This volume brings new depth to the analysis of historical distance by looking at its importance in fields that extend far beyond the usual bounds of history, including psychoanalysis and the visual and performing arts. Its sources include 19th century British sculpture, musical theatre, and late 18th and 19th century fashion plates. The book offers general introductory discussions of how historical distance might best be understood in contemporary historiography, of changing ideals of distance and proximity as they have taken shape in Western thought from the Renaissance to modernity and of historical judgments and their meanings. It includes a range of essays that explore the importance of distance in relation to a number of different problems and periods, including how the use of historical distance as a framework might offer new ways of distinguishing literary fictions from histories, or a new understanding of the changing pattern of biography over the past two centuries. The range of forms and media covered by the essays in this collection greatly expands not only ways of thinking about historical distance, but the nature and meaning of history. By incorporating this wide range of different material and an equally wide range of approaches, the volume gives the discussion of historical distance a new breadth, flexibility and importance.

The idea of distance is one of the defining principles of modern historical method. This volume gives the discussion of historical distance new breadth, flexibility and importance by incorporating diverse modes of representation including photography, sculpture, painting, musical theatre, and fashion.

For this vivid description of the world of a Florentine patrician, Mark Phillips draws on Marco Parenti's private letters, ricordanze or diaries, and public history or memoir. When Cosimo de' Medici died in 1464, Parenti foresaw a return to liberty and began to write a history, but his political hopes and his literary ambitions foundered when the Medici party won a decisive victory over their patrician enemies in 1466. Despite this setback, Parenti's historical Memoir, recently rediscovered by Mark Phillips, is our best witness to this major crisis in Florentine politics.

Originally published in 1989.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"An outstanding book that should attract all readers concerned with eighteenth-century intellectual life and literature. Society and Sentiment's great achievement as a whole is to bring together the period's interest in interiority--evinced, for example, in epistolary and journal fiction, in forms of generic tension and what the author calls 'reframing'--with the wide perspectives of the eighteenth-century 'philosophic' history of manners. In doing so, Phillips's book not only explores past generic instabilities in new ways but also fruitfully transgresses those we ourselves habitually bring to bear on intellectual and cultural history.... The author's nuanced, very lucid, and elegant prose is an essential instrument of the methodological as well as historiographical reappraisal his book offers."--J. W. Burrow, Balliol College, University of Oxford

""Society and Sentiment" is excellent and a pleasure to read; I cannot say how long it has been since I have read a book from which I have learned so much. It is likely to be the standard work for a long time on the history of history writing in the late eighteenth and early nineteenth centuries. Demonstrating considerable knowledge about a great variety of texts, and a superior grasp of the principles and theories of history writing during this period, Mark Phillips offers an account both of the many ways history was then written and an analysis of why those directions took place."--J. Paul Hunter, The University of Chicago

""Society and Sentiment" is a demanding, complex, nuanced, and erudite study employing a number of texts that should appeal to scholars of both history and literature . ."--Richard A. Voeltz

For this vivid description of the world of a Florentine patrician, Mark Phillips draws on Marco Parenti's private letters, ricordanze or diaries, and public history or memoir. When Cosimo de' Medici died in 1464, Parenti foresaw a return to liberty and began to write a history, but his political hopes and his literary ambitions foundered when the Medici party won a decisive victory over their patrician enemies in 1466. Despite this setback, Parenti's historical Memoir, recently rediscovered by Mark Phillips, is our best witness to this major crisis in Florentine politics. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The dominant visual language of European painting from the Renaissance to the nineteenth century, history paintings were formidable in their monumental scale, ambitious moral lessons, and intricate narratives. With the rise of modernist avant-gardes, the genre receded from the forefront of artistic production into the realm of nostalgia. Yet history painting cast a shadow that would subtly colour even the works that sought to displace it. Exploring the resilience of this distinctive mode of visual representation, What Was History Painting and What Is It Now? brings together an internationally distinguished group of scholars to trace the endurance, adaptation, and mutation of history painting. These studies offer a reexamination of the fortunes of the genre from North America to Europe and Africa. Organized around illuminating themes, the book explores the creation of an audience attuned to the genre's didactic aims, the entry of history painting into the marketplace of commercial art and attractions, and the reimagination of the mode in response to the edicts of modern and contemporary art. Spanning the full range and diversity of history painting, this collection is a broad reconsideration of the tradition and the vibrant ways in which it resonates through the art of the present.