The King's Dyke and Bradley Fen excavations occurred within the brick pits of the Fenland town of Whittlesey, Cambridgeshire. The investigations straddled the south-eastern contours of the Flag Fen Basin, a small peat-filled embayment located between Peterborough and the western limits of Whittlesey 'island'. Renowned principally for its Bronze Age discoveries at sites such as Fengate and Flag Fen, the Flag Fen Basin also marked the point where the prehistoric River Nene debouched into the greater Fenland Basin. A henge, two round barrows, an early fieldsystem, metalwork deposition and patterns of sustained settlement along with metalworking evidence helped produce a plan similar in its configuration to that revealed at Fengate. In addition, unambiguous evidence of earlier second millennium BC settlement was identified together with large watering holes and the first burnt stone mounds to be found along Fenland's western edge. Genuine settlement structures included three of Early Bronze Age date, one Late Bronze Age, ten Early Iron Age and three Middle Iron Age. Later Bronze Age metalwork, including single spears and a weapon hoard, was deposited in indirect association with the earlier land divisions and consistently within ground that was becoming increasingly wet. The large-scale exposure of the base of the Flag Fen Basin at Bradley Fen revealed a beneath-the-peat or pre-basin landscape related to the buried floodplain of an early River Nene. Above all, the revelation of sub-fen occupation means we can now situate the Flag Fen Basin in time as well as space.

The book discusses the 'state trial' as a legal process, a public spectacle, and a point of political conflict - a key part of how constitutional monarchy became constitutional. State trials provided some of the leading media events of later Stuart England. The more important of these trials attracted substantial public attention, serving as pivot points in the relationship between the state and its subjects. Later Stuart England has been known among legal historians for a series of key cases in which juries asserted their independence from judges. In political history, the government's sometimes shaky control over political trials in this period has long been taken as a sign of the waning power of the Crown. This book revisits the process by which the 'state trial' emerged as a legal proceeding, a public spectacle, a point of political conflict, and ultimately, a new literary genre. It investigates the trials as events, as texts, and as moments in the creation of historical memory. By the early nineteenth century, the publication and republication of accounts of the state trials had become a standard part of the way in which modern Britons imagined how their constitutional monarchy had superseded the absolutist pretensions of the Stuart monarchs. This book explores how the later Stuart state trials helped to create that world.

This book traces the emergence and development of Literature and the Bible as a field of scholarship, presenting key critical essays alongside more recent criticism that explores new directions. The Western literary tradition has a long and complex relationship with the Jewish and Christian scriptures. Authors draw on the Bible in numerous ways and for different reasons, and there is also the myriad of subconscious ways through which the biblical text enters literary culture. Biblical stories, characters, motifs and references permeate the whole of the literary tradition. In the last thirty years there has been a growth of critical interest in this relationship. In Literature and the Bible: A Reader the editors bring together a selection of the key critical and theoretical materials from this time, providing a comprehensive resource for students and scholars. Each chapter contains: * An introduction from the editors, contextualising the material within and alerting readers to some of the historic debates that feed into the extracts chosen * A set of previously published extracts of substantial length, offering greater contextualisation and allowing the Reader to be used flexibly * Lists of further reading, providing readers with a wide variety of other sources and perspectives. Designed to be used alongside the Bible and selected literary texts, this book is essential reading for anyone studying Literature and the Bible in undergraduate English, Religion and Theology degrees.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

This book traces the emergence and development of Literature and the Bible as a field of scholarship, presenting key critical essays alongside more recent criticism that explores new directions. The Western literary tradition has a long and complex relationship with the Jewish and Christian scriptures. Authors draw on the Bible in numerous ways and for different reasons, and there is also the myriad of subconscious ways through which the biblical text enters literary culture. Biblical stories, characters, motifs and references permeate the whole of the literary tradition. In the last thirty years there has been a growth of critical interest in this relationship. In Literature and the Bible: A Reader the editors bring together a selection of the key critical and theoretical materials from this time, providing a comprehensive resource for students and scholars. Each chapter contains: * An introduction from the editors, contextualising the material within and alerting readers to some of the historic debates that feed into the extracts chosen * A set of previously published extracts of substantial length, offering greater contextualisation and allowing the Reader to be used flexibly * Lists of further reading, providing readers with a wide variety of other sources and perspectives. Designed to be used alongside the Bible and selected literary texts, this book is essential reading for anyone studying Literature and the Bible in undergraduate English, Religion and Theology degrees.

