This book explores the prophetic characteristics of literature, particularly poetry, that seek to reimagine the world in which it is written. Using theological and philosophical insights it charts the relentless impulse of literature to propose alternative visions, practicable or utopian, and point toward possibilities of renewal and change. Drawing from each of the three main Abrahamic religions, as well as Greek and Latin classics, an international group of scholars utilise a diverse range of analytical and interpretive methods to draw out the prophetic voice in poetry. Looking at the writings of figures like T. S. Elliot, Blake, Wittgenstein and Isaiah, the theme of the prophetic is shown to be of timely importance given the current state of geo-political challenges and uncertainties and offers a much-needed critical discussion of these broad cultural questions. This collection of essays offers readers an insight into the constructive power of literature. As such, it will be of great interest to scholars working in Religion and the Arts, Religious Studies, Theology and Aesthetics.

This book explores the much debated relation of language and bodily experience (i.e. the 'flesh'), considering in particular how poetry functions as revelatory discourse and thus relates to the formal horizon of theological inquiry. The central thematic focus is around a 'phenomenology of the flesh' as that which connects us with the world, being the site of perception and feeling, joy and suffering, and of life itself in all its vulnerability. The voices represented in this collection reflect interdisciplinary methods of interpretation and broadly ecumenical sensibilities, focusing attention on such matters as the revelatory nature of language in general and poetic language in particular, the function of poetry in society, the question of Incarnation and its relation to language and the poetic arts, the kenosis of the Word, and human embodiment in relation to the word 'enfleshed' in poetry.

This book explores the prophetic characteristics of literature, particularly poetry, that seek to reimagine the world in which it is written. Using theological and philosophical insights it charts the relentless impulse of literature to propose alternative visions, practicable or utopian, and point toward possibilities of renewal and change. Drawing from each of the three main Abrahamic religions, as well as Greek and Latin classics, an international group of scholars utilise a diverse range of analytical and interpretive methods to draw out the prophetic voice in poetry. Looking at the writings of figures like T. S. Elliot, Blake, Wittgenstein and Isaiah, the theme of the prophetic is shown to be of timely importance given the current state of geo-political challenges and uncertainties and offers a much-needed critical discussion of these broad cultural questions. This collection of essays offers readers an insight into the constructive power of literature. As such, it will be of great interest to scholars working in Religion and the Arts, Religious Studies, Theology and Aesthetics.

This book explores the much debated relation of language and bodily experience (i.e. the 'flesh'), considering in particular how poetry functions as revelatory discourse and thus relates to the formal horizon of theological inquiry. The central thematic focus is around a 'phenomenology of the flesh' as that which connects us with the world, being the site of perception and feeling, joy and suffering, and of life itself in all its vulnerability. The voices represented in this collection reflect interdisciplinary methods of interpretation and broadly ecumenical sensibilities, focusing attention on such matters as the revelatory nature of language in general and poetic language in particular, the function of poetry in society, the question of Incarnation and its relation to language and the poetic arts, the kenosis of the Word, and human embodiment in relation to the word 'enfleshed' in poetry.

The birth of an academic discipline is a rare event. Even more extraordinary is academia's acknowledgment that spirituality has scholarly as well as personal dimensions. Inquiry and dialogue are the essence of this new discipline, as it paves the way toward a deeper understanding of what it means to be human within the Christian faith.

The twenty-five essays in this volume, originally published in either the "Christian Spirituality Bulletin" or "Spiritus: A Journal of Christian Spirituality," offer groundbreaking explorations of Christian spirituality. Arranged under five broad headings, these essays create an insightful dialogue on the questions, methods, and critical approaches implemented by the discipline's top scholars. Topics addressed include the particular intellectual and methodological challenges presented by spirituality as an academic discipline, the self-implicating nature of the study of spirituality, historical perspectives, theological implications, healing as a function of spirituality, and the relationship between aesthetics and spirituality--art and spirit.

Scholars working on either broad or focused themes in spirituality will benefit from this clear and accessible presentation of the salient aspects of the discipline. In their insight and historical and methodological content, these essays provide valuable tools for students and teachers of spirituality and related fields, in their insight and historical and methodological content. This volume speaks to all who practice and study spirituality from any religious or secular perspective, encouraging reflective and open dialogue with one of humanity's major religious traditions.

Contributors: J. Matthew Ashley, Thomas Berry, Mark S. Burrows, Douglas Burton-Christie, Lawrence S. Cunningham, Lisa E. Dahill, Elizabeth A. Dreyer, Mary Frohlich, Belden C. Lane, Elizabeth Liebert, E. Ann Matter, Bernard McGinn, Meredith B. McGuire, Mark McIntosh, Barbara Newman, Walter H. Principe, Don E. Saliers, Sandra M. Schneiders, Philip F. Sheldrake, Jon Sobrino, Wendy M. Wright

This volume marks the first translation of these prayer-poems into English. Originally written in 1899, Rilke wrote them upon returning to Germany from his first trip to Russia. His experience of the East shaped him profoundly. He found himself entranced by Orthodox churches and monasteries, above all by the icons that seemed to him like flames glowing in dark spaces. He intended these poems as icons of sorts, gestures that could illumine a way for seekers in the darkness. As Rilke here writes, "I love the dark hours of my being, for they deepen my senses." Translated by Mark S. Burrows.

Moments of Wonder is the 2nd resource to follow WOW Time. It is a resource full of more children's messages with a "Wow Factor." Moments of Wonder includes 52 MORE theme-based Children's Messages that will connect with every child. The resource is provided in a format that offers messages that are different, fun and totally do-able.

Each section will be broken out into six parts to help make preparation simple and easy. 1. Title of the Children's Moment - something eye-catching and appealing 2. Theme - the main idea or core value being explored 3. Scripture - this would be anything from a full Bible story to an appropriate Bible verse 4. Prepare - materials and any prep-work is covered here 5. Sermon - this is step-by-step guide through the Children's Sermon 6. Closing - the prayer, either responsive, active, unison or sung. This would tie back to the original message."

This book explores the ways that Christians, from the period of late antiquity through the Protestant Reformation, interpreted the Bible according to its several levels of meaning. Using the five bodily senses as an organizing principle, Karlfried Froehlich probes key theological developments, traditions, and approaches across this broad period, culminating in a consideration of the implications of this historical development for the contemporary church. Distinguishing between -principles- and -rules- of interpretation, Froehlich offers a clear and useful way of discerning the fundamental difference between interpretive methods (rules) and the overarching spiritual goals (principles) that must guide biblical interpretation. As a study of roots and reasons as well as the role of imagination in the development of biblical interpretation, Sensing the Scriptures reminds us how intellectually and spiritually relevant the pursuit of a historical perspective is for Christian faith and life today.