Answering the eternal question... WHAT TO WATCH NEXT? Looking for a box set to get your adrenaline racing or to escape to a different era? In need of a good laugh to lift your spirits? Hunting for a TV show that the whole family can watch together? If you're feeling indecisive about your next binge-watching session, we've done the hard work for you. Featuring 1,000 carefully curated reviews written by a panel of TV connoisseurs, What To Watch When offers up the best show suggestions for every mood and moment.

Darkness Beckons is the fourth volume in the non-themed horror series of entirely original stories, showcasing the very best short fiction that the genre has to offer, and edited by Mark Morris. This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. A terrifying cocktail of the familiar and the new, the established and the emerging. Previous titles in the series, all still in print are After Sundown, Beyond the Veil and Close to Midnight. Contents List: SAINT BARBARA by Nina Allan HARE MOON by H.V. Patterson UNDER COVER OF DARKNESS by Stephen Volk DUSK by Angela Slatter A FACE LEAVING NO TRACES by Brian Evenson GOOD BONES by Sarah Read FACTS CONCERNING THE DISAPPEARANCE OF THE ORLOFF SIX by Alyssa C. Greene HE WASN’T THERE AGAIN TODAY by Peter Atkins DODGER by Carly Holmes FROM THE MAN-SEAT by Reggie Oliver THE SERVICE by Ally Wilkes THE LATE MRS. APPLEGARTH by Mark Gatiss THE FIG TREE by Lucie McKnight Hardy IF YOUR SOUL WERE A PITCHFORK I’D DESPISE YOU by Eric LaRocca HEEBIE JEEBIES by Amanda Cecelia Lang KILLING BONES by Simon Clark IL CREPUSCOLO by Helen Marshall REMEMBER ME by Ronald Malfi WITCH’S CLUTCH by Simon Strantzas CAMP NEVER by J.S. Breukelaar FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.

Close to Midnight is the third volume in an annual, non-themed horror series of entirely original stories, showcasing the very best short fiction that the genre has to offer, and edited by Mark Morris. This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. Contents List: WOLVES by Rio Youers BEST SAFE LIFE FOR YOU by Muriel Gray SOUVENIRS by Sharon Gosling THE OPERATED by Ramsey Campbell IN THE WABE by Alison Littlewood I PROMISE by Conrad Williams FLAT 19 by Jenn Ashworth THE FORBIDDEN SANDWICH by Carl Tait AUTUMN SUGAR by Philip Fracassi COLLAGEN by Seanan McGuire REMAINS by Charlie Hughes THE FLOOR IS LAVA by Brian Keene THE TRUE COLOUR OF BLOOD by Stephen Laws THE NINE OF DIAMONDS by Carole Johnstone ROOM FOR THE NIGHT by Jonathan Janz WELCOME TO THE LODGE by Alison Moore GOING HOME by Evelyn Teng THE SPACEMAN'S MEMORY BOX by Laura Mauro BAGS by Steve Rasnic Tem RISE UP TOGETHER by Adam L.G. Nevill FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.

Red giant and supergiant stars have long been favorites of professional 6 and amateur astronomers. These enormous stars emit up to 10 times more energy than the Sun and, so, are easy to study. Some of them, specifically the pulsating long-period variables, significantly change their size, brightness, and color within about a year, a time scale of interest to a single human being. Some aspects of the study of red giant stars are similar to the study of pre-main-sequence stars. For example, optical astronomy gives us a tantalizing glimpse of star forming regions but to really investi gate young stars and protostars requires infrared and radio astronomy. The same is true of post-main-sequence stars that are losing mass. Optical astronomers can measure the atomic component of winds from red giant stars that are undergoing mass loss at modest rates 6 (M $ 10- M9/yr.). But to see dust grains and molecules properly, 5 especially in stars with truly large mass loss rates, ~ 10- M9/yr, one requires IR and radio astronomy. As this stage of copious mass loss only lasts for ~105 years one might be tempted to ask, "who cares?".