Leading scholars show how laughter and satire in early modern Britain functioned in a variety of contexts both to affirm communal boundaries and to undermine them. This interdisciplinary collection considers the related topics of satire and laughter in early modern Britain through a series of case studies ranging from the anti-monastic polemics of the early Reformation to the satirical invasion prints of the Napoleonic wars. Moving beyond the traditional literary canon to investigate printed material of all kinds, both textual and visual, it considers satire as a mode or attitude rather than a literary genre and is distinctive in its combination of broad historial range and thick description of individual instances. Within an over-arching investigation of the dual role of laughter and satire as a defence of communal values and as a challenge to political, religious and social constructions of authority, the individual chapters by leading scholars provide richly contextualised studies of the uses of laughter and satire in various settings - religious, political, theatrical and literary. Drawing on some unfamiliar and intriguing source material and on recent work on the history of the emotions, the contributors consider not just the texts themselves but their effect on their audiences, andchart both the changing use of humour and satire across the whole early modern period and, importantly, the less often noticed strands of continuity, for instance in the persistence of religious tropes throughout the period. MARK KNIGHTS is Professor of History at the University of Warwick. ADAM MORTON is Lecturer in the History of Britain at the University of Newcastle. Contributors: ANDREW BENJAMIN BRICKER, MARK KNIGHTS, FIONA MCCALL, ANDREW MCRAE, ADAM MORTON, SOPHIE MURRAY, ROBERT PHIDDIAN, MARK PHILP, CATHY SHRANK.

This unique and comprehensive volume looks at the study of literature and religion from a contemporary, critical perspective. Including discussion of global literature and world religions, this Companion looks at: key moments in the story of religion and literary studies from Matthew Arnold through to the impact of 9/11; a variety of theoretical approaches to the study of religion and literature; different ways that religion and literature are connected, from overtly religious writing to subtle religious readings; analysis of key sacred texts and the way they have been studied, re-written, and questioned by literature; political implications of work on religion and literature. Thoroughly introduced and contextualized, this volume is an engaging introduction to this huge and complex field.

This unique and comprehensive volume looks at the study of literature and religion from a contemporary critical perspective. Including discussion of global literature and world religions, this Companion looks at: Key moments in the story of religion and literary studies from Matthew Arnold through to the impact of 9/11 A variety of theoretical approaches to the study of religion and literature Different ways that religion and literature are connected from overtly religious writing, to subtle religious readings Analysis of key sacred texts and the way they have been studied, re-written, and questioned by literature Political implications of work on religion and literature Thoroughly introduced and contextualised, this volume is an engaging introduction to this huge and complex field.

In the engaging Chesterton and Evil, Mark Knight offers a compelling analysis of the increasingly marginalized, but undoubtedly influential Gilbert Keith Chesterton and his late 19th and early 20th century fiction. In his Autobiography Chesterton observed: "Perhaps, when I eventually emerged as a sort of theorist, and was described as an Optimist, it was because I was one of the few people in that world of diabolism who really believed in devils." Arguing that a serious analysis of the nature of evil is at the center of his fiction, Chesterton and Evil offers an exciting, new interdisciplinary reading of Chesterton's work, and provides a means of locating it among important theological and cultural concerns of his age.

Trust and Distrust offers the first overview of Britain's history of corruption in office in the pre-modern era, 1600-1850, and as such will appeal not only to historians, but also to political and social scientists. Mark Knights paints a picture of the interaction of the domestic and imperial stories of corruption in office, showing how these stories were intertwined and related. Linking corruption in office to the domestic and imperial state has not been attempted before, and Knights does this by drawing on extensive interdisciplinary sources relating to the East India Company as well as other colonial officials in the Atlantic World and elsewhere in Britain's emerging empire. Both 'corruption' and 'office' were concepts that were in evolution during the period 1600-1850 and underwent very significant but protracted change which this study charts and seeks to explain. The book makes innovative use of the concept of trust, which helped to shape office in ways that underlined principles of selflessness, disinterestedness, integrity, and accountability in officials.

The shopping centers, retailers and malls across America are gearing up for the busiest shopping day of the year, the day after Thanksgiving, Black Friday. The aptly named day of sales indicates a retailer's opportunity to turn their income statements from red to black in one day, but this year Black Friday will adopt a new meaning for the United States, forever. Agent Bill Barton frantically attempts to put the pieces of information together to identify and avert a coordinated attack on U.S. soil that could kill hundreds of innocent people and simultaneously cripple the economy. As the information accumulates identifying the targets, he realizes the scope of the operation proves too large for one man, or a small team. Bart is going to need help, a lot of help, and at a moment's notice.

