With a history tied to the Mississippi River, Baton Rouge grew from its colonial past as a military outpost favored in turn by the French, English, and Spanish, into an American city of modern industry and rich diversity. Through the years, the people of Baton Rouge have weathered travails while developing a unique culture and city. Baton Rouge experienced occupation during the Civil War, the destruction by fire and reconstruction of the state capitol, catastrophic flooding, and political and civil conflict—but also benefited from the economic impact of a growing port, the historic arrivals of Louisiana State University and Southern University, and the joyful rituals of Saturday football and the Washington’s Birthday Firemen’s Parade. With a selection of fine historic images from his best-selling book Historic Photos of Baton Rouge, Mark E. Martin provides a valuable and revealing historical retrospective on the growth and development of Baton Rouge. Telling the city’s story in words and vivid black-and-white photographs, Remembering Baton Rouge documents 100-plus years in the life of the "Red Stick� as only the camera can capture it—one engaging image at a time.

Papier-mâché tigers, riots on the field, Chinese bandits, tailgating before a trip to the stadium nicknamed “Death Valley�—all these things and more describe the events, places, and people associated with over 100 years of football at Louisiana State University. From its beginnings in 1893 on the Parade Grounds of the University’s downtown campus, to Huey Long’s intervention in expanding the football stadium on the current campus, to the fully enclosed Death Valley of today, LSU football and its die-hard fans have played a very large role in the life of the university, the city of Baton Rouge, and the state itself. Telling the team’s story through stunning black-and-white images, Historic Photos of LSU Football presents nearly 100 years of LSU football history as only the camera can. Join us in reliving some of the most thrilling moments in LSU sports history. Geaux Tigers!

With a history tied to the Mississippi River, Baton Rouge has grown from its colonial past as a military outpost favored by the French, English, and Spanish, in turn, into an American city of modern industry and rich diversity. Through the years, the people of Baton Rouge have weathered travails while developing a unique culture and city. Baton Rouge has seen occupation during the Civil War, the destruction by fire and reconstruction of the State Capitol, catastrophic flooding, and political and civil conflict—but also the economic impact of a growing port, the historic arrivals of Louisiana State University and Southern University, and the joyful rituals of Saturday football and the Washington’s Birthday Firemen’s Parade. Telling the city’s story in words and vivid black and white, Historic Photos of Baton Rouge documents 100-plus years in the life of the "Red Stick� as only the camera can capture it—one engaging image at a time.

One of the more recently proposed flip-flop designs has been the sense amplifier flip-flop. It has gained acceptance in the commercial realm because of its power consumption, speed, setup time, clock line loading, and data line loading characteristics. In this thesis, a recently designed RADHARD version of D sense amplifier flipflop was taken and a triple mode redundant version for space and radiation environment use was created. The design was created with valuable options to increase radiation hardness and to give end users greater flexibility in realizing their own radiation hardened version of flip-flop. In addition, a methodology for using a traditional circuit simulation tool, SPICE, was developed to test the operation of the flip-flop design for both normal conditions and under the influence of radiation.

Andrew David Lytle produced thousands of photographic images in the sixty years during which he lived in Baton Rouge and operated Lytle Studio. His heirs, alas, reportedly shattered his glass-plate negatives by dropping them down a dry well soon after his death, not realizing their value. Andrew D. Lytle's Baton Rouge preserves some of the only images that remain, a vintage treasure for contemporary viewers.

These 120 photographs give entr?e into life in Louisiana's capital city from the 1860s through the early 1900s. They compose the largest extant collection of photos created in a professional studio in nineteenth-century Baton Rouge. Together they capture the day-to-day existence of the community, fleeting moments of great importance, and long-term changes over time, revealing not only the perceptions of the photographer but also the self-perceptions of his subjects.

In a superb introductory overview of the collection, Mark E. Martin recounts Lytle's life and career within the context of Baton Rouge history and culture, noting advances in camera and printing technologies. Martin then discusses the photographs thematically, beginning with Baton Rouge's occupation by Federal forces during the Civil War. Thousands of northern soldiers and sailors came through the city during that time, and Lytle, a native of Ohio, photographed them in his studio, on the riverfront, in camps, on boats and ships, and from a bird's-eye view atop buildings. This work brought Lytle fame fifty years later when select images were published in The Photographic History of the Civil War along with the claim that Lytle had been a secret agent, a "camera spy," for the Confederacy. Martin exposes the impossibility of this popular belief, which nonetheless persisted well into the twentieth century.

Over the years Lytle Studio, which Andrew's son Howard eventually joined, produced commercial images of the Louisiana State Penitentiary, the forestry industry, railways and waterways, LSU sports teams, outdoor landscapes, and individuals. Andrew Lytle was more than a studio photographer, though. A husband, father, and grandfather, he took an active role in the community as an entrepreneur; volunteer firefighter, 'member of religious, social, and fraternal organizations; and participant in local theatrical productions and other entertainments. His photography provides in many cases the only visual record of the life and times of Baton Rouge and its people in that period.

Much of what is depicted in Andrew D. Lytle's Baton Rouge remains central to the city's vitality today: politics, family, home, commerce and industry, social events, parades, LSU sports, and the riverfront (now with levees). Readers will find here a priceless glimpse at a bygone world, yet one still recognizable.