A vivid social and oral history of an isolated village in the Fens, Mary Chamberlain's book provides a unique portrait of East Anglian life.

This anthology represents important and original directions in the study of Caribbean migration. It takes a comparative perspective on the Caribbean people's migratory experiences to North America, Europe, and within the Caribbean. Using a multi-disciplinary approach, the book discusses: the causes of migration; the experiences of migrants; the historical, cultural and political processes; issues of gender and imperialism; and the methodology of migration studies, including oral history.

'The Forgotten is an utterly absorbing novel... The devastation of Berlin in 1945 is powerfully portrayed through the eyes of the women who are caught between the conquering forces.' Jennifer Saint, author of Ariadne How do you rebuild a life from the ashes of despair? London 1958. Twenty-six-year-old Betty Fisher is one of the first to join the Campaign for Nuclear Disarmament and attend its inaugural meeting, where she meets John Harris. Posted to Berlin towards the end of the war, John has been left traumatised by his experiences in Germany. And, as his initial admiration for Betty shifts into an overwhelming need to protect her, he is plagued by flashbacks and fantasies. John's increasing fragility brings to the surface Betty's own memories. And soon her past, too, begins to unravel...

In this original and compelling book, Mary Chamberlain explores the nature and meaning of migration for Barbadians who migrated to Britain and elsewhere. It is a unique oral and social history, based on life-story interviews across three or more generations of Barbadian families. Locating migration within the contemporary debate on modernity, Narratives of Exile and Return highlights the continuing role of migration in shaping the culture and history of Barbados. But it does more by providing post-modern theorizing with concrete national and ethnic settings.

"Empire and Nation-building in the Caribbean" is an original and exciting book that examines the processes of nation building in the British West Indies.  It argues that nation building was a more complex and messy affair, involving women and men in a range of social and cultural activities, in a variety of migratory settings, within a unique geo-political context. Taking as a case study Barbados which, in the 1930s, was the most economically impoverished, racially divided, socially disadvantaged and politically conservative of the British West Indian colonies, Empire and Nation-Building  tells the messy, multiple stories of how a colony progressed to a nation. It is the first book to tell all sides of the independence story and will be of interest to specialists and non-specialists interested in the history of Empire, the Caribbean, of de-colonization and nation building.

Joan, once a singing star of the 1940s and 1950s, now ekes out a lonely, impoverished existence - until a chance encounter promises a come-back concert and an album. Her sister Kathleen is a successful medical researcher who has been offered the directorship of a prestige institute in Los Angeles in her retirement but is facing divorce after her husband's affair. In their old age, Joan and Kathleen draw closer together. Until a figure from Joan's past threatens everything they've built. As the sisters excavate the lies that bound them together, a more profound truth threatens to drive them apart. Set in three time frames, the novel unravels the sisters' lives as choices past and present collide.

Any life story, whether a written autobiography or an oral testimony, is shaped not only by the reworkings of experience through memory and re-evaluation, but also art. Any communication has to use shared conventions not only of language itself but also the more complex expectations of 'genre': of the forms expected within a given context and type of communication. This collection of essays by internationl academics draws on a wide range of disciplines in the social sciences and the humanities to examine how far the expectations and forms of genre shape different kinds of autobiography and influence what messages they can convey. After investigating the problem of genre definition, and tracing the evolution of genre as a concept, contributors explore such issues as: * How far can we argue that what people narrate in their autobiographical stories is selected and shaped by the reportoire of genre available to them? * To what extent is oral autobiography shaped by its social and cultural context? * What is the relationship between autobiographical sources and the ethnographer? Narrative and Genre presents exciting new debates in an emerging field and will encourage international and interdisciplinary debate. Its authors and contributors are scholars from the fields of anthropology, cultural studies, literary analysis, psychoanalysis, social history, and sociology.

