In Wilderness Cathedral: The Story of Idaho's Oldest Building, historian and Coeur d'Alene resident Jake Eberlein writes about the story of the Old Sacred Heart Mission and its significance to Cataldo and the larger Pacific Northwest region. Eberlein correctly points out that although this is a history of a single building, the story he tells is really the history of the region. -From the Foreword While much is written about religious buildings such as the California Missions or St. Patrick's Cathedral, until this book precious little has been written about Sacred Heart Mission in Cataldo, ID. Historian Jake Eberlein traces the founding of the mission in the 19th century, the struggles and conflicts in building the mission, the changes it survived and the faith of the Native Americans and the Jesuits who served them which stood the passage of time. Wilderness Cathedral is a pioneering historical effort that sheds light on one of America's great monuments.

A young girl goes from being the victim of a kidnapping to being a hero in this story that has wizards, dragons, elves, and other fantastic creatures.

For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. Here, Dr Mark Ellis presents a series of musical examples illustrating the 'evolution' of the augmented sixth and the changing contexts in which it can be found. Surprisingly, the sonority emerged from one of the last remnants of modal counterpoint to survive into the tonal era: the Phrygian Cadence. In the Baroque period, the 'terrible dissonance' was nearly always associated with negative textual imagery. Charpentier described the augmented sixth as 'poignantly expressive'. J. S. Bach considered an occurrence of the chord in one of his forebear's motets 'remarkably bold'. During Bach's composing lifetime, the augmented sixth evolved from a relatively rare chromaticism to an almost commonplace element within the tonal spectrum; the chord reflects particular chronological and stylistic strata in his music. Theorists began cautiously to accept the chord, but its inversional possibilities proved particularly contentious, as commentaries by writers as diverse as Muffat, Marpurg and Rousseau reveal. During the eighteenth century, the augmented sixth became increasingly significant in instrumental repertoires - it was perhaps Vivaldi who first liberated the chord from its negative textual associations. By the later eighteenth century, the chord began to function almost as a 'signpost' to indicate important structural boundaries within sonata form. The chord did not, however, entirely lose its darker undertone: it signifies, for example, the theme of revenge in Mozart's Don Giovanni. Romantic composers uncovered far-reaching tonal ambiguities inherent in the augmented sixth. Chopin's Nocturnes often seem beguilingly simple, but the surface tranquillity masks the composer's strikingly original harmonic experiments. Wagner's much-analyzed 'Tristan Chord' resolves (according to some theorists) on an augmented sixth. In Tristan und Isolde, the chord's mercurial character - its tonal ambivalence - symbolizes the 'distortion of reality' induced by the Magic Potion. As Schoenberg wrote, the chord of the augmented sixth stands 'on the fringes of tonality'. The book concludes with a discussion of the role of the chord in the decay of the tonal system, and its 'afterlife' in the post-tonal era. This book will appeal to music analysts by providing a chronological framework for further stylistic and harmonic analysis. To ensure its accessibility in graduate classes, the author includes a straightforward introduction to the augmented sixth and its theoretical background.

For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. Here, Dr Mark Ellis presents a series of musical examples illustrating the 'evolution' of the augmented sixth and the changing contexts in which it can be found. Surprisingly, the sonority emerged from one of the last remnants of modal counterpoint to survive into the tonal era: the Phrygian Cadence. In the Baroque period, the 'terrible dissonance' was nearly always associated with negative textual imagery. Charpentier described the augmented sixth as 'poignantly expressive'. J. S. Bach considered an occurrence of the chord in one of his forebear's motets 'remarkably bold'. During Bach's composing lifetime, the augmented sixth evolved from a relatively rare chromaticism to an almost commonplace element within the tonal spectrum; the chord reflects particular chronological and stylistic strata in his music. Theorists began cautiously to accept the chord, but its inversional possibilities proved particularly contentious, as commentaries by writers as diverse as Muffat, Marpurg and Rousseau reveal. During the eighteenth century, the augmented sixth became increasingly significant in instrumental repertoires - it was perhaps Vivaldi who first liberated the chord from its negative textual associations. By the later eighteenth century, the chord began to function almost as a 'signpost' to indicate important structural boundaries within sonata form. The chord did not, however, entirely lose its darker undertone: it signifies, for example, the theme of revenge in Mozart's Don Giovanni. Romantic composers uncovered far-reaching tonal ambiguities inherent in the augmented sixth. Chopin's Nocturnes often seem beguilingly simple, but the surface tranquillity masks the composer's strikingly original harmonic experiments. Wagner's much-analyzed 'Tristan Chord' resolves (according to some theorists) on an augmented sixth. In Tristan und Isolde, the chord's mercurial character - its tonal ambivalence - symbolizes the 'distortion of reality' induced by the Magic Potion. As Schoenberg wrote, the chord of the augmented sixth stands 'on the fringes of tonality'. The book concludes with a discussion of the role of the chord in the decay of the tonal system, and its 'afterlife' in the post-tonal era. This book will appeal to music analysts by providing a chronological framework for further stylistic and harmonic analysis. To ensure its accessibility in graduate classes, the author includes a straightforward introduction to the augmented sixth and its theoretical background.

