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Motion in Maps, Maps in Motion argues that the mapping of stories, movement, and change should not be understood as an innovation of contemporary cartography, but rather as an important aspect of human cartography with a longer history than might be assumed. The authors in this collection reflect upon the main characteristics and evolutions of story and motion mapping, from the figurative news and history maps that were mass-produced in early modern Europe, through the nineteenth- and twentieth-century flow maps that appeared in various atlases, up to the digital and interactive motion and personalized maps that are created today. Rather than presenting a clear and homogeneous history from the past up until the present, this book offers a toolbox for understanding and interpreting the complex interplays and links between narrative, motion, and maps.
An instant classic when first published in 1991, How to Lie with Maps revealed how the choices mapmakers make--consciously or unconsciously--mean that every map inevitably presents only one of many possible stories about the places it depicts. The principles Mark Monmonier outlined back then remain true today, despite significant technological changes in the making and use of maps. The introduction and spread of digital maps and mapping software, however, have added new wrinkles to the ever-evolving landscape of modern mapmaking. Fully updated for the digital age, this new edition of How to Lie with Maps examines the myriad ways that technology offers new opportunities for cartographic mischief, deception, and propaganda. While retaining the same brevity, range, and humor as its predecessors, this third edition includes significant updates throughout as well as new chapters on image maps, prohibitive cartography, and online maps. It also includes an expanded section of color images and an updated list of sources for further reading.
This book explores the US patent system, which helped practical minded innovators establish intellectual property rights and fulfill the need for achievement that motivates inventors and scholars alike. In this sense, the patent system was a parallel literature: a vetting institution similar to the conventional academic-scientific-technical journal insofar as the patent examiner was both editor and peer reviewer, while the patent attorney was a co-author or ghost writer. In probing evolving notions of novelty, non-obviousness, and cumulative innovation, Mark Monmonier examines rural address guides, folding schemes, world map projections, diverse improvements of the terrestrial globe, mechanical route-following machines that anticipated the GPS navigator, and the early electrical you-are-here mall map, which opened the way for digital cartography and provided fodder for patent trolls, who treat the patent largely as a license to litigate.
The text explains how maps can tell us a lot about where we can anticipate certain hazards, but also how maps can be dangerously misleading. It considers that although it is important to predict and prepare for catastrophic natural hazards, more subtle and persistent phenomena such as pollution and crime also pose serious dangers that we have to cope with on a daily basis. Hazard-zone maps, the text explains, highlight these more insidious hazards and raise awareness about them among planners, local officials and the public. With the help of many maps illustrating examples from all corners of the United States, the text demonstrates how hazard mapping reflects not just scientific understanding of hazards but also perceptions of risk and how risk can be reduced.
Some maps help us find our way; others restrict where we go and
what we do. These maps control behavior, regulating activities from
flying to fishing, prohibiting students from one part of town from
being schooled on the other, and banishing certain individuals and
industries to the periphery. This restrictive cartography has
boomed in recent decades as governments seek regulate activities as
diverse as hiking, building a residence, opening a store, locating
a chemical plant, or painting your house anything but regulation
colors. It is this aspect of mapping--its power to prohibit--that
celebrated geographer Mark Monmonier tackles in "No Dig, No Fly, No
Go."
Brassiere Hills, Alaska. Mollys Nipple, Utah. Outhouse Draw,
Nevada. In the early twentieth century, it was common for towns and
geographical features to have salacious, bawdy, and even derogatory
names. In the age before political correctness, mapmakers readily
accepted any local preference for place names, prizing accurate
representation over standards of decorum. But later, when sanctions
prohibited local use of racially, ethnically, and scatalogically
offensive toponyms, names like Jap Valley, California, were erased
from the national and cultural map forever."
Writers know only too well how long it can take--and how awkward it
can be--to describe spatial relationships with words alone. And
while a map might not always be worth a thousand words, a good one
can help writers communicate an argument or explanation clearly,
succinctly, and effectively.
Maps, as we know, help us find our way around. But they're also
powerful tools for someone hoping to find "you," Widely available
in electronic and paper formats, maps offer revealing insights into
our movements and activities, even our likes and dislikes. In
"Spying with Maps," the "mapmatician" Mark Monmonier looks at the
increased use of geographic data, satellite imagery, and location
tracking across a wide range of fields such as military
intelligence, law enforcement, market research, and traffic
engineering. Could these diverse forms of geographic monitoring, he
asks, lead to grave consequences for society? To assess this very
real threat, he explains how geospatial technology works, what it
can reveal, who uses it, and to what effect.
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