NOMINATED FOR A SHIRLEY JACKSON AWARD AND BRITISH FANTASY AWARD "This rich and masterful collection of horror highlights both up-and-coming and established authors in an interesting twist on the standard anthology [...] Highly recommended for longstanding horror fans and those readers who may not think horror is for them. There is something for everyone in this one." - Booklist This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. It is the first of what will hopefully become an annual, non-themed horror anthology of entirely original stories, showcasing the very best short fiction that the genre has to offer. Contents List: BUTTERFLY ISLAND by C.J. Tudor RESEARCH by Tim Lebbon SWANSKIN by Alison Littlewood THAT'S THE SPIRIT by Sarah Lotz GAVE by Michael Bailey WHEREVER YOU LOOK by Ramsey Campbell SAME TIME NEXT YEAR by Angela Slatter MINE SEVEN by Elana Gomel IT DOESN'T FEEL RIGHT by Michael Marshall Smith CREEPING IVY by Laura Purcell LAST RITES FOR THE FOURTH WORLD by Rick Cross WE ALL COME HOME by Simon Bestwick THE IMPORTANCE OF ORAL HYGIENE by Robert Shearman BOKEH by Thana Niveau MURDER BOARD by Grady Hendrix ALICE'S REBELLION by John Langan THE MIRROR HOUSE by Jonathan Robbins Leon THE NAUGHTY STEP by Stephen Volk A HOTEL IN GERMANY by Catriona Ward BRANCH LINE by Paul Finch FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.

Human and Social Biology for CSEC 2nd Edition (R) has been updated and tailored to support those studying the Human and Social Biology for CSEC syllabus. The course has been designed to allow students to work individually and co-operatively, using theoretical concepts in practical activities. In this way, students have every opportunity to apply investigative and problem-solving skills.

The investigation of the Galactic nucleus and its surroundings is necessarily a modem endeavor, for traditional observations made at visual wavelengths have not even begun to penetrate the veil of -30 magnitudes of visual extinction that intercedes. On the other hand, infrared, and especially radio observers find a relatively unobstructed view of the central portion of the Galaxy, so the study of this arena has proceeded apace with the development of these branches of astronomy. Thus, it is no accident that the first IAU sponsored conference to be held on the Galactic center is timed to coincide with the initiation, or the immediate aftennath, of major technical developments at long wavelengths, including infrared array detectors, millimeter-wavelength aperture synthesis, and self-calibration and refmed deconvolution algorithms in aperture synthesis radio astronomy. The center of the Galaxy is also accessible to X and gamma-ray observers, and progress at high energies has been steady, especially as imaging capabilities are being realized at X-ray wavelengths. However, one might expect that the revolution in the high energy domain is still ahead of us, as instruments with larger collecting areas and improved spatial resolution are now being developed. The youth of this subject is evidenced by the relatively small number of meetings that have been devoted to it.

An electrifying anthology of new horror stories by award-winning masters of the genre.

The horror genre's greatest living practitioners drag our darkest fears kicking and screaming into the light in this second collection of brand-new tales of terror. Numinous, surreal and gut wrenching, New Fears II is a vibrant collection showcasing the very best fiction modern horror has to offer.

*Clear explanations and teaching of the key spelling rules to help improve students' spelling skills. *Diagnostic tests to ensure progression by identifying students' weaknesses and directing them to the appropriate teaching and practice. *Peer and self-assessment activities to enable students to measure their own progress.

Red giant and supergiant stars have long been favorites of professional 6 and amateur astronomers. These enormous stars emit up to 10 times more energy than the Sun and, so, are easy to study. Some of them, specifically the pulsating long-period variables, significantly change their size, brightness, and color within about a year, a time scale of interest to a single human being. Some aspects of the study of red giant stars are similar to the study of pre-main-sequence stars. For example, optical astronomy gives us a tantalizing glimpse of star forming regions but to really investi gate young stars and protostars requires infrared and radio astronomy. The same is true of post-main-sequence stars that are losing mass. Optical astronomers can measure the atomic component of winds from red giant stars that are undergoing mass loss at modest rates 6 (M $ 10- M9/yr.). But to see dust grains and molecules properly, 5 especially in stars with truly large mass loss rates, ~ 10- M9/yr, one requires IR and radio astronomy. As this stage of copious mass loss only lasts for ~105 years one might be tempted to ask, "who cares?".

The investigation of the Galactic nucleus and its surroundings is necessarily a modem endeavor, for traditional observations made at visual wavelengths have not even begun to penetrate the veil of -30 magnitudes of visual extinction that intercedes. On the other hand, infrared, and especially radio observers find a relatively unobstructed view of the central portion of the Galaxy, so the study of this arena has proceeded apace with the development of these branches of astronomy. Thus, it is no accident that the first IAU sponsored conference to be held on the Galactic center is timed to coincide with the initiation, or the immediate aftennath, of major technical developments at long wavelengths, including infrared array detectors, millimeter-wavelength aperture synthesis, and self-calibration and refmed deconvolution algorithms in aperture synthesis radio astronomy. The center of the Galaxy is also accessible to X and gamma-ray observers, and progress at high energies has been steady, especially as imaging capabilities are being realized at X-ray wavelengths. However, one might expect that the revolution in the high energy domain is still ahead of us, as instruments with larger collecting areas and improved spatial resolution are now being developed. The youth of this subject is evidenced by the relatively small number of meetings that have been devoted to it."

