Who were the pioneers who first thought of radio as an art form, who debated how to write and perform for radio, who discussed radio's social and political dimensions? Spanning from 1924 to 1938, this anthology brings together long-forgotten texts on sound, listening and writing by radio enthusiasts, journalists, actors, radio producers and literary authors who conceptualised the new radio aesthetic between the two world wars and reflected on radio's future, as a medium requiring the invention of a new literature, new modes of performance and new ways of listening. The texts included here, drawn from British, French, German and Italian radio cultures, are representative of important pan-European debates about radio's potential at a critical moment in its history. Together, they shed light on ideas that shaped not only the emergence of radio drama, sound art and reportage, but radio as we know it today.

Rilke is one of the leading poets of European Modernism, and one of the great twentieth-century lyric poets in German. From The Book of Hours in 1905 to the Sonnets of Orpheus written in 1922, he constantly probed the relationship between his art and the world around him, moving from the neo-romantic and the mystic towards the precise craft of expressing the everyday in poetry. This new edition--the only bilingual edition to include such a broad range of poems--fully reflects Rilke's poetic development. It contains the full text of the Duino Elegies and the Sonnets to Orpheus, and selected poems from The Book of Images, New Poems, and earlier volumes, and from the uncollected poetry 1906-26. The translations are accurate, sensitive, and nuanced, and are accompanied by an introduction and notes that chart the development of Rilke's poetic practice and his central role in modern poetry. The book also includes a chronology, select bibliography, and explanatory notes that identify people and places, and include key commentary by Rilke from letters or notes.
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