The aim of Ethics and Self-Cultivation is to establish and explore a new ‘cultivation of the self’ strand within contemporary moral philosophy. Although the revival of virtue ethics has helped reintroduce the eudaimonic tradition into mainstream philosophical debates, it has by and large been a revival of Aristotelian ethics combined with a modern preoccupation with standards for the moral rightness of actions. The essays comprising this volume offer a fresh approach to the eudaimonic tradition: instead of conditions for rightness of actions, it focuses on conceptions of human life that are best for the one living it. The first section of essays looks at the Hellenistic schools and the way they influenced modern thinkers like Spinoza, Kant, Nietzsche, Hadot, and Foucault in their thinking about self-cultivation. The second section offers contemporary perspectives on ethical self-cultivation by drawing on work in moral psychology, epistemology of self-knowledge, philosophy of mind, and meta-ethics.

The aim of Ethics and Self-Cultivation is to establish and explore a new 'cultivation of the self' strand within contemporary moral philosophy. Although the revival of virtue ethics has helped reintroduce the eudaimonic tradition into mainstream philosophical debates, it has by and large been a revival of Aristotelian ethics combined with a modern preoccupation with standards for the moral rightness of actions. The essays comprising this volume offer a fresh approach to the eudaimonic tradition: instead of conditions for rightness of actions, it focuses on conceptions of human life that are best for the one living it. The first section of essays looks at the Hellenistic schools and the way they influenced modern thinkers like Spinoza, Kant, Nietzsche, Hadot, and Foucault in their thinking about self-cultivation. The second section offers contemporary perspectives on ethical self-cultivation by drawing on work in moral psychology, epistemology of self-knowledge, philosophy of mind, and meta-ethics.

Two centuries ago, native New Yorker Washington Irving exploded onto the literary scene of Europe with the publication of his breakout collection of stories, The Sketch Book of Geoffrey Crayon, Gent. Published in England and America in 1819 -1820, and universally praised for its inventive characters and soul-searching qualities, including the immortal tales "Rip Van Winkle" and "The Legend of Sleepy Hollow," the volume enjoyed remarkable transatlantic success, allowing Irving to become the first of his nation to support himself as a professional author. In this distinctive collection, historians and literary scholars come together to reassess Irving's imaginative world and complex cultural legacy. Alternately a satirist and a nostalgia merchant, Irving was ever absorbed in reconstituting a lost past, which the volume dubs "Rip Van Winkle's Republic." The assembled scholars explore issues of Anglo-American culture, the power of imagery, race, and the treatment of time and history in Irving's vast body of literature, as well as his status as a bibliophile, an antiquarian, and a prominent figure in an age of literary celebrity. Edited by acclaimed historians Andrew Burstein and Nancy Isenberg, Rip Van Winkle's Republic marks a rediscovery of this marvelous author of social satire and fabled tales of the past.

The gold epaulettes that George Washington wore into battle. A Union soldier’s bloody shirt in the wake of the Civil War. A crushed wristwatch after the 9/11 attacks. The bullet-riddled door of the Pulse nightclub. Volatile and shape-shifting, relics have long played a role in memorializing the American past, acting as physical reminders of hard-won battles, mass tragedies, and political triumphs. Surveying the expanse of U.S. history, American Relics and the Politics of Public Memory shows how these objects have articulated glory, courage, and national greatness as well as horror, defeat, and oppression. While relics mostly signified heroism in the nation’s early years, increasingly, they have acquired a new purpose—commemorating victimhood. The atrocious artifacts of lynching and the looted remains of Native American graves were later transformed into shameful things, exposing ongoing racial violence and advancing calls for equality and civil rights. Matthew Dennis pursues this history of fraught public objects and assesses the emergence of new venues of memorialization, such as virtual and digital spaces. Through it all, relics continue to fundamentally ground and shape U.S. public memory in its uncertain present and future.

