For most people, the US suffrage campaign is encapsulated in images of orators such as the tightly coifed Susan B. Anthony, the wimpled Elizabeth Cady Stanton, and others who hectored for women's rights throughout the nineteenth century. The campaign to secure the vote for US women, however, was also a modern and print-cultural phenomenon, waged with humor, style, and creativity. In this fascinating cultural history, Mary Chapman demonstrates the importance of the aesthetically innovative print culture produced by US suffragists in the two decades leading up to the passage of the 19th Amendment, seven decades after women's rights activists first met at Seneca Falls. A century before the advent of "social media", suffragists mobilized the masses [fashioned a "suffragist spring" through creative forms of propaganda including advocacy journals, guest-edited mainstream magazines, banners, voiceless speech placards, publicity stunts, poetry, and fiction. These propaganda forms made the public sphere much more inclusive even as they also perpetuated an image of the suffragist New Woman as native-born, white, and middle-class. Making Noise, Making News also understands modern suffragist print culture as a demonstrable link between the Progressive Era's political campaign for a voice in the public sphere and Modernism's aesthetic efforts to re-imagine literary voice. Chapman charts a relationship between modern suffragist print cultural "noise" and what literary modernists understood by "making it new!", asserting that the experimental tactics of US suffrage print culture contributed to, and even anticipated, the formal innovations of US literary modernism. Drawing on little-known archives and featuring over twenty visually stunning illustrations, Making Noise, Making News provides startling documentation of Marianne Moore's closeted career as a suffrage propagandist, the persuasive effects of Algonquin Table's Alice Duer Miller's popular poetry column, Asian-American author Sui Sin Far's challenge to the racism and classism of modern suffragism, and Gertrude Stein's midcentury recognition of intersections between suffrage discourse and literary modernism.

Research into the geological processes operating on Mars relies on interpretation of images and other data returned by unmanned orbiters, probes and landers. Such interpretations are based on our knowledge of processes occurring on Earth Terrestrial analog studies therefore play an important role in understanding the geological features observed on Mars. This 2007 book presents direct comparisons between locales on Earth and Mars, and contains contributions from leading planetary geologists to demonstrate the parallels and differences between these two neighboring planets. Mars is characterized by a wide range of geological phenomena that also occur on Earth, including tectonic, volcanic, impact cratering, eolian, fluvial, glacial and possibly lacustrine and marine processes. The book provides terrestrial analogs for data sets from Mars Global Surveyor, Mars Odyssey, Mars Exploration Rovers and Mars Express, and will therefore be a key reference for students and researchers of planetary science.

For most people, the U.S. suffrage campaign is encapsulated by images of iconic nineteenth-century orators like the tightly coifed Susan B. Anthony or the wimpled Elizabeth Cady Stanton. However, as Mary Chapman shows, the campaign to secure the vote for U.S. women was also a modern and print-cultural phenomenon, waged with humor, creativity, and style. Making Noise, Making News also understands modern suffragist print culture as a demonstrable link between the Progressive Era's political campaign for a voice in the public sphere and Modernism's aesthetic efforts to re-imagine literary voice. Chapman charts a relationship between modern suffragist print cultural "noise" and what literary modernists understood by "making it new," asserting that the experimental tactics of U.S. suffrage print culture contributed to, and even anticipated, the formal innovations of U.S. literary modernism. Drawing on little-known archives and featuring over twenty illustrations, Making Noise, Making News provides startling documentation of Marianne Moore's closeted career as a suffrage propagandist, the persuasive effects of Alice Duer Miller's popular poetry column, Asian-American author Sui Sin Far's challenge to the racism and classism of modern suffragism, and Gertrude Stein's midcentury acknowledgement of intersections between suffrage discourse and literary modernism.

Brown is often called the first American novelist. Originally published in 1799, Ormond was inspired by enlightenment philosophers and Gothic writers. The novel engages with many of the period's popular debates about women's education, marriage, and the morality of violence, while the plot revolves around the Gothic themes of seduction, murder, incest, impersonation, romance and disease. Set in post-revolutionary Philadelphia, Ormond examines the prospects of the struggling nation by tracing the experiences of Constantia, a young virtuous republican who struggles to survive when her father's business is ruined by a confidence man, and her friends and neighbors are killed by a yellow fever epidemic.

"["Sentimental Men] advances our understanding of American culture with contributions of original and often superior research that come together as an interdisciplinary conversation about sentimentalism and masculinity."--Charles Berryman, author of "Decade of Novels

"["Sentimental Men] makes a substantial contribution to the ongoing theoretical, historical, and critical project of reassessing sentimental discourse. Like the best of the recent work in this field, this anthology of essays does not merely celebrate what had formerly been execrated by professional readers, but it undertakes to understand the reasons behind celebration and execration alike. More centrally, it endeavors to reveal the 'cultural work' that sentimentalism does, and continues to do, in the overlapping spheres of art and culture."--Katherine Snyder, University of California, Berkeley

Research into the geological processes operating on Mars relies on interpretation of images and other data returned by unmanned orbiters, probes and landers. Such interpretations are based on our knowledge of processes occurring on Earth Terrestrial analog studies therefore play an important role in understanding the geological features observed on Mars. This 2007 book presents direct comparisons between locales on Earth and Mars, and contains contributions from leading planetary geologists to demonstrate the parallels and differences between these two neighboring planets. Mars is characterized by a wide range of geological phenomena that also occur on Earth, including tectonic, volcanic, impact cratering, eolian, fluvial, glacial and possibly lacustrine and marine processes. The book provides terrestrial analogs for data sets from Mars Global Surveyor, Mars Odyssey, Mars Exploration Rovers and Mars Express, and will therefore be a key reference for students and researchers of planetary science.