For generations, the Book of Genesis has been treated by scholars as a collection of documents by various hands expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherency, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true. Both of these approaches preclude an appreciation of its greatness as literature, its rich articulation and exploration of themes that resonate through the whole of Scripture. Marilynne Robinson's new book is a powerful consideration of the profound meanings and promise of God's enduring covenant with man. Her magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation.

'Grace and intelligence . . . [her work] defines universal truths about what it means to be human' BARACK OBAMA 'Radiant and visionary' SARAH PERRY, GUARDIAN A NEW YORK TIMES BESTSELLER A BARACK OBAMA BOOK OF THE YEAR 2020 AN OPRAH'S BOOK CLUB PICK Marilynne Robinson, winner of the Pulitzer Prize and the American National Humanities Medal, returns to the world of Gilead with Jack, the final in one of the great works of contemporary American fiction. Jack tells the story of John Ames Boughton, the loved and grieved-over prodigal son of a Presbyterian minister in Gilead, Iowa, a drunkard and a ne'er-do-well. In segregated St. Louis sometime after World War II, Jack falls in love with Della Miles, an African-American high school teacher, also a preacher's child, with a discriminating mind, a generous spirit and an independent will. Their fraught, beautiful story is one of Robinson's greatest achievements. 'Jack is the fourth in Robinson's luminous, profound Gilead series and perhaps the best yet' OBSERVER

As a pandemic and racial reckoning exposed society's faults, Christian thinkers were laying the groundwork for a better future. A public health and economic crisis provoked by Covid-19. A social crisis cracked open by the filmed murder of George Floyd. A leadership crisis laid bare as the gravity of a global pandemic met a country suffocating in political polarization and idolatry. In the spring of 2020, Comment magazine created a publishing project to tap the resources of a Christian humanist tradition to respond collaboratively and imaginatively to these crises. Plough soon joined in the venture. So did seventeen other institutions. The web commons that resulted - Breaking Ground - became a one-of-a-kind space to probe society's assumptions, interrogate our own hearts, and imagine what a better future might require. This volume, written in real time during a year that revealed the depths of our society's fissures, provides a wealth of reflections and proposals on what should come after. It is an anthology of different lenses of faith seeking to understand how best we can serve the broader society and renew our civilization. Contributors include Anne Snyder, Susannah Black, Mark Noll, N. T. Wright, Gracy Olmstead, Doug Sikkema, Patrick Pierson, Jennifer Frey, J. L. Wall, Michael Wear, Dante Stewart, Joe Nail, Benya Kraus, Patrick Tomassi, Amy Julia Becker, Jeffrey Bilbro, Marilynne Robinson, Cherie Harder, Joel Halldorf, Irena Dragas Jansen, Katherine Boyle, L. M. Sacasas, Jake Meador, Joshua Bombino, Chelsea Langston Bombino, Aryana Petrosky Roberts, Stuart McAlpine, Heather C. Ohaneson, Oliver O'Donovan, W. Bradford Littlejohn, Anthony M. Barr, Michael Lamb, Shadi Hamid, Samuel Kimbriel, Christine Emba, Brandon McGinley, John Clair, Kurt Armstrong, Peter Wehner, Jonathan Haidt, Dhananjay Jagannathan, Phil Christman, Gregory Thompson, Duke Kwon, Carlo Lancellotti, Tara Isabella Burton, Charles C. Camosy, Joseph M. Keegin, Luke Bretherton, Tobias Cremer, and Elayne Allen.

