Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

New and better than ever, Launching the Imagination treats design as both a verb and a noun - as both a process and a product. Design is deliberate - a process of exploring multiple solutions and choosing the most promising option. Through an immersion in 3-D concepts students are encouraged to develop methods of thinking visually that will serve them throughout their studies and careers. Building on strengths of the previous five editions Launching the Imagination 6e is even more: Concise. Content has been refined so that maximum content can be communicated as clearly and concisely as possible. Colorful. In addition to the full color used throughout the book, the writing is livelier than that in most textbooks. Analogies expand communication, and every visual example has been carefully selected for maximum impact. Comprehensive. Launching the Imagination is the only foundational text with full sections devoted to critical and creative thinking and to time-based design. The photo program is global, represents a myriad of stylistic approaches, and prominently features design and media arts as well as more traditional art forms. Contemporary. More than half of the visual examples represent artworks completed since 1970, and over 100 represent works completed since 2000 Compelling. Interviews with exemplars of creativity have always been an important feature of this book. Three of the best past profiles have been revised and a new profile has been added. Now inserted into the body of the text, each interview deliberately builds on its chapter content. In Chapter Five, designer Steve Quinn describes the seven-step sequence he uses in developing websites, logos, and motion graphics. In Chapter 8, Jim Elniski describes The Greenhouse Chicago, an innovative home that is both highly energy efficient and elegant. In Chapter 11, ceramicist David MacDonald describes his influences and work process. And, in the new profile in Chapter 6, artist Sara Mast describes an ambitious art and science collaboration begun in celebration of the ideas of Albert Einstein. Almost fifty new images have been added, representing major contemporary artists and designers including Wolfgang Buttress, Do Ho Suh, Garo Antresian, Janet Ballweg, Phoebe Morris, Alain Cornu, and Natalya Zahn.

New and better than ever, Launching the Imagination treats design as both a verb and a noun-as both a process and a product. Design is deliberate-a process of exploring multiple solutions and choosing the most promising option. Through an immersion in 2-D 3-D and 4-D concepts students are encouraged to develop methods of thinking visually that will serve them throughout their studies and careers. Building on strengths of the previous five editions Launching the Imagination 6e is even more: Concise. Content has been refined so that maximum content can be communicated as clearly and concisely as possible. Colorful. In addition to the full color used throughout the book, the writing is livelier than that in most textbooks. Analogies expand communication, and every visual example has been carefully selected for maximum impact. Comprehensive. Launching the Imagination is the only foundational text with full sections devoted to critical and creative thinking and to time-based design. The photo program is global, represents a myriad of stylistic approaches, and prominently features design and media arts as well as more traditional art forms. Contemporary. More than half of the visual examples represent artworks completed since 1970, and over 100 represent works completed since 2000 Compelling. Interviews with exemplars of creativity have always been an important feature of this book. Three of the best past profiles have been revised and a new profile has been added. Now inserted into the body of the text, each interview deliberately builds on its chapter content. In Chapter Five, designer Steve Quinn describes the seven-step sequence he uses in developing websites, logos, and motion graphics. In Chapter 8, Jim Elniski describes The Greenhouse Chicago, an innovative home that is both highly energy efficient and elegant. In Chapter 11, ceramicist David MacDonald describes his influences and work process. And, in the new profile in Chapter 6, artist Sara Mast describes an ambitious art and science collaboration begun in celebration of the ideas of Albert Einstein. We have also added a new feature called Success Stories. These short interviews explore connections between foundational coursework and career success. In Chapter Five, Elizabeth Nelson discusses her wide-ranging design work at the Shedd Aquarium in Chicago. In Chapter Six, Jane Parkerson Ferry describes her work as Curator of Education at the Orlando Museum of Art. Jason Chin's interview in Chapter Seven connects directly to his self-designed project in the Self Assignment feature earlier in the chapter. As a freshman at Syracuse University, he completed this ambitious illustration project as the final project in a Two-Dimensional Design course. In the Chapter Seven interview, he describes his current work as a professional illustrator. In Chapter Eight, Dennis Montagna describes connections between his art and design major and his current historical preservation work for the National Park Service. Almost fifty new images have been added, representing major contemporary artists and designers including Wolfgang Buttress, Do Ho Suh, Garo Antresian, Janet Ballweg, Phoebe Morris, Alain Cornu, and Natalya Zahn.

The Crystal Cave
The Hollow Hills
The Last Enchantment

Hers is the most extended portrait in all literature of this compelling figure of Dark Age myth and history. Merlin, the protector and tutor of Arthur, has usually been protrayed as an old man. But The Crystal Cave begins the trilogy with the story fo his perilous childhood as the bastard son of a Welsh king's daughter and the secret discovery of the magic arts that will set him apart from other men.

With the birth of Arthur, Merlin's guardianship began and the ancient legend continues in The Hollow Hills with the dramatic immediacy that is Mary Stewart's special gift. Arthur grew to young manhood, ignorant of his royal parentage, in the deep and dangerous forests of fifth-century England and Wales, where no law was stable and fierce battle rages amongst the brooding mountains. When, in due course, Merlin guided him to the sword that tested his claim to power and the crown, Arthur became king by right, and soon Merlin, his adviser, was to emerge, however obscurely, as the architect of the first United Britain.