The gold epaulettes that George Washington wore into battle. A Union soldier’s bloody shirt in the wake of the Civil War. A crushed wristwatch after the 9/11 attacks. The bullet-riddled door of the Pulse nightclub. Volatile and shape-shifting, relics have long played a role in memorializing the American past, acting as physical reminders of hard-won battles, mass tragedies, and political triumphs. Surveying the expanse of U.S. history, American Relics and the Politics of Public Memory shows how these objects have articulated glory, courage, and national greatness as well as horror, defeat, and oppression. While relics mostly signified heroism in the nation’s early years, increasingly, they have acquired a new purpose—commemorating victimhood. The atrocious artifacts of lynching and the looted remains of Native American graves were later transformed into shameful things, exposing ongoing racial violence and advancing calls for equality and civil rights. Matthew Dennis pursues this history of fraught public objects and assesses the emergence of new venues of memorialization, such as virtual and digital spaces. Through it all, relics continue to fundamentally ground and shape U.S. public memory in its uncertain present and future.

"Seneca Possessed" examines the ordeal of a Native people in the wake of the American Revolution. As part of the once-formidable Iroquois Six Nations in western New York, Senecas occupied a significant if ambivalent place within the newly established United States. They found themselves the object of missionaries' conversion efforts while also confronting land speculators, poachers, squatters, timber-cutters, and officials from state and federal governments.In response, Seneca communities sought to preserve their territories and culture amid a maelstrom of economic, social, religious, and political change. They succeeded through a remarkable course of cultural innovation and conservation, skillful calculation and luck, and the guidance of both a Native prophet and unusual Quakers. Through the prophecies of Handsome Lake and the message of Quaker missionaries, this process advanced fitfully, incorporating elements of Christianity and white society and economy, along with older Seneca ideas and practices.But cultural reinvention did not come easily. Episodes of Seneca witch-hunting reflected the wider crises the Senecas were experiencing. Ironically, as with so much of their experience in this period, such episodes also allowed for the preservation of Seneca sovereignty, as in the case of Tommy Jemmy, a Seneca chief tried by New York in 1821 for executing a Seneca "witch." Here Senecas improbably but successfully defended their right to self-government. Through the stories of Tommy Jemmy, Handsome Lake, and others, "Seneca Possessed" explores how the Seneca people and their homeland were "possessed"--culturally, spiritually, materially, and legally--in the era of early American independence.

SAVE 20% on our new and recent titles in American History. Enter the promotional code CCHO at checkout. Discounts are applied to the price of the book, not to shipping or sales tax (if applicable).The Fourth of July, Thanksgiving, Washington's Birthday, Memorial Day, Columbus Day, Labor Day, Martin Luther King's Birthday, and other celebrations matter to Americans and reflect the state of American local and national politics. Commemorations of cataclysmic events and light, apparently trivial observances mirror American political and cultural life. Both reveal much about the material conditions of the United States and its citizens' identities, historical consciousness, and political attitudes. Lying dormant within these festivals is the potential for political consequence, controversy, even transformation. American political fetes remain works in progress, as Americans use historical celebrations as occasions to reinvent themselves and their nation, often with surprising results. In six engaging chapters-assaying particular political holidays over the course of their histories, Red, White, and Blue Letter Days examines how Americans have shaped and been shaped by their calendar.Matthew Dennis explores this vast political and cultural terrain, charting how Americans defined their identities through celebration. Independence Day invited African Americans to demand the equality promised in the Declaration of Independence, for example, just as Columbus Day-celebrating the Italian, Catholic explorer-helped immigrants proclaim their legitimacy as Americans. Native Americans too could use public holidays, such as Thanksgiving or Veterans Day, to express dissent or demonstrate their claims tocitizenship. Merchants and advertisers colonized the American calendar, moving in to sell their products by linking them, often tenuously, with holiday occasions or casting consumption as a patriotic act.

Riot and revelry have been mainstays of English and European history writing for more than a generation, but they have had a more checkered influence on American scholarship. Despite considerable attention from "new left" historians during the 1970s and early 1980s, and more recently from cultural and "public sphere" historians in the mid-1990s, the idea of America as a colony and nation deeply infused with a culture of public performance has not been widely demonstrated the way it has been in Britain, France, and Italy. In this important volume, leading American historians demonstrate that early America was in fact an integral part of a broader transatlantic tradition of popular disturbance and celebration.

The first half of the collection focuses on "rough music" and "skimmington"--forms of protest whereby communities publicly regulated the moral order. The second half considers the use of parades and public celebrations to create national unity and overcome divisions in the young republic.

