By some measure the most widely produced chemical in the world today, sulfuric acid has an extraordinary range of modern uses, including phosphate fertilizer production, explosives, glue, wood preservative and lead-acid batteries. An exceptionally corrosive and dangerous acid, production of sulfuric acid requires stringent adherence to environmental regulatory guidance within cost-efficient standards of production.

This work provides an experience-based review of how sulfuric acid plants work, how they should be designed and how they should be operated for maximum sulfur capture and minimum environmental impact. Using a combination of practical experience and deep physical analysis, Davenport and King review sulfur manufacturing in the contemporary world where regulatory guidance is becoming ever tighter (and where new processes are being required to meet them), and where water consumption and energy considerations are being brought to bear on sulfuric acid plant operations. This 2e will examine in particular newly developed acid-making processes and new methods of minimizing unwanted sulfur emissions.

The target readers are recently graduated science and engineering students who are entering the chemical industry and experienced professionals within chemical plant design companies, chemical plant production companies, sulfuric acid recycling companies and sulfuric acid users. They will use the book to design, control, optimize and operate sulfuric acid plants around the world.

Unique mathematical analysis of sulfuric acid manufacturing processes, providing a sound basis for optimizing sulfuric acid manufacturing processes.

Analysis of recently developed sulfuric acid manufacturing techniques suggestsadvantages and disadvantages of the new processes from the energy and environmental points of view.

Analysis of tail gas sulfur capture processes indicates the best way to combine sulfuric acid making and tailgas sulfur-capture processes from the energy and environmental points of view.

Draws on industrial connections of the authors through years of hands-on experience in sulfuric acid manufacture. "

Acclaimed British drama portraying the 1968 strike at Ford's Dagenham car plant, where female workers walked out in protest against sexual discrimination and unequal pay. Like many local women, Rita O'Grady (Sally Hawkins) works at the Ford assembly plant stitching seat covers. Although it is intricate work, carried out in sweltering conditions, she is paid the same as an unskilled labourer. But as time passes the female workers come to question this inequality, and eventually take their plight all the way to the House of Commons with the support of political firebrand Barbara Castle (Miranda Richardson).

We evaluate people all the time for a wide variety of activities. We blame them for miscalculations, uninspired art, and committing crimes. We praise them for detailed brushwork, a superb pass, and their acts of kindness. We accomplish things, from solving crosswords to mastering guitar solos. We bungle our endeavors, whether this is letting a friend down or burning dinner. Sometimes these deeds are morally significant, but many times they are not. Simply Responsible defends the radical proposal that the blameworthy artist is responsible in just the same way that the blameworthy thief is. We can be responsible for all kinds of different activities, from lip-synching to long division, from murders to meringues, but the relation involved, what author Matt King calls the basic responsibility relation, is the same in every case. We are responsible for the things we do first, then blameworthy or praiseworthy for having done them in light of whether they're good or bad, according to a variety of standards. Why is this a radical proposal? Firstly, because so much of the contemporary literature on moral responsibility has moralized its nature. According to most accounts, moral responsibility is either a special species of responsibility or else depends on moralized capacities. In contrast, King argues that we get a more complete and unifying picture of responsible agency from a more general theory of responsibility. Secondly, the proposal is radical due to its drastic simplicity. King foregoes many of the complications that feature in other accounts of responsibility, arguing that we can make do with less demanding theoretical elements.

Mental illness is an issue of great practical importance. Yet, despite sustained inquiry from scientists and philosophers alike, relatively little attention has been paid to the significance of mental disorder to agency and responsibility. While there is some work that touches on the topic, and a few extended treatments of particular disorders, these only scratch the surface. Agency in Mental Disorder seeks to provide a starting point for deeper and broader philosophical analyses. The 8 new essays in this book address various questions about the relationship between agency and mental disorder. What is the nature of that relationship? In what ways do mental disorders affect capacities for control? How should we understand the mitigations of blame that mental disorders seem to provide, and can we generalize from specific disorders to any interesting claims about disorders as a class? And what makes for a mental disorder in the first place?

Acclaimed British drama portraying the 1968 strike at Ford's Dagenham car plant, where female workers walked out in protest against sexual discrimination and unequal pay. Like many local women, Rita O'Grady (Sally Hawkins) works at the Ford assembly plant stitching seat covers. Although it is intricate work, carried out in sweltering conditions, she is paid the same as an unskilled labourer.

But as time passes the female workers come to question this inequality, and eventually take their plight all the way to the House of Commons with the support of political firebrand Barbara Castle (Miranda Richardson).

We cannot personally control many of the factors that challenge our current system of education, but each of us controls his or her attitude towards these challenges. It is this individual mindset which determines the approach each of us will take when we encounter difficulties in the education process. Developing a mindset that encourages personal responsibility, fosters participation and eliminates denial will best serve the cause of raising student achievement in ways that are both meaningful and lasting. With that purpose in mind, this book seeks to make explicit the concepts of ownership, leadership and management within the context of public education. Understanding the nature of these roles can better motivate and guide all stakeholders as they work to improve the performance of our schools. In the critical enterprise of creating successful life-long learners, we must all own American public education.

British comedy horror written and directed by Andy Edwards. The film follows friends Alex (Jordan Coulson), Az (Homer Todiwala) and Big Jim (Ed Kear) as they set off on holiday to Ibiza. Joined by Alex's sister Liz (Emily Atack) and her friend Ellie (Cara Theobold), the group begin enjoying their time in the sun. However, when sleazy nightclub owner Karl (Matt King) ships in a herd of zombies to liven up his club nights, it's not long before things go horribly wrong as the undead escape and begin to run riot across the island.

Danish director Nicolas Winding Refn paints this brutally violent portrait of Britain's most notorious prisoner, Charles Bronson (born Michael Peterson and later re-named by his fight promoter) - who has spent 34 years of his life in prison, and 28 of those in solitary confinement. As a teenager in the early 1970s, Bronson is jailed for seven years after robbing a post office. During his sentence he becomes increasingly violent and re-styles himself as a hardened criminal, convinced that his new persona will bring him the notoriety and fame he craves.

Dynasties Intertwined traces the turbulent relationship between the Zirids of Ifriqiya and the Normans of Sicily during the eleventh and twelfth centuries. In doing so, it reveals the complex web of economic, political, cultural, and military connections that linked the two dynasties to each other and to other polities across the medieval Mediterranean. Furthermore, despite the contemporary interfaith holy wars happening around the Zirids and Normans, their relationship was never governed by an overarching ideology like jihad or crusade. Instead, both dynasties pursued policies that they thought would expand their power and wealth, either through collaboration or conflict. The relationship between the Zirids and Normans ultimately came to a violent end in the 1140s, when a devastating drought crippled Ifriqiya. The Normans seized this opportunity to conquer lands across the Ifriqiyan coast, bringing an end to the Zirid dynasty and forming the Norman kingdom of Africa, which persisted until the Almohad conquest of Mahdia in 1160. Previous scholarship on medieval North Africa during the reign of the Zirids has depicted the region as one of instability and political anarchy that rendered local lords powerless in the face of foreign conquest. Matt King shows that, to the contrary, the Zirids and other local lords in Ifriqiya were integral parts of the far-reaching political and economic networks across the Mediterranean. Despite the eventual collapse of the Zirid dynasty at the hands of the Normans, Dynasties Intertwined makes clear that its emirs were active and consequential Mediterranean players for much of the eleventh and twelfth centuries, with political agency independent of their Christian neighbors across the Strait of Sicily.