Colonial social policy in the British West Indies from the nineteenth century onward assumed that black families lacked morals, structure, and men, a void that explained poverty and lack of citizenship. African-Caribbean families appeared as the mirror opposite of the "ideal" family advocated by the white, colonial authorities. Yet contrary to this image, what provided continuity in the period and contributed to survival was in fact the strength of family connections, their inclusivity and support. This study is based on 150 life story narratives across three generations of forty-five families who originated in the former British West Indies. The author focuses on the particular axes of Caribbean peoples from the former British colonies of Jamaica, Trinidad and Tobago and Barbados, and Great Britain. Divided into four parts, the chapters within each present an oral history of migrant African-Caribbean families, demonstrating the varieties, organization, and dynamics of family through their memories and narratives. It traces the evolution of Caribbean life; argues how the family can be seen as the tool that helps transmit and transform historical mentalities; examines the dynamics of family life; and makes comparisons with Indo-Caribbean families. Above all, this is a story of families that evolved, against the odds of slavery and poverty, to form a distinct Creole form, through which much of the social history of the English-speaking Caribbean is refracted. "Family Love in the Diaspora" offers an important new perspective on African-Caribbean families, their history, and the problems they face, for now and the future. It offers a long overdue historical dimension to the debates on Caribbean families. "Mary Chamberlain" is professor of modern social history at Oxford Brookes University, in the United Kingdom. She is co-editor of the Transaction Memory and Narrative series, which now has nineteen volumes in print.

Colonial social policy in the British West Indies from the nineteenth century onward assumed that black families lacked morals, structure, and men, a void that explained poverty and lack of citizenship. African-Caribbean families appeared as the mirror opposite of the "ideal" family advocated by the white, colonial authorities. Yet contrary to this image, what provided continuity in the period and contributed to survival was in fact the strength of family connections, their inclusivity and support. This study is based on 150 life story narratives across three generations of forty-five families who originated in the former British West Indies. The author focuses on the particular axes of Caribbean peoples from the former British colonies of Jamaica, Trinidad and Tobago and Barbados, and Great Britain. Divided into four parts, the chapters within each present an oral history of migrant African-Caribbean families, demonstrating the varieties, organization, and dynamics of family through their memories and narratives. It traces the evolution of Caribbean life; argues how the family can be seen as the tool that helps transmit and transform historical mentalities; examines the dynamics of family life; and makes comparisons with Indo-Caribbean families. Above all, this is a story of families that evolved, against the odds of slavery and poverty, to form a distinct Creole form, through which much of the social history of the English-speaking Caribbean is refracted. "Family Love in the Diaspora" offers an important new perspective on African-Caribbean families, their history, and the problems they face, for now and the future. It offers a long overdue historical dimension to the debates on Caribbean families. "Mary Chamberlain" is professor of modern social history at Oxford Brookes University, in the United Kingdom. She is co-editor of the Transaction Memory and Narrative series, which now has nineteen volumes in print.

In this original and compelling book, Mary Chamberlain explores the nature and meaning of migration for Barbadians who migrated to Britain and elsewhere. It is a unique oral and social history, based on life-story interviews across three or more generations of Barbadian families. Locating migration within the contemporary debate on modernity, Narratives of Exile and Return highlights the continuing role of migration in shaping the culture and history of Barbados. But it does more by providing post-modern theorizing with concrete national and ethnic settings.

Chamberlain investigates the power of social and individual memory in recalling and recounting experience, and in molding and interpreting culture. It reveals the vitality of family dynamics and values in fashioning life courses and the ways in which these are transmitted and transformed across the generations. It analyzes how the "Mother Country" was encountered and incorporated, and how the continuing presence of the Caribbean contributes to the identities of those born or brought up in Britain.

In reclaiming these narratives of exile and return, this book challenges and exposes, in an exciting and innovative way, those orthodox views that explain Caribbean migration through the labor demands of international capital or the vagaries of the home economy. Accompanied in Part II by the edited transcripts of three generations of five Barbadian families, Narratives of Exile and Return makes a pioneering contribution to studies of migration and to the social history of the Caribbean. It reaches to the heart of the migrant experience and is a fitting tribute to the power of oral testimony as historical source.