Contributors include Roger D. Abrahams, Susan Branson, Thomas J. Humphrey, Susan E. Klepp, Brendan McConville, William D. Piersen, Steven J. Stewart, and Len Travers. Together the essays in this volume offer the best introduction to the full range of protest and celebration in America from the Revolution to the Civil War.

The Fourth of July, Thanksgiving, Washington's Birthday, Memorial Day, Columbus Day, Labor Day, Martin Luther King's Birthday, and other celebrations matter to Americans and reflect the state of American local and national politics. Commemorations of cataclysmic events and light, apparently trivial observances mirror American political and cultural life. Both reveal much about the material conditions of the United States and its citizens' identities, historical consciousness, and political attitudes. Lying dormant within these festivals is the potential for political consequence, controversy, even transformation. American political fetes remain works in progress, as Americans use historical celebrations as occasions to reinvent themselves and their nation, often with surprising results. In six engaging chapters -- assaying particular political holidays over the course of their histories, Red, White, and Blue Letter Days examines how Americans have shaped and been shaped by their calendar.

Matthew Dennis explores this vast political and cultural terrain, charting how Americans defined their identities through celebration. Independence Day invited African Americans to demand the equality promised in the Declaration of Independence, for example, just as Columbus Day -- celebrating the Italian, Catholic explorer -- helped immigrants proclaim their legitimacy as Americans. Native Americans too could use public holidays, such as Thanksgiving or Veterans Day, to express dissent or demonstrate their claims to citizenship. Merchants and advertisers colonized the American calendar, moving in to sell their products by linking them, often tenuously, with holiday occasions or casting consumptionas a patriotic act.

This book examines the peculiar new worlds of the Five Nations of the Iroquois, the Dutch, and the French, who shared cultural frontiers in seventeenth century North America. Matthew Dennis employs methods and materials from a range of disciplines, including archaeology, ethnology, folklore, literary criticism, and history, to reconstruct those worlds and analyze the consequences of their mingling with one another. Dennis likens his book to a cubist painting that describes and orders multiple elements on canvas but consciously avoids dissolving them into a single angle of vision. Viewing early America from the different perspectives of the diverse people who coexisted uneasily during the colonial encounter between Europeans and Indians, he explains a long-standing paradox: the apparent belligerence of the Five Nations, a people who saw themselves as promoters of universal peace. In a radically new interpretation of the Iroquois, Dennis argues that the Five Nations sought to incorporate their new European neighbors as kinspeople into their Longhouse, the physical and symbolic embodiment of Iroquois domesticity and peace. He offers a close, original reading of the fundamental political myth of the Five Nations, the Deganawidah Epic and situates it historically and ideologically in Iroquois life. Detailing the particular nature of Iroquois peace, he describes the Five Nations' diligent efforts to establish peace on their own terms and the frustrations and hostilities that stemmed from the fundamental contrast between Iroquois and European goals, expectations, and perceptions of human relationships.

This book examines the peculiar new worlds of the Five Nations of the Iroquois, the Dutch, and the French, who shared cultural frontiers in seventeenth century North America. Matthew Dennis employs methods and materials from a range of disciplines, including archaeology, ethnology, folklore, literary criticism, and history, to reconstruct those worlds and analyze the consequences of their mingling with one another. Dennis likens his book to a cubist painting that describes and orders multiple elements on canvas but consciously avoids dissolving them into a single angle of vision. Viewing early America from the different perspectives of the diverse people who coexisted uneasily during the colonial encounter between Europeans and Indians, he explains a long-standing paradox: the apparent belligerence of the Five Nations, a people who saw themselves as promoters of universal peace. In a radically new interpretation of the Iroquois, Dennis argues that the Five Nations sought to incorporate their new European neighbors as kinspeople into their Longhouse, the physical and symbolic embodiment of Iroquois domesticity and peace. He offers a close, original reading of the fundamental political myth of the Five Nations, the Deganawidah Epic and situates it historically and ideologically in Iroquois life. Detailing the particular nature of Iroquois peace, he describes the Five Nations' diligent efforts to establish peace on their own terms and the frustrations and hostilities that stemmed from the fundamental contrast between Iroquois and European goals, expectations, and perceptions of human relationships.