This extensively illustrated volume focuses on William Morris (1834-1896), placing his wallpaper designs within the context of the radical changes in taste witnessed during the Victorian era. Against a backdrop of the fanciful, naturalistic patterns that typified fashionable papers in Morris's youth, the impact of the Reform Movement of the mid-19th century is underscored, particularly the reformers' crusade against such multi-coloured ornamental decoration. Instead, the insistence on the concepts of honesty and propriety as promoted by A. W. N. Pugin and Owen Jones, are demonstrated as influences on Morris. The role of imported Japanese wallpapers is also explored, giving insight into a seldom-discussed cultural exchange evidenced within the story of Morris & Co, which produced wallpapers from 1864 until 1940 and, after a post-war hiatus, from the 1960s to the present. Amplifying Morris's role in the creation of an influential and lasting style, his work is set within a selection by other designers, including Christopher Dresser and C. F. A. Voysey. Also introduced are firms of significance including Jeffrey & Co. and Arthur Sanderson & Sons, both of whom block-printed the Morris wallpapers. In a highly visual presentation, what is revealed are influences across time and within a global context, as pertinent to the creation of wallpaper art in the 19th century as it is today.

Textiles are the most ubiquitous, diverse, and consistently creative art form on the planet. This major new work comprises more than one thousand images that highlight the beauty, subtlety, simplicity, or complexity of textiles created around the world. Based on knowledge accrued over a lifetime of immersion in the textile arts, Mary Schoeser s definitive text offers sweeping insight into the role that textiles have played throughout human civilization. The juxtaposition of historical and contemporary examples highlights the skill and imagination of textile designers through the centuries as well as the remarkable range of achievements. Detailed images and informed captions illustrate the variety and allure of textiles, and the informative descriptions include histories of private collections, underscoring the importance of context for appreciating the exquisite detail of fabric and cloth. An extensive resource section provides valuable information about museum and textile associations across the globe."

An updated edition of this indispensable reference, surveying the history of textiles from 25,000 years ago to the present. The history of textiles, more than that of any other artefact, is a history of human ingenuity. From the very earliest needles of 50,000 years ago to the smart textiles of today, textiles have been fundamental to human existence, and enjoyed, prized and valued by every culture. Silks from China, cottons from India, tapestries from Flanders, dyes from South America - the appeal of different weaves, colours and patterns was long a motivation for trade, the exchange of ideas and sometimes even war. Mary Schoeser's groundbreaking book, now revised and updated to incorporate new research, presents a chronological survey of textiles around the world from prehistory to the present. It explores how they are made, what they are made from, how they function in society and the ways in which they are valued and given meaning as well as reflecting on the environmental challenges they present today. World Textiles offers an invaluable introduction to this vast and fascinating subject for makers, designers, textile and fashion professionals, collectors and students alike.

Celebrating decades of achievement by one of the foremost names in British fashion, whose vitality and influence continue to shine Zandra Rhodes provides a luscious documentary of this leading British designer, spanning her 50-year career in fashion and textile design. The book showcases not only Rhodes's work but also her vivid personality and creative energy. Both a fashion trailblazer and a consummate textile designer, she has influenced the work of contemporary labels such as Mary Katrantzou and Alice Temperley. The book honors the centrality of textile design in Rhodes's work, while exploring the versatility of her imagination throughout her long career; contributors include Pierpaolo Piccioli (creative director of Valentino), Suzy Menkes (editor of Vogue International), and celebrated fashion designers Anna Sui and Rajeev Sethi. It also commemorates the 50th anniversary of the house of Zandra Rhodes, a British-owned and -made brand, and Rhodes's successful establishment of the Fashion and Textile Museum in London. Published in association with the Fashion and Textile Museum, London Exhibition Schedule: Fashion and Textile Museum, London (September 27, 2019-January 26, 2020)

Exploring the origins and lasting significance of a dynamic, subversive, and interactive art form This is the first publication to consider art to wear, also known as wearable art, as a discrete American movement that mirrored the cultural, political, social, and spiritual concerns of a generation that came of age in the late 1960s and 1970s. Trained primarily in the fine arts, they adopted nontraditional forms, materials, and techniques to create works using the body as an armature. Collectively, these practitioners have had a significant but underrecognized impact on art making and education. Their legacy continues today among younger artists who have embraced multimedia forms of expression. Rich archival and newly commissioned photography bring to life one-of-a-kind work by more than 75 artists, including Gaza Bowen, Jean Cacicedo, Marian Clayden, Ben Compton, Marika Contompasis, Nicki Hitz Edson, Tim Harding, Sharron Hedges, Ana Lisa Hedstrom, Nina Vivian Huryn, Whitney Kent, Ina Kozel, Susanna Lewis, Janet Lipkin, K. Lee Manuel, Linda Mendelson, Norma Minkowitz, Anna VA Polesny, Debra Rapoport, Mario Rivoli, Dina Knapp, Joan Steiner, Arlene Stimmel, Jamie Summers, JoEllen Trilling, and Katherine Westphal. Off the Wall provides a detailed introduction to art to wear between 1967 and 1997 and elucidates the movement's origins by linking it to developments in the arts of the period, from fiber art to painting. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (November 8, 2019-May 17, 2020)

The first major publication to explore the prolific career of Kaffe Fassett, one of the most recognized names in contemporary craft and design Kaffe Fassett (b. 1937) is one of the most recognized names in contemporary craft and design with work encompassing knitting, needlepoint, quilting, textile design, mosaic, painting, and drawing. Fassett's sense of color and pattern has inspired makers around the world; his early successes include knitwear designs for fashion designers such as Bill Gibb and Missoni, and in more recent years he has collaborated with the luxury fashion house Coach. His inimitable eye can translate the most everyday of details into the basis for one of his colorful, sophisticated, maximalist designs. This book explores Fassett's career and work in context for the first time, highlighting and widening the scope of his output over more than five decades. Drawing on original artworks, photographs, and archival material, it illuminates the work of this distinctive, influential artist and designer. Essays from design and fashion historians sit alongside striking visual material and insightful interviews with Fassett that provide additional context about this prolific artist. Published in association with the Fashion and Textile Museum Exhibition Schedule: Fashion and Textile Museum, London (September 23, 2022-March 12, 2023) Dovecot Studios, Edinburgh (March 31-July 8, 2023) Millesgarden Museum, Sweden (September 2023-February 2024)