hypnosis: Stimulate Change While Telling a Tale, draws on the imagination in much the same way; communicating with our subconscious mind to make change more accessible and comfortable. The stories included here can be used by hypnosis professionals with any type of client to stimulate positive transformation and outcomes during hypnotic trance.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Selected by Margaret Atwood as a winner in the 1987 Open Competition of the National Poetry Series, this unique collection was the first sounding of a deeply authentic voice. Ms. Howe's early writings concern relationship, attachment, and loss, in a highly original search for personal transcendence. Many of the thirty-four poems in The Good Thief appeared in such prestigious journals and periodicals as The Atlantic, The American Poetry Review, Poetry, Ploughshares, The Agni Review, and The Partisan Review.