King Arthur plunged instantly into violent warfare against the Saxons. But in The Last Enchantment there are also more dangerous and subtle enemies ranged against him: Mortgause, half-sister and seductress of Arthur; their child, Mordred; the friends and kin who will betray him. Merlin's darkest prophecies were realized one by one, yet his bright vision of the future kingdom did prevail, and he foresaw the mystic power that would be at the King's service as long as Arthur lived.

The imaginative brilliance of the Merlin Trilogy completes the life and character of Merlin which are left untold in the early legends. At the end of each of the novels, Mary Stewart has set down the substance of the original legends and with it the sources of her own variations. Her portrait of Merlin is a new legend in itself.

Born on Christmas Eve, Arthur Pendragon is the illegitimate son of the married duchess Ygraine and Uther Pendragon, brother of a great king: a union Merlin arranged. But Arthur's birth is not welcomed by everyone: his father demands he be hidden until a legitimate son can be born, and Merlin is forced to give the babe to his own childhood nurse for safekeeping and go into hiding. In a dream, Merlin learns of a sword of unparalleled beauty and extraordinary craftsmanship, hidden in a long-deserted Roman temple. Merlin retrieves the sword and hides it in a cave on an island in the centre of a lake, where it remains for years. But what is hidden must be revealed. For it is foretold that the irrepressible young man named Arthur will find a sword and claim his birthright: as heir to Uther Pendragon and king of the Britons.

From the original queen of the page-turner and author of Madam, Will You Talk? comes a thrilling tale set in a France as beautiful as it is deadly, perfect for fans of Agatha Christie and Barbara Pym. 'Mary Stewart is magic' New York Times 'One of the great British storytellers of the 20th century' Independent 'There are few to equal Mary Stewart' Daily Telegraph High in the rugged Pyrenees lies the Valley of the Storms, where a tiny convent clings to the beautiful but lonely mountainside. Jenny Silver arrives seeking her missing cousin, and is devastated when she learns of Gillian's death following a terrible car accident. But Jenny's suspicions are aroused when she's told the blue flowers ornamenting her cousin's grave were Gillian's favourite. Jenny knows Gillian was colour-blind - and so starts her mission to uncover what really happened to her. The growl and roar of thunder rolled an re-echoed from the mountains and the sword of the lightning stabbed down, and stabbed again, as if searching through the depths of the cringing woods for whatever sheltered there. 'A comfortable chair and a Mary Stewart: total heaven. I'd rather read her than most other authors.' Harriet Evans 'She built the bridge between classic literature and modern popular fiction. She did it first and she did it best.' Herald' 'One of the most stupendously successful authors ever' Sunday Express

Nicola Ferris, impetuous, attractive, and on holiday from the British Embassy in Athens, arrives in Crete a day ahead of schedule and discovers adventure and romance. Blithely savoring the wild beauty of the countryside, she stumbles across an assured young Englishman hiding out in the hills who is less than pleased to have been found. Before long, events begin to spiral in an alarmingly perilous fashion, leading to a stunning climax among the fishing boats of Agios Georgios Bay. With her keen delineation of character, Mary Stewart once again casts an enviable spell of suspense on readers.

Transport yourself to the idyllic hills of mid-century Crete in this tale of peril and intrigue, from the original queen of romantic suspense and author of Madam, Will You Talk? 'Mary Stewart is magic' New York Times 'One of the great British storytellers of the 20th century' Independent While on a walking holiday through the beautiful, deserted hills of Crete, Nicola Ferris stumbles across a critically injured Englishman, guarded by a fierce Greek. Nicola cannot abandon them and so sets off on a perilous search for their lost companion - all the while being pursued by someone who wants to make sure none of them leave the island . . . When the big white bird flew suddenly up among the glossy leaves and the lemon flowers, and wheeled into the mountain, I followed it. 'A comfortable chair and a Mary Stewart: total heaven. I'd rather read her than most other authors.' Harriet Evans 'She built the bridge between classic literature and modern popular fiction. She did it first and she did it best.' Herald

Alexander the Fatherless: nephew of the villainous King March of Cornwall, who murdered his father. Burning with vengeance, Alexander sets out on a journey to Camelot to seek justice from King Arthur. His path will lead him to the Dark Tower, where the sorceress Morgan le Fay lies in wait. Morgan seduces Alexander and sends him on a quest to Jerusalem to recover the Holy Grail - which she believes will help her take the throne. Alice the Pilgrim: daughter of a man who has sworn to journey to Jerusalem every three years, Alice grows to womanhood on the pilgrim's trail. And then she meets a boy who carries a cup - which he claims is the Holy Grail. Alice and her father will move heaven and earth to bring the Grail back to Britain. And Alexander will do anything to find it. Their quests will bring them together, and the day that Alexander and Alice meet will go down in legend. The Prince & the Pilgrim is the final installment of Mary Stewart's classic Arthurian Saga, a must-read for all fans of history, fantasy and great literature alike.