Special edition of Paul Harding's Pulitzer Prize-winning debut novel--featuring a new foreword by Marilynne Robinson and book club extras inside In this deluxe tenth anniversary edition, Marilynne Robinson introduces the beautiful novel Tinkers, which begins with an old man who lies dying. As time collapses into memory, he travels deep into his past, where he is reunited with his father and relives the wonder and pain of his impoverished New England youth. At once heartbreaking and life affirming, Tinkers is an elegiac meditation on love, loss, and the fierce beauty of nature. The story behind this New York Times bestselling debut novel--the first independently published Pulitzer Prize winner since A Confederacy of Dunces received the award nearly thirty years before--is as extraordinary as the elegant prose within it. Inspired by his family's history, Paul Harding began writing Tinkers when his rock band broke up. Following numerous rejections from large publishers, Harding was about to shelve the manuscript when Bellevue Literary Press offered a contract. After being accepted by BLP, but before it was even published, the novel developed a following among independent booksellers from coast to coast. Readers and critics soon fell in love, and it went on to receive the Pulitzer Prize, prompting the New York Times to declare the novel's remarkable success "the most dramatic literary Cinderella story of recent memory." That story is still being written as readers across the country continue to discover this modern classic, which has now sold over half a million copies, proving once again that great literature has a thriving and passionate audience. Paul Harding is the author of two novels about multiple generations of a New England family: Enon and the Pulitzer Prize-winning Tinkers. He teaches at Stony Brook Southampton.

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD AN OPRAH'S BOOK CLUB PICK Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church - the only available shelter from the rain - and ignites a romance and a debate that will reshape her life. 'One of the greatest living novelists' BRYAN APPLEYARD, SUNDAY TIMES 'Robinson is frequently named as one of America's most significant writers . . . Her questioning books express wonder: they are enlightening, in the best sense, passionately contesting our facile, recycled understanding of ourselves and of our world' SARAH CHURCHWELL, GUARDIAN 'The work of an exceptional novelist' ROWAN WILLIAMS, NEW STATESMAN 'A sumptuous, graceful and ultimately life-affirming novel' JAMES KIDD, INDEPENDENT ON SUNDAY 'Great and luminous beauty . . . a book that leaves the reader feeling what can only be called exaltation' NEEL MUKHERJEE, INDEPENDENT

'A classic.' Guardian 'A masterpiece.' The New Yorker 'I just adore this book and have probably reread it a hundred times.' Michelle Zauner From the Orange Prize winning author of Home and Gilead. Housekeeping is the story of Ruth and Lucille, orphans growing up in the small desolate town of Fingerbone in the vast northwest of America. Abandoned by a succession of relatives, the sisters find themselves in the care of Sylvie, the remote and enigmatic sister of their dead mother. Steeped in imagery of the bleak wintry landscape around them, the sisters' struggle towards adulthood is powerfully portrayed in a novel about loss, loneliness and transience.

In 1956, toward the end of Reverend John Ames's life, he begins a letter to his young son, a kind of last testament to his remarkable forebears.'It is a book of such meditative calm, such spiritual intensity that is seems miraculous that her silence was only for 23 years; such measure of wisdom is the fruit of a lifetime. Robinson's prose, aligned with the sublime simplicity of the language of the Bible, is nothing short of a benediction. You might not share its faith, but it is difficult not to be awed moved and ultimately humbled by the spiritual effulgence that lights up the novel from within' - Neel Mukherjee, "The Times".'Writing of this quality, with an authority as unforced as the perfect pitch in music, is rare and carries with it a sense almost of danger - that at any moment, it might all go wrong. In "Gilead", however, nothing goes wrong' - Jane Shilling, "Sunday Telegraph".

First published in 1929, Faulkner created his "heart's darling," the beautiful and tragic Caddy Compson, whose story Faulkner told through separate monologues by her three brothers--the idiot Benjy, the neurotic suicidal Quentin and the monstrous Jason.


From the Trade Paperback edition.

'[Her work] defines universal truths about what it means to be human' Barack Obama 'Marilynne Robinson is one of the greatest writers of our time' Sunday Times 'Jack is the fourth in Robinson's luminous, profound Gilead series and perhaps the best yet' Observer Marilynne Robinson, winner of the Pulitzer Prize and the American National Humanities Medal, returns to the world of Gilead with Jack, the final in one of the great works of contemporary American fiction. Jack tells the story of John Ames Boughton, the loved and grieved-over prodigal son of a Presbyterian minister in Gilead, Iowa, a drunkard and a ne'er-do-well. In segregated St. Louis sometime after World War II, Jack falls in love with Della Miles, an African-American high school teacher, also a preacher's child, with a discriminating mind, a generous spirit and an independent will. Their fraught, beautiful story is one of Robinson's greatest achievements.

