This book highlights the multi-dimensionality of the work of British fantasy writer and Discworld creator Terry Pratchett. Taking into account content, political commentary, and literary technique, it explores the impact of Pratchett's work on fantasy writing and genre conventions.With chapters on gender, multiculturalism, secularism, education, and relativism, Section One focuses on different characters' situatedness within Pratchett's novels and what this may tell us about the direction of his social, religious and political criticism. Section Two discusses the aesthetic form that this criticism takes, and analyses the post- and meta-modern aspects of Pratchett's writing, his use of humour, and genre adaptations and deconstructions. This is the ideal collection for any literary and cultural studies scholar, researcher or student interested in fantasy and popular culture in general, and in Terry Pratchett in particular.

This book highlights the multi-dimensionality of the work of British fantasy writer and Discworld creator Terry Pratchett. Taking into account content, political commentary, and literary technique, it explores the impact of Pratchett's work on fantasy writing and genre conventions.With chapters on gender, multiculturalism, secularism, education, and relativism, Section One focuses on different characters' situatedness within Pratchett's novels and what this may tell us about the direction of his social, religious and political criticism. Section Two discusses the aesthetic form that this criticism takes, and analyses the post- and meta-modern aspects of Pratchett's writing, his use of humour, and genre adaptations and deconstructions. This is the ideal collection for any literary and cultural studies scholar, researcher or student interested in fantasy and popular culture in general, and in Terry Pratchett in particular.

A huge success in both bookshops and cinemas, the Harry Potter-series has drawn millions of readers and viewers into its magical world. In constructing this world, however, J. K. Rowling has created Harry and his friends in sharp contrast to other members of the magical and non-magical world. Creating Magical Worlds: Otherness and Othering in Harry Potter argues that the identities of the heroes are mainly based on delimitation from and rivalry to other characters: the Slytherins and Deatheaters, foreign students from Durmstrang and Beauxbatons, magical races such as the house-elves and centaurs, Muggles and Squibs as well as, to a certain extent, girls and women. Apart from explaining the social psychological and psychoanalytical reasons behind this exclusion, Creating Magical Worlds also shows in how far this delimitation is necessary for the action and the plot of the series.