The Higher Court (1911) is a novel of religion and romance by Mary Stewart Daggett, a writer well-known in her community of Pasadena, California whose work has yet to find the audience it deserves. Father Barry, a young Catholic priest in the Midwest, is beginning to question his vows. A tense meeting with the local bishop, combined with a feeling of mental unease, have shaken Barry's faith to the core. Meanwhile, in the midst of a heavy blizzard, a letter arrives from Isabel Doan, a friend of Barry's from before he took his orders-she is stopping by to see him on her way to Southern California, where she is moving with her young son Reginald. When they arrive, Barry is shaken by a series of events-Reginald has come down with a terrible illness; news arrives of the death of his estranged mother; and his love for Isabel threatens to tear down the final vestige of his already fleeting faith. Faced with a choice, Father Barry abandons the cloth and travels to Europe, but he will soon find something stronger than religion to guide his heart back home. Mary Stewart Daggett's The Higher Court interrogates tradition in order to get to the truth, while simultaneously illuminating the inexorable changes faced by the nation and world in the early-twentieth century. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Stewart Daggett's The Higher Court is a newly unearthed classic of American literature reimagined for modern readers.

A thrilling, twisty tale of a dangerous romance set in the heart of mid-century Savoy, from the author of Madam, Will You Talk. 'Mary Stewart is magic' New York Times Linda Martin understands what is to be lonely: her parents died when she was young, and she was raised in an orphanage. When she is hired as a governess to the orphaned young Philippe, Comte de Valmy, Linda finds a kindred spirit in the lonely little boy. But Philippe is the heir to a vast estate in Savoy, and his dangerously handsome uncle may be willing to kill to ensure that Philippe never inherits it . . . Praise for Mary Stewart: 'A wonderful wordsmith' Scotsman 'I'd rather read her than most other authors' Harriet Evans 'One of the great British storytellers of the 20th century' Independent 'She set the benchmark for pace, suspense and romance - with a great dollop of escapism as the icing' Elizabeth Buchan Reader reviews of Nine Coaches Waiting: 'I was hooked from page one to page-the-end . . . Stewart is a wonderful writer' 'It had me in it's thrall from start to finish. I am compelled to recommend this book to anyone who loves a good read that keeps you on tenterhooks all the way through' 'I finished it at 4 in the morning. Talk about unputdownable!' 'A very good blend of thriller and romance . . . perfect for a lazy day by the pool'

First published in 1956, this haunting novel of suspense and romance set in the Scottish Hebrides blends pungent description with sheer terror as only Mary Stewart can. Most visitors to the Isle of Skye are there to climb the jagged peaks of Blaven or fish the many sparkling streams, but Gianetta Brooke came to forget Nicholas Drury--the husband she had painfully divorced. Upon arrival, however, Gianetta realizes that this won't be a typical vacation when she discovers that Nicholas is numbered among the guests at the small inn. Then, upon the treacherous slopes of Blaven, a murder is committed, and although Gianetta missed the first act of an eerie, unearthly crime, the murderer is set to strike again and again before a thrilling finale that pits Gianetta face-to-face with a madman.

First published 45 years ago, this is a beautiful new edition of Mary Stewart's beloved magical classic illustrated by Shirley Hughes - soon to be adapted into an animated film by the producer of The Tale of The Princess Kaguya.

'The little broomstick gave a leap, a violent twist, a kick like the kick of a pony.'

Mary's been exiled to her deaf great-aunt deep in the English countryside. Miserable and lonely, she befriends strange black cat Tib who leads her deep into the forest to a clump of unusual purple flowers and an ordinary looking little broomstick. Before Mary can gather her wits, the broomstick jumps into action, whisking her over the treetops, above the clouds, and in to the grounds of Endor College, school of witchcraft.

But something is terribly wrong at Endor. Students are taught spells that are petty and ill-wishing, and when Mary discovers evidence of a terrible and cruel experiment in transformation, she decides to leave. But the moment her broomstick takes off, she realises that Tib the cat has been captured ...

Mary Stewart is the bestselling author of fourteen romantic thrillers, including the classic novels This Rough Magic and The Moon-Spinners, and five historical fantasy novels of Arthurian Britain.

The animated film, called Mary and the Witch's Flower will be released in cinemas in 2017 by Yoshiaki Nishimura, producer of The Tale of The Princess Kaguya and When Marnie Was There.

By land and water shall it go home, and lie hidden in the floating stone until by fire it shall be raised again. Arthur has raised the sword and claimed his birthright as High King of Briton, determined to unite the many tiny kingdoms that make up his country. Now he sits upon his throne at Camelot with Merlin by his side, his most trusted adviser. But Merlin is growing old, and his sight is dimming. He knows that Mordred, child of Arthur's unknowing union with his half-sister Morgause, will be Arthur's downfall. But he cannot see the future clearly enough to know why, or how - or when. And he's distracted: his gifted young apprentice, Niniane, is more than meets the eye. As Merlin teaches her to control her powers, he seems to lose his own. Merlin has secured Arthur's place in history. Now he must take his own. The Arthurian Saga, begun in The Crystal Cave, The Hollow Hills and The Last Enchantment continues in The Wicked Day, the story of Arthur's last battle...