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Artistic Citizenship asks the question: how do people in the
creative arts prepare for, and participate in, civic life? This
volume, developed at NYU 's Tisch School, identifies the question
of artistic citizenship to explore civic identity the role of the
artist in social and cultural terms.
With contributions from many connected to the Tisch School
including: novelist E.L. Doctorow, performance artist Karen Finley,
theatre guru Richard Schechner, and cultural theorist Ella Shohat,
this book is indispensable to anyone involved in arts education or
the creation of public policy for the arts.
Artistic Citizenship asks the question: how do people in the
creative arts prepare for, and participate in, civic life? This
volume, developed at NYUa (TM)s Tisch School, identifies the
question of artistic citizenship to explore civic identity a " the
role of the artist in social and cultural terms.
With contributions from many connected to the Tisch School
including: novelist E.L. Doctorow, performance artist Karen Finley,
theatre guru Richard Schechner, and cultural theorist Ella Shohat,
this book is indispensable to anyone involved in arts education or
the creation of public policy for the arts.
One of the most important and underappreciated visual artists of
the twentieth century, Romare Bearden started as a cartoonist
during his college years and emerged as a painter during the 1930s,
at the tail end of the Harlem Renaissance and in time to be part of
a significant community of black artists supported by the WPA.
Though light-skinned and able to "pass, " Bearden embraced his
African heritage, choosing to paint social realist canvases of
African-American life. After World War II, he became one of a
handful of black artists to exhibit in a private gallery-the
commercial outlet that would form the core of the American art
world's post-war marketplace. Rejecting Abstract Expressionism, he
lived briefly in Paris. After he suffered a nervous breakdown,
Bearden returned to New York, turning to painting just as the civil
rights movement was gaining ground with the 1954 Brown v. Board of
Education and the Montgomery bus boycott. By the time of the March
on Washington in 1963, Bearden had begun to experiment with
collage-or Projection, as he called it-the medium for which he
would ultimately become famous. In An American Odyssey, Mary
Schmidt Campbell offers readers an enlightening analysis of
Bearden's influences and the thematic focus of his mature work.
Bearden's work provides an exquisite portrait of memory and the
African American past; according to Campbell, it also offers a
record of the narrative impact of visual imagery in the twentieth
century, revealing how the emerging popularity of photography, film
and television depicted African Americans during their struggle to
be recognized as full citizens of the United States.
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Tommy Turtle (Paperback)
Mary Schmidt, Michael Schmidt; Illustrated by Mary L Schmidt
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R449
R412
Discovery Miles 4 120
Save R37 (8%)
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Ships in 18 - 22 working days
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Diplomarbeit aus dem Jahr 2008 im Fachbereich Geowissenschaften /
Geographie - Bevolkerungsgeographie, Stadt- u. Raumplanung, Note:
1,5, Humboldt-Universitat zu Berlin (Geographisches Institut),
Sprache: Deutsch, Abstract: Viele der einst als Arbeitsmigranten
aus der Turkei zugewanderten Personen sind mittlerweile alter als
60 Jahre und werden zu Rentnern, die nach und nach in ein Alter
kommen, in welchem die Pflegebedurftigkeit zunimmt. Diese
Entwicklung wurde bereits in den 1980er Jahren absehbar. Dennoch
hat die Aufnahmegesellschaft diesem Sachverhalt lange Zeit wenig
Beachtung geschenkt. Somit gibt es bisher wenig
Altenpflegeangebote, die turkischen Mitburgern ermoglichen, einen
ihrer Kultur und ihren individuellen Bedurfnissen entsprechenden
Lebensabend zu verbringen. Die ersten turkischen Arbeitsmigranten,
welche die Pflegebedurftigkeit erreichen, stellen nun die Pioniere
des Altwerdens in der Fremde" dar (SEN; TUFAN 2001, S.1). Daraus
leitet sich die Fragestellung ab, ob die Altenpflegeangebote in
Berlin darauf vorbereitet sind, dass sogenannte Gastarbeiter nun zu
Rentnern werden, welche hier ihren Ruhestand verleben mochten und
versorgt werden mussen. Wie sehen die Bedurfnisse der ersten
Generation aus, wenn sie pflegebedurftig werden? Werden diese in
einer deutschen Pflegeeinrichtung ausreichend berucksichtigt und
unterscheidet sich der Pflegebedarf von dem einheimischer Personen,
so dass eine Reaktion der Pflegeeinrichtungen erforderlich ist?
Gegenstand der Untersuchung ist der Pflegebedarf und die Situation
der Betreuung alterer turkischer Migranten in Berlin. Im ersten
Teil wird die Situation der in Berlin lebenden alteren turkischen
Bevolkerung analysiert. Im darauf folgenden Teil wird der
spezifische Bedarf und die Betreuung dieser Personengruppe sowie
erforderliche Reaktionen mit Hilfe von Experteninterviews
ermittelt. Die Experteninterviews geben ausserdem daruber
Aufschluss, wie die Pflegesituation turkischstammiger Personen fur
die Zukunft ei
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