Any life story, whether a written autobiography or an oral testimony, is shaped not only by the reworkings of experience through memory and re-evaluation, but also art. Any communication has to use shared conventions not only of language itself, but also the more complex expectations of "genre", of the forms expected within a given context and type of communication. This collection of essays by international academics draws on a wide range of disciplines in the social sciences and humanities to examine how far the expectations and forms of genre shape different kinds of autobiography and influence what messages they can convey. After investigating the problem of genre definition and tracing the evolution of genre as a concept, contributors explore such questions as: how far can we argue that what one includes in an autobiography is contingent upon the variety of genres available; to what extent is oral autobiography shaped by its social and cultural context; and what is the relationship between autobiographical sources and the ethnographer?

This anthology represents important and original directions in the study of Caribbean migration. It takes a comparative perspective on the Caribbean people's migratory experiences to North America, Europe, and within the Caribbean. Using a multi-disciplinary approach, the book discusses: * the causes of migration * the experiences of migrants * the historical, cultural and political processes * issues of gender and imperialism * the methodology of migration studies, including oral history.

Her heart died in the war can she breathe new life to it?

Dora Simon and Joe O Cleary live in separate countries, accepting of their twilight years. But their monochrome worlds are abruptly upended by the arrival of Barbara Hummel, who is determined to identify the mysterious woman whose photograph she has found among her mother s possessions.

Forced to confront a time they thought buried in the past, Dora and Joe s lives unravel and entwine. For, trapped on the Channel Islands under the German occupation in the Second World War, Dora, a Jewish refugee, had concealed her identity; while Joe, a Catholic priest, kept quite another secret...

This is a story of love and betrayal, shame and survival. But can a speck of light diffuse the darkest shadows of war?

A compendium of remedies and cures handed down from mother to daughter from the beginning of time, this work presents a challenge to orthodox medicine and a history of female wisdom which goes back to the earliest times. What are old wives' tales? Where do they come from? It answers these questions, and more.

'The Forgotten is an utterly absorbing novel... The devastation of Berlin in 1945 is powerfully portrayed through the eyes of the women who are caught between the conquering forces.' Jennifer Saint, author of Ariadne How do you rebuild a life from the ashes of despair? London 1958. Twenty-six-year-old Betty Fisher is one of the first to join the Campaign for Nuclear Disarmament and attend its inaugural meeting, where she meets John Harris. Posted to Berlin towards the end of the war, John has been left traumatised by his experiences in Germany. And, as his initial admiration for Betty shifts into an overwhelming need to protect her, he is plagued by flashbacks and fantasies. John's increasing fragility brings to the surface Betty's own memories. And soon her past, too, begins to unravel...

This is the first book to explore and evaluate the potential of museum and gallery spaces and partnerships for art therapy. Showcasing approaches by well-known art therapists, the edited collection contains descriptions of, and reflections on, art therapy in museums and galleries around the globe. Case studies encompass a broad range of client groups, including people with dementia, refugees and clients recovering from substance abuse, exploring the therapeutic skills required to work in these settings. The collection also establishes the context for art therapy in museums and galleries through reviewing key literature and engaging with the latest research, to consider wider perspectives on how these spaces inform therapeutic practice. Offering a comprehensive look at ways in which these locations enable novel and creative therapeutic work, this is an essential book for art therapists, arts and health practitioners and museum professionals.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Originally intending to produce the first comprehensive scholarly reference guide to the antecedents, practices, and theory of oral history, the editors have gone even further, creating a highly readable and useful tool for scholars, students, and the general public. Covering the vast scope of this increasingly popular field, the eminent contributors discuss almost every aspect of a field that once was the province of historians but now has become increasingly democratized and available across numerous disciplines.

A companion to History of Oral History, Thinking about Oral History presents parts III and IV of Handbook of Oral History, an essential resource for scholars and students. Guided by Charlton, Myers, and Sharpless, the prominent authors capture the current state-of-the-art in oral history and predict key directions for future growth in theory and application.