"It's mid morning. Cool. Not many coffee bars open. I, the brave one, god of any telephone kiosk, walk down Dean Street, see the man of the day; raincoat, shoulders round, hair black, falling out; heavenly blue eyes cast down into his own hell. Bold as brass I cross the road stopping dead in front of him. He raises his eyes, so sadly that I love him for it." Leda is lost. Bouncing from job to job, from coffee bar to house party, he spends his days watching the hours pass and waiting for the night to arrive. Trysts in the rubble of a bombsite follow hours spent in bedsits with near strangers, as Leda is forced to find intimacy in unusual places. Semi-homeless and estranged from his given family, he relies on the support of his chosen one: a community of older gay men and divorced women who feed and clothe him, gently encouraging him to find a foothold in a society which excludes him at every turn. And then there is Daniel, a buttoned-up man of the Lord, for whom Leda nurses an unrequited obsession - one which sends him spiralling into self-destruction. With a foreword by Huw Lemmey, this newly discovered, never-before-published novel - which pre-dates the Sexual Offences Act of 1967 - is a portrait of lost a Soho, as well as an important document of queer, working-class life, from a voice long overlooked.

A long awaited collection of poems by Mark Hyatt, one of the great lost writers of mid-century British poetry. Scarcely published in his lifetime, Hyatt’s work ­survives thanks to the intervention of poets and friends who saved his manuscripts and kept his poems in circulation. Queer in the decades before Gay Liberation; Romani; incarcerated in prisons and asylums; illiterate into adulthood: it’s tempting to read Hyatt according to the familiar script of the doomed poet, resounding with loneliness and isolation. But his poetry—“hot and tender,� funny and sad—tells another story: of love, liberatory commitment, and desire.