In recent decades, American universities have begun to tout the “diversity� of their faculty and student bodies. But what kinds of diversity are being championed in their admissions and hiring practices, and what kinds are being neglected? Is diversity enough to solve the structural inequalities that plague our universities? And how might we articulate the value of diversity in the first place?  Transforming the Academy begins to answer these questions by bringing together a mix of faculty—male and female, cisgender and queer, immigrant and native-born, tenured and contingent, white, black, multiracial, and other—from public and private universities across the United States. Whether describing contentious power dynamics within their classrooms or recounting protests that occurred on their campuses, the book’s contributors offer bracingly honest inside accounts of both the conflicts and the learning experiences that can emerge from being a representative of diversity.  The collection’s authors are united by their commitment to an ideal of the American university as an inclusive and transformative space, one where students from all backgrounds can simultaneously feel intellectually challenged and personally supported. Yet Transforming the Academy also offers a wide range of perspectives on how to best achieve these goals, a diversity of opinion that is sure to inspire lively debate.  

Get your children interested in mission by using this excellent Sunday School resource book. 'This gets inside the lives of people from another culture. An essential resource for launching children into the adventure of missions. Prepare for take off!' Stephen Nichols, All Souls. 'If you are teaching 7-11 year olds you need this book. Let the children taste new cultures and meet colourful characters. A creative blend of facts, games, crafts and ideas. User friendly and flexible. Easy to adapt to fit the needs of your group. Ideal for dipping into or using week by week. All you need for a five-minute slot or a two hour session. 'Cor! Cool!' Shona Clements, age 11

The relationship between Islamic law and international human rights law has been the subject of considerable, and heated, debate in recent years. The usual starting point has been to test one system by the standards of the other, asking is Islamic law 'compatible' with international human rights standards, or vice versa. This approach quickly ends in acrimony and accusations of misunderstanding. By overlaying one set of norms on another we overlook the deeply contextual nature of how legal rules operate in a society, and meaningful comparison and discussion is impossible.
In this volume, leading experts in Islamic law and international human rights law attempt to deepen the understanding of human rights and Islam, paving the way for a more meaningful debate. Focusing on central areas of controversy, such as freedom of speech and religion, gender equality, and minority rights, the authors examine the contextual nature of how Islamic law and international human rights law are legitimately formed, interpreted, and applied within a community. They examine how these fundamental interests are recognized and protected within the law, and what restrictions are placed on the freedoms associated with them.
By examining how each system recognizes and limits fundamental freedoms, this volume clears the ground for exploring the relationship between Islamic law and international human rights law on a sounder footing. In doing so it offers a challenging and distinctive contribution to the literature on the subject, and will be an invaluable reference for students, academics, and policy-makers engaged in the legal and religious debates surrounding Islam and the West.

THE INSANELY GRIPPING AND CRITICALLY ACCLAIMED FOURTH INSTALMENT IN MARK ELLIS' DCI FRANK MERLIN SERIES '[A] stylish thriller' - Sunday Mirror 'This exciting, very well plotted and historically evocative story drives forward to its gripping conclusion' - Euro Crime 'A richly atmospheric, authentic, and suspenseful detective series' - Joseph Finder, New York Times bestselling author 'A rollercoaster ride' - The Yorkshire Herald 'So immaculately nuanced they genuinely feel like they belong in the cannon of mid-20th century thrillers . . . Another belter!' - Fiona Phillips 'A truly spellbinding page turner that keeps you hooked right to the end' - Dorset Book Detective ___________ December 1941. On a bright Sunday morning in Hawaii, Japanese planes swoop down and attack the US naval base at Pearl Harbour. America enters the war and Britain no longer stands alone against Hitler. Conditions on the home front remain bleak. In a city pulverised by the Blitz, with rampant crime and corruption and overstretched police resources, life for Scotland Yard detective Frank Merlin continues as arduous as ever. In the week of Japan's aggression, the shattered body of beautiful film star Laura Curzon is found on the pavement beneath her Mayfair apartment, an apparent suicide. A mile away, the body of a strangled young girl is discovered in the rubble of a bombed-out building. Merlin and his team investigate, encountering fraudulent film moguls, philandering movie stars, depraved Satanists and brutal gangsters as they battle through a wintry London in pursuit of the truth. ___________ An excellent read by an author who clearly knows his subject . . . highly recommended - Alex J Book Reviews Suspenseful and plot driven, this book keeps you on the edge of your seat throughout - Rachel Read It A vivid and often surprising portrayal of wartime London - The Western Mail Vivid descriptions of the era provide ideal background for the charismatic and likeable Merlin - Buzz Magazine