A few short months have passed since Agent Barton and Arthur Mason (Ahmad), fled Turkey and the failed attempt at preventing an Al Qaeda plot to assassinate a prominent religious leader. Arthur has taken up residence in an apartment complex in Oxnard, California, courtesy of the U.S. government in hopes of leaving his past behind and assimilating into American culture. His fiancee Belinda Johnson (Behrukh), and her family (mother and brother) were also relocated. Arthur's new job with a local delivery company seems innocent enough until he meets an unsavory character that blinds his common sense with the promise of quick cash. Arthur's motivation to marry his fiancee, buy a home and live the American dream drives his decision, but there is no turning back. While the whole world is focused on the horrific events in Turkey and the impending response, the CIA is thrust into investigating and averting an impending terrorist attack of epic proportion. The terrorist chatter indicates a possible attack on one of the 104 commercial nuclear facilities in the US. Newly promoted CIA Director of Domestic Terrorism, Marks tasks former Delta Force operative Special Agent Barton as his lead man to head the investigation. Time is of the essence as the agency realizes the magnitude and destruction of a nuclear meltdown. Can he identify the target and the players in time to avert the menacing plot?"

Title: The Highways and Byeways of Old Norwich ... With ... illustrations drawn by P. E. Stimpson.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Knights, Mark; 1887. 120 p.; 4 . 10351.h.23.

The study of religion and literature continues to go from strength to strength - this collection of essays offers a dynamic, lively and provocative contribution to the field and aims to map out new directions it might take. By returning to foundational questions regarding the relation between words and worlds and the parameters of the sacred, the essays explore different ways of using interdisciplinary resources to open up our understanding of religion and literature. Contributions from some of the leading voices in the field unite to offer an important exploration of the possible worlds that the study of religion and literature imagines.

This work offers an important insight into the role that the religious imagination plays in the creation of sacred worlds. The study of religion and literature continues to go from strength to strength - this collection of essays offers a dynamic, lively and provocative contribution to the field and aims to map out new directions it might take. By returning to foundational questions regarding the relation between words and worlds and the parameters of the sacred, the essays explore different ways of using interdisciplinary resources to open up our understanding of religion and literature. Contributions from some of the leading voices in the field unite to offer an important exploration of the possible worlds that the study of religion and literature imagines.

Organised around important theological ideas this is a lucid, accessible and thoughtful introduction to the study of literature and religion. Religion has always been an integral part of the literary tradition: many canonical and non-canonical texts engage extensively with religious ideas and the development of English Literature as a professional discipline began with an explicit consideration of the relationship between religion and literature. Both the recent theological turn of literary theory and the renewed political significance of religious debate in contemporary western culture have generated further interest in this interdisciplinary area.This book offers a lucid, accessible and thoughtful introduction to the study of religion and literature. The focus is on Christian theology and post-1800 British literature, although substantial reference is made to earlier writers, texts from North America and mainland Europe, and other faith positions."An Introduction to Religion and Literature" is organised around important theological ideas, each of which is explored through close readings of well-known and influential literary texts. Throughout the book the reader is encouraged to think about the ways in which religion and literature combine to trace and disclose other worlds that might be seen as sacred.

This rhetorical study of the persuasive practice of English Puritan preachers and writers demonstrates how they appeal to both reason and imagination in order to persuade their hearers and readers towards conversion, assurance of salvation and godly living. Examining works from a diverse range of preacher-writers such as William Perkins, Richard Sibbes, Richard Baxter and John Bunyan, this book maps out continuities and contrasts in the theory and practice of persuasion. Tracing the emergence of Puritan allegory as an alternative, imaginative mode of rhetoric, it sheds new light on the paradoxical question of how allegories such as John Bunyan's The Pilgrim's Progress came to be among the most significant contributions of Puritanism to the English literary canon, despite the suspicions of allegory and imagination that were endemic in Puritan culture. Concluding with reflections on how Milton deploys similar strategies to persuade his readers towards his idiosyncratic brand of godly faith, this book makes an original contribution to current scholarly conversations around the textual culture of Puritanism, the history of rhetoric, and the rhetorical character of theology.