Close to Midnight is the third volume in an annual, non-themed horror series of entirely original stories, showcasing the very best short fiction that the genre has to offer, and edited by Mark Morris. This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. Contents List: WOLVES by Rio Youers BEST SAFE LIFE FOR YOU by Muriel Gray SOUVENIRS by Sharon Gosling THE OPERATED by Ramsey Campbell IN THE WABE by Alison Littlewood I PROMISE by Conrad Williams FLAT 19 by Jenn Ashworth THE FORBIDDEN SANDWICH by Carl Tait AUTUMN SUGAR by Philip Fracassi COLLAGEN by Seanan McGuire REMAINS by Charlie Hughes THE FLOOR IS LAVA by Brian Keene THE TRUE COLOUR OF BLOOD by Stephen Laws THE NINE OF DIAMONDS by Carole Johnstone ROOM FOR THE NIGHT by Jonathan Janz WELCOME TO THE LODGE by Alison Moore GOING HOME by Evelyn Teng THE SPACEMAN'S MEMORY BOX by Laura Mauro BAGS by Steve Rasnic Tem RISE UP TOGETHER by Adam L.G. Nevill FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.

Beyond the Veil is the second volume in an annual, non-themed horror series of entirely original stories, showcasing the very best short fiction that the genre has to offer, and edited by Mark Morris. This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. Contents List: THE GOD BAG by Christopher Golden CAKER'S MAN by Matthew Holness THE BEECHFIELD MIRACLES by Priya Sharma CLOCKWORK by Dan Coxon SOAPSTONE by Aliya Whiteley THE DARK BIT by Toby Litt PROVENANCE POND by Josh Malerman FOR ALL THE DEAD by Angeline B. Adams and Remco van Straten THE GIRL IN THE POOL by Bracken MacLeod NURSE VARDEN by Jeremy Dyson IF, THEN by Lisa L. Hannett AQUARIUM WARD by Karter Mycroft A MYSTERY FOR JULIE CHU by Stephen Gallagher AWAY DAY by Lisa Tuttle POLAROID AND SEAWEED by Peter Harness DER GEISTERBAHNHOF by Lynda E. Rucker ARNIE'S ASHES by John Everson A BRIEF TOUR OF THE NIGHT by Nathan Ballingrud THE CARE AND FEEDING OF HOUSEHOLD GODS by Frank J. Oreto YELLOWBACK by Gemma Files FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.

Darkness Beckons is the fourth volume in the non-themed horror series of entirely original stories, showcasing the very best short fiction that the genre has to offer, and edited by Mark Morris. This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. A terrifying cocktail of the familiar and the new, the established and the emerging. Previous titles in the series, all still in print are After Sundown, Beyond the Veil and Close to Midnight. Contents List: SAINT BARBARA by Nina Allan HARE MOON by H.V. Patterson UNDER COVER OF DARKNESS by Stephen Volk DUSK by Angela Slatter A FACE LEAVING NO TRACES by Brian Evenson GOOD BONES by Sarah Read FACTS CONCERNING THE DISAPPEARANCE OF THE ORLOFF SIX by Alyssa C. Greene HE WASN’T THERE AGAIN TODAY by Peter Atkins DODGER by Carly Holmes FROM THE MAN-SEAT by Reggie Oliver THE SERVICE by Ally Wilkes THE LATE MRS. APPLEGARTH by Mark Gatiss THE FIG TREE by Lucie McKnight Hardy IF YOUR SOUL WERE A PITCHFORK I’D DESPISE YOU by Eric LaRocca HEEBIE JEEBIES by Amanda Cecelia Lang KILLING BONES by Simon Clark IL CREPUSCOLO by Helen Marshall REMEMBER ME by Ronald Malfi WITCH’S CLUTCH by Simon Strantzas CAMP NEVER by J.S. Breukelaar FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.