Vividly atmospheric and brimming with suspense, Mark Ellis presents this insanely captivating wartime thriller of classic espionage. The first instalment in the Frank Merlin series. Previously published as Prince's Gate. PRAISE FOR THE CRITICALLY ACCLAIMED DCI FRANK MERLIN SERIES: 'A historically astute, skilfully developed crime drama.' - Kirkus Reviews 'A richly atmospheric, authentic, and suspenseful detective series' - Joseph Finder, New York Times bestselling author 'So immaculately nuanced they genuinely feel like they belong in the cannon of mid-20th century thrillers . . . Another belter!' - Fiona Phillips 'A truly spellbinding page turner that keeps you hooked right to the end' - Dorset Book Detective 'Brimming with action . . . complex, addictive and highly entertaining . . . I cannot wait to read more books by Mark Ellis' - The Book Cosy Book Club 'Brimming with authentic details . . . A compelling tale of crime fiction' - Foreword Reviews 'A mammoth read with a Dickensian plethora of characters that I thoroughly enjoyed immersing myself in . . . meticulously researched . . . deliciously complex' - CARAMEROLLOVESBOOKS ___________ When a brilliant emigré scientist is killed by a hit-and-run driver and the body of an American embassy is washed up in the Thames, DCI Frank Merlin and his team are called to investigate. Merlin's investigations soon ruffle feathers at the Foreign Office - the American ambassador, Joseph Kennedy, is a well-known supporter of appeasement, and has gained many powerful and influential friends in the pursuit of a negotiated peace settlement with Hitler. The death of yet another embassy employee leads Merlin deep into the seedier quarters of wartime London, until his investigations are hampered by interfering superiors fearful of disrupting international relations. As Merlin is drawn into a web of secrets, what will the truth cost him - and Britain?

More than 2500 authors entered the Bristol Short Story Prize 2014/15. These are the 20 shortlisted stories published in the eighth volume of the Bristol Short Story Prize Anthology

From Mark(James Axler) Ellis, writer of Doc Savage, author of Cryptozoica and creator of the best-selling Outlanders series comes The Spur: Loki's Rock. The colony world in the Orion Spur known as Loki wasn't so much lost as forgotten. In the 188 years since a world-wide catastrophe destroyed what passed for civilization there, Loki had become a savage wilderness of strange cultures, as well as being the sanctuary for every bizarre cult, mad sect and outlawed scientific discipline in the Sol 9 Commonwealth. Quentin Crockett, a Colonel in the department of OffWorld Operations leads a team of specialists to Loki to monitor, catalog, and if necessary, eliminate the myriad societies that sprang up in the wake of the global cataclysm. In their armored ACP Ambler, the team travels Loki, searching for the lost Terran Enclave, while fighting off not only wild beasts, and the wilder natives but also the ruthless schemes of a mastermind about whom they know practically nothing. In The Spur: Loki's Rock, Crockett and his team contend with the bizarre native fauna, but also with resurrected Nazi supermen, flocks of flying piranha, and the denizens of the kill-crazy town of Loki's Rock, led by the psychotic Django Bonner and his bloodthirsty hench-wench, Pagan. Ellis, the veteran author of 50 books as well as numerous comic properties, including such classics as: Death Hawk, The Justice Machine and Doc Savage: Man of Bronze, spent 15 years writing novels for Gold Eagle, the action-adventure imprint of Harlequin Enterprises. Under the pen name of James Axler, he created the best-selling Outlanders series, now in its 15th year of consecutive publication, making it the most successful mass-market paperback genre series published in the last 25 years.