Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Golden Age of Spanish drama extends from the close of the 15th century to the death of Calderon in 1681. During that time, the humanists, as dramatists, followed Italy's artistic awakening direction, and imitated Classical drama. With originality and dreams of greatness, they subverted the nature of tragedy; modified the approach of Comedy and invented the New Play, the Comedia Nueva. In it the poet-dramatists introduced important modificaitons of realism, included imagined reality, Christian symbolism and theatricality, as artistic truth. They elaborate all kinds of syntheses. For this reason, the Spanish Golden Age theater can be viewed as part of a tradition that includes the Greco-Roman comedy and tragedy, Christian tragedy, and the authentic national literary and dramatic tendencies. The entries in this reference book explore the fascinating history of the Golden Age of Spanish drama. The volume begins with an introductory overview of the literary, cultural, and historical contexts that shaped dramatic writing of the period. The book then presents alphabetically arranged essays for nineteen significant Spanish dramatists of the Golden Age. Each essay is written by an expert contributor and includes biographical information, an analysis and evaluation of major works, a discussion of critical response to the plays, and an extensive bibliography of primary and secondary sources. The volume closes with a selected general bibliography of central critical studies of Golden Age Spanish drama.

Since its Golden Age, Spanish drama has evolved in considerably unintended and unexpected ways with the contemporary playwrights of any present time engaging in experimental forms and treating current political issues intended to modernize, reformulate, and re-conceptualize the State and the stage. This reference includes alphabetically arranged entries on 33 Spanish dramatists from the eighteenth century to the present. Some of these figures have been translated, anthologized, and studied for centuries; others remain known chiefly to specialists; still others are active in contemporary theater and draw critical interest for their innovative work.

Each of the entries is written by an expert contributor and provides an overview of the dramatist's life and art. Each includes a brief biography; a discussion of works, themes, and dramaturgy; an overview of the critical and scholarly response to the playwright's productions; and primary and secondary bibliographies. As a whole, the volume highlights trends, movements, and historical contexts related to modern Spanish drama. A lengthy introductory essay overviews the history and development of Spanish drama since the Golden Age, and extensive bibliographies conclude the work.

1891: The rich, aristocratic Fairbairn family have occupied Lochlee Castle in Argyllshire for the past five hundred years. The present head of the family, the Earl of Rothbury, is celebrating joyous times with the engagement of his second daughter, Laura. Joined by his wife, two sons, and eight other daughters, all seems set for a happy future for the Fairbairns, until someone with a grudge against the Earl visits the nearby Rowen Tree, which the Scots believe to hold magical powers, and curses the family, wishing them all appalling unhappiness. Soon it seems the whole family is doomed, with tragedy and heartbreak around every corner. Can the surviving Fairbairns show bravery in adversity and carve out happy and successful lives, against all odds?

First published in 2005, this timely volume challenges those who see faith schools as contributing positively to the well-being of society and responding to parent choice to think through the implications of September 11 for our multi-ethnic and multi-faith society without taking a position on the ultimate necessity of faith schools. The authors conducted research in several faith-based schools representative both of older religious traditions in England and Wales, and of those which have been more recently established. The focus was on state-funded faith-based schools, but a range were visited to provide an overview of issues facing all faith-based schools, as well as those specific to newly funded institutions.

A pioneer in the fields of organizational theory and behaviour Mary Parker Follett authored a number of books and numerous essays, articles and speeches on human relations, political philosophy, psychology and management. The first woman invited to address the London School of Economics, this book includes five lectures delivered to the newly-formed Department of Business Administration at the LSE in 1933, as well as six given by Parker Follett a the Taylor Society in New York in 1926.

A pioneer in the fields of organizational theory and behaviour Mary Parker Follett authored a number of books and numerous essays, articles and speeches on human relations, political philosophy, psychology and management. The first woman invited to address the London School of Economics, this book includes five lectures delivered to the newly-formed Department of Business Administration at the LSE in 1933, as well as six given by Parker Follett a the Taylor Society in New York in 1926.

In this dazzling stand-alone sequel to The Fairbairn Girls, a new generation of the Fairbairn family must confront - and overcome - life's difficulties as war looms. 1913: The aristocratic Fairbairns are reunited for Christmas when Lady Rothbury's daughter Diana invites the whole family to her estate. Laura, now a successful dressmaker, is the first to arrive with her daughter, Caroline, followed by Lady Rothbury, her five other daughters and their families. But as the New Year approaches, the family's happy reunion is about to be shattered. Affairs, war and tragedy are all on the horizon for the Fairbairn girls, who must negotiate new heartbreak and hardship. Will Caroline, who shows great talent as a ballet dancer, find her moment to shine? Are separations as irrevocable as they appear? Love, loss, forgiveness and joy thread through the lives of the Fairbairn family - but who will get their happy ending?

This is the enthralling new novel from a bestselling storyteller. When beautiful debutante Cathryn Brocklehurst meets dashing aristocrat Nicolas Abingdon, it is love at first sight, even though he is some twenty years older than her. Cathryn's parents are vehemently against the match, for Nicolas has been married before. The besotted couple defy parental opposition and society's disapproving whispers to wed, but their happiness is short-lived. The body of a young child is found in woodland on the Abingdon estate, stirring memories of the mysterious disappearance of a laundry-woman's daughter. As police and press descend upon Buckland Place, long-buried grudges and simmering family feuds come to the surface, threatening all that Cathryn holds most dear.