The unusual marriage of Romantic ballet and artificial intelligence is an intriguing idea that led a team of interdisciplinary researchers to design iGiselle, a video game prototype. Scholars in the fields of literature, physical education, music, design, and computer science collaborated to revise the tragic narrative of the nineteenth-century ballet Giselle, allowing players to empower the heroine for possible "feminine endings." The eight interrelated chapters chronicle the origin, development, and fruition of the project. Dancers, gamers, and computer specialists will all find something original that will stimulate their respective interests. Contributors: Vadim Bulitko, Wayne DeFehr, Christina Gier, Pirkko Markula, Mark Morris, Sergio Poo Hernandez, Emilie St. Hilaire, Nora Foster Stovel, Laura Sydora

As a psychodynamic theory of both normal development and psychopathology, attachment theory has particular utility for forensic psychiatry. A Matter of Security provides an attachment theory based account of the development of arousal and affect regulation, which offers a new way of thinking about mental disorders in offenders. This book also discusses the development of personality in terms of interpersonal functioning and relationships with others, which is essential to understanding both interpersonal violence and abnormal personality development. Attachment theory also offers a model of therapeutic work with patients that have particular resonance with forensic work because it uses the language of security. This collection focuses on attachment theory applied to forensic psychiatry and psychotherapy.

Albion Fay, a holiday house in the middle of nowhere, surrounded by nature's bounty. For the adults, a time for relaxation and to recharge the batteries, while for the children, a chance for exploration and adventure in the English countryside. A happy time for all: nothing could possibly go wrong. Or could it? What should be a magical time ends in tragedy - but what really happened that summer? "I wish I had somewhere to go where no one could find me, somewhere I could be on my own for a while, away from my fractured family. I look over at the caves, which resemble gaping mouths and hollow eyes, black against the grey rock, and I imagine myself slipping inside, going deeper into the darkness and the silence. "The thought doesn't comfort me, though. In fact, the longer I stare at the caves the more I imagine something with flat, cold, unblinking eyes staring back at me from the shadows. "They get angry if you look at them, Scott said. "Also: they bite. "I shudder and turn away. As I do so, at the edge of my vision, I see a squat black shape with red eyes watching me from the roadway below."

American composer Lou Harrison (1917-2003) is perhaps best known for challenging the traditional musical establishment along with his contemporaries and close colleagues: composers John Cage, Aaron Copland, Virgil Thomson, and Leonard Bernstein; Living Theater founder, Judith Malina; and choreographer, Merce Cunningham. Today, musicians from Bang on a Can to Bjoerk are indebted to the cultural hybrids Harrison pioneered half a century ago. His explorations of new tonalities at a time when the rest of the avant garde considered such interests heretical set the stage for minimalism and musical post-modernism. His propulsive rhythms and ground-breaking use of percussion have inspired choreographers from Merce Cunningham to Mark Morris, and he is considered the godfather of the so-called "world music" phenomenon that has invigorated Western music with global sounds over the past two decades. In this biography, authors Bill Alves and Brett Campbell trace Harrison's life and career from the diverse streets of San Francisco, where he studied with music experimentalist Henry Cowell and Austrian composer Arnold Schoenberg, and where he discovered his love for all things non-traditional (Beat poetry, parties, and men); to the competitive performance industry in New York, where he subsequently launched his career as a composer, conducted Charles Ives's Third Symphony at Carnegie Hall (winning the elder composer a Pulitzer Prize), and experienced a devastating mental breakdown; to the experimental arts institution of Black Mountain College where he was involved in the first "happenings" with Cage, Cunningham, and others; and finally, back to California, where he would become a strong voice in human rights and environmental campaigns and compose some of the most eclectic pieces of his career.

American composer Lou Harrison (1917-2003) is perhaps best known for challenging the traditional musical establishment along with his contemporaries and close colleagues: composers John Cage, Aaron Copland, Virgil Thomson, and Leonard Bernstein; Living Theater founder, Judith Malina; and choreographer, Merce Cunningham. Today, musicians from Bang on a Can to Bjoerk are indebted to the cultural hybrids Harrison pioneered half a century ago. His explorations of new tonalities at a time when the rest of the avant garde considered such interests heretical set the stage for minimalism and musical post-modernism. His propulsive rhythms and ground-breaking use of percussion have inspired choreographers from Merce Cunningham to Mark Morris, and he is considered the godfather of the so-called "world music" phenomenon that has invigorated Western music with global sounds over the past two decades. In this biography, authors Bill Alves and Brett Campbell trace Harrison's life and career from the diverse streets of San Francisco, where he studied with music experimentalist Henry Cowell and Austrian composer Arnold Schoenberg, and where he discovered his love for all things non-traditional (Beat poetry, parties, and men); to the competitive performance industry in New York, where he subsequently launched his career as a composer, conducted Charles Ives's Third Symphony at Carnegie Hall (winning the elder composer a Pulitzer Prize), and experienced a devastating mental breakdown; to the experimental arts institution of Black Mountain College where he was involved in the first "happenings" with Cage, Cunningham, and others; and finally, back to California, where he would become a strong voice in human rights and environmental campaigns and compose some of the most eclectic pieces of his career.