In this award-winning collection, the bestselling author of Gilead offers us other ways of thinking about history, religion, and society. Whether rescuing Calvinism and its creator Jean Cauvin from the repressive puritan stereotype, or considering how the McGuffey readers were inspired by Midwestern abolitionists, or the divide between the Bible and Darwinism, Marilynne Robinson repeatedly sends her reader back to the primary texts that are central to the development of American culture but little read or acknowledged today. A passionate and provocative celebration of ideas, the old arts of civilization, and life's mystery, The Death of Adam is, in the words of Robert D. Richardson, Jr., a grand, sweeping, blazing, brilliant, life-changing book.

"To be up all night in the darkness of your youth but to be ready for the day to come...that was what going to Brown felt like." --Jeffrey Eugenides
In celebration of Brown University's 250th anniversary, fifty remarkable, prizewinning writers and artists who went to Brown provide unique stories--many published for the first time--about their adventures on College Hill. Funny, poignant, subversive, and nostalgic, the essays, comics, and poems in this collection paint a vivid picture of college life, from the 1950s to the present, at one of America's most interesting universities.
Contributors:
Donald Antrim, Robert Arellano, M. Charles Bakst, Amy DuBois Barnett, Lisa Birnbach, Kate Bornstein, Sarah Shun-lien Bynum, Mary Caponegro, Susan Cheever, Brian Christian, Pamela Constable, Nicole Cooley, Dana Cowin, Spencer R. Crew, Edwidge Danticat, Dilip D'Souza, David Ebershoff, Jeffrey Eugenides, Richard Foreman, Amity Gaige, Robin Green, Andrew Sean Greer, Christina Haag, Joan Hilty, A.J. Jacobs, Sean Kelly, David Klinghoffer, Jincy Willett Kornhauser, Marie Myung-Ok Lee, David Levithan, Mara Liasson, Lois Lowry, Ira C. Magaziner, Madeline Miller, Christine Montross, Rick Moody, Jonathan Mooney, Rowan Ricardo Phillips, Dawn Raffel, Bill Reynolds, Marilynne Robinson, Sarah Ruhl, Ariel Sabar, Joanna Scott, Jeff Shesol, David Shields, Krista Tippett, Alfred Uhry, Afaa Michael Weaver, and Meg Wolitzer
"At Brown, we felt safely ensconced in a carefree, counterculture cocoon--free to criticize the university president, join a strike by cafeteria workers, break china laughing, or kiss the sky." --Pamela Constable

Winner of the Pen/Hemingway Award
A modern classic, "Housekeeping" is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother. The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death. It is a town "chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere." Ruth and Lucille's struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transcience.

New essays by the Women's Prize and Pulitzer Prize winning author of Gilead, Home and Lila. In this collection, Marilynne Robinson impels us to action and offers us hope. 'Grace and intelligence ...[her work] defines universal truths about what it means to be human' BARACK OBAMA Marilynne Robinson has plumbed the human spirit in her renowned novels, including Lila, winner of the National Book Critics Circle Award; Home, winner of the Orange Prize; and Gilead, winner of the Pulitzer Prize and the National Book Critics Circle Award. In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America like Emerson and Tocqueville inform our political consciousness or discussing the way that beauty informs and disciplines daily life, Robinson's peerless prose and boundless humanity are on full display.

From the author of the magnificent, award-winning novels GILEAD, HOME and LILA comes this wonderful, heart-warming collection of essays about reading. 'Grace and intelligence ...[her work] defines universal truths about what it means to be human' Barack Obama Marilynne Robinson is not only a writer of sharp, subtly moving fiction, but also a rigorous thinker and incisive essayist. In this luminous collection she returns to the themes which have preoccupied her bestselling novels: the place literature has in life, the role of faith in modern living, the contradictions inherent in human nature. Clear-eyed and forceful as ever, Robinson demonstrates once again why she is regarded as one